Eagle Catching Myth


Book Description

Located in Southwest Collection.













Eagle Dreams


Book Description

Mongolia is a vast country located between Siberia and China, and little-known to outsiders. As Mongolia had long been under Soviet rule, it was inaccessible to Westerners. That was until 1990, when Stephen J. Bodio began planning his trip. As a boy, Bodio was always fascinated with nature. When he saw an image in National Geographic of a Kazakh nomad, dressed in a long coat and wearing a fur hat, holding a huge eagle on his fist, his life was changed from then on. When Mongolia became independent in 1990, Bodio knew that his dream to see the eagle hunters from the picture in National Geographic“/i> so many years ago was soon to become a reality. In Eagle Dreams, readers follow Bodio on his long-awaited trip to Mongolia, where he spent months with the people and birds of his dreams. He is finally able to visit the birth place of falconry and observe the traditions that have survived intact through the ages. Not only does he get to witness things most people will never be able to, but he’s also able to give life to his dreams and the people, landscapes, and animals of Mongolia that have become part of his soul.




Mythology and Values


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In this book, Katherine Spencer examines Navaho cultural values by studying a specific subset of Navaho mythology: chantway myths, part of ceremonies performed to cure illness. She begins with a summary of the general plot construction of chantway myths and the value themes presented in these plots, then discusses “explanatory elements” inserted by the narrators of the myths. She continues with a deeper analysis of the cultural value judgements conveyed by these myths. At the end of the book, Spencer includes abstracts of the myths she discusses.







Bulletin


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First, Catch


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“Eagle, a chef and food writer, uses a nine-dish lunch as the occasion to ruminate about cooking, and life” (New York Times Book Review). First, Catch is a cookbook without recipes, an invitation to journey through the digressive mind of a chef at work, and a hymn to a singular nine-dish festive spring lunch. In Eagle’s kitchen, open shelves reveal colorful jars of vegetables pickling over the course of months, and a soffritto of onions, celery, and carrots cook slowly under a watchful gaze in a skillet heavy enough to double as a murder weapon. Eagle has both the sharp eye of a food scientist as he tries to identify the seventeen unique steps of boiling water, as well as of that of a roving food historian as he ponders what the spice silphium tasted like to the Romans, who over-ate it to worldwide extinction. He is a tour guide to the world of ingredients, a culinary explorer, and thoughtful commentator on the ways immigration, technology, and fashion has changed the way we eat. He is also a food philosopher, asking the question: at what stage does cooking begin? Is it when we begin to apply heat or acid to ingredients? Is it when we gather and arrange what we will cook—and perhaps start to salivate? Or does it start even earlier, in the wandering late-morning thought, “What should I eat for lunch?” Irreverent and charming, yet also illuminating and brilliantly researched, First, Catch encourages us to slow down and focus on what it means to cook. With this astonishing and beautiful book, Thom Eagle joins the ranks of great food writers like M.F.K. Fisher, Alice Waters, and Samin Nosrat in offering us inspiration to savor, both in and out of the kitchen. Winner of the Fortnum and Mason’s Debut Food Book Award Shortlisted for the 2018 Andre Simon Food & Drink Book of the Year BBC Radio 4 Food Programme Best Foodbooks of 2018 Times Best Food Books of 2018 Financial Times Summer Food Books of 2018 “A contemplation of cooking and eating, a return to the great tradition of food writing inspired by M.F.K. Fisher’s The Gastronomical Me . . . Eagle writes with a wit and sharpness that can turn a chapter on fermenting pickles into a riff on death and decay while still making it seem like something you would like to put in your mouth.” —Mark Haskell Smith, Los Angeles Times “In two dozen short chapters linked like little sausages, he serves up a bounty of fresh, often tart opinions about food and cooking . . . Eagle is a natural teacher; his enthusiasm and broad view of food preparation is both instructive and inspiring . . . Eagle’s prose, while conversational in tone, is as crafted and layered as his cuisine. Never bland, it is also brightly seasoned with strong opinions . . . Rare among food writing, this book is bound to change the way you think about your next meal.” —Heller McAlpin, Christian Science Monitor




Tsimshian Mythology


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