E. T. A. Hoffmann's Musical Writings


Book Description

This book offers a long-awaited opportunity to assess the thought and influence of one of the most famous of all writers on music and the musical links with his fiction. Containing the first complete appearance in English of Kreisleriana, it reveals a masterpiece of imaginative writing and whose profound humour and irony can now be fully appreciated.




Schumann's Music and E.T.A. Hoffmann's Fiction


Book Description

John MacAuslan interprets four great Schumann works in the context of their literary connections and Romantic aesthetic concepts.




E.T.A. Hoffmann's Musical Aesthetics


Book Description

Whilst E.T.A. Hoffmann (1776-1822) is most widely known as the author of fantastic tales, he was also prolific as a music critic, productive as a composer, and active as a conductor. This book examines Hoffmann's aesthetic thought within the broader context of the history of ideas of the late-18th and early-19th centuries, and explores the relationship between his musical aesthetics and compositional practice. The first three chapters consider his ideas about creativity and aesthetic appreciation in relation to the thought of other German romantic theorists, discussing the central tenets of his musical aesthetic - the idea of a 'religion of art', of the composer as a 'genius', and the listener as a 'passive genius'. In particular the relationship between the multifaceted thought of Hoffmann and Friedrich Schleiermacher is explored, providing some insight into the way in which diverse intellectual traditions converged in early-19th-century Germany.




The Best Tales of Hoffmann


Book Description

Ten of Hoffmann's greatest tales, enormously popular in Europe but rarely seen in the United States: "The Golden Flower Pot," "Automata," "Nutcracker and the King of Mice," "The Sand Man," and 6 others.




The Cremona Violin (Fantasy and Horror Classics)


Book Description

Many of the earliest occult stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.




King's Bride


Book Description

Happily engaged to the poet Amandus, Fraulein Anna is horrified to discover that a beautiful ring, mysteriously deposited upon her finger whilst tending her kitchen garden, forces her into marriage with the gnome Corduanspitz. Can Anna find any way of removing the ring? Will her poet lover shake off his passive demeanour and come to her aid? And has Corduanspitz truly relinquished all ties to his gnome heritage, as he so proudly claims?Around a love story very much of its time, Hoffman arranges a narrative that brings to mind the most successful elements of contemporary magical realism and surreal comedy. Always entertaining, yet capable of a focused though subtle morality, "e;The King's Bride"e; brings disparate elements into a masterful harmony.




Metaphors of Depth in German Musical Thought


Book Description

What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.




Master Flea


Book Description

Ernst Theodor Amadeus Hoffmann was a contemporary of Ludwig von Beethoven: a composer himself, a music critic, and a late-German-Romantic-movement writer of novels and numerous short stories. His incisive wit and poetic imagery allow the reader to peer into the foibles of society and the follies of human psychology. (In fact, Hoffmann’s wit may have gotten him into a bit of legal trouble, as parts of Master Flea were censored and had to be reworked when authorities disliked certain satirical criticisms of contemporary dealings of the court system.) Join gentleman bachelor Peregrine Tyss as his life as a recluse takes a twist, when he gains an epic advantage of tiny proportions. Part proto-science-fiction and part Romantic fantasy, Master Flea follows the fate of a mysterious, captivating princess at the intersection of numerous suitors, human and insect. Like a lesson from a fable or a tale of classical mythology, Hoffmann’s fairy-tale allegory shows how seeking forbidden knowledge can poison the soul, and how following the heart can heal it.




E.T.A. Hoffmann and the Serapiontic Principle


Book Description

A comprehensive investigation of Hoffmann's "Serapiontic Principle" and what it implies for his oeuvre.Critics have long sought to elucidate the multilayered texts of E. T. A. Hoffmann by applying to them a particular set of theories and ideas that Hoffmann himself subsumed under the heading of the "Serapiontic Principle." This principle, which Hoffmann expounded in his collection of tales Die Serapionsbrüder, involves a complex intersection of the artist's faculties of imagination and perception. However, Hoffmann's mode of presenting his theory presents an unusual problem: rather than the usual form of an essay or treatise, he adopts a fictional framework, complete with a set of "characters"; this in turn sets up a number of perspectives on the theory itself. This combination of literary and theoretical elements presents a severe challenge to critics, and not surprisingly there has been little agreement about what the "principle" actually entails or its wider relevance. With the principle as prime focus, this book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is Professor of German at St Hilda's College, University of Oxford.his book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is Professor of German at St Hilda's College, University of Oxford.his book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is Professor of German at St Hilda's College, University of Oxford.his book provides detailed analysis of a broadly based selection of Hoffmann's texts, both theoretical and literary. It offers new perspectives on his narrative invention and the range of his theoretical interests, thus redefining his place at the forefront of German Romanticism. Hilda Meldrum Brown is Professor of German at St Hilda's College, University of Oxford.




Music and Literature in German Romanticism


Book Description

During the Romantic era, many in Germany believed music to be the highest art form, representing the quintessence of Romanticism and able to express what could not be expressed in words. This book studies the work of composers during this period and examines the cross-over between music and literature.