Temple Architecture and Art of the Early Chalukyas


Book Description

The early Chalukyas of Badami (c. 6th-8th centuries) are known to have built a large number of rock-cut and structural temples, scattered over the entire Karnataka. In this south Indian state, their distinctive monuments can be seen in Aihole, Badami, Pattadakal, Mahakuta, and a few other places. By the end of the 6th century, they had also excavated highly impressive rock-cut temples at Badami and Aihole. These Early Chalukyan monuments are of special interest - for they mark a transition from cutting into rock to free-standing constriction. They are distinctive for their architectural styles as well. In these religious monuments can also be perceived an intermingling of Dravida and Nagara idioms to produce schemes that combine myriad attributes, derived from different traditions. This splendid technical and stylistic variety is further supplemented by local architectural practices, which come to be blended with the more widespread Dravida and Nagara idioms. Apart from all this, these Early Chalukyan temples are remarkable for the sheer beauty of their figural and decorative carvings.00For the first time, perhaps, this book offers a comprehensive study of the Early Chalukya temples from the Central Karnataka region. With prefatory chapters on their historical backdrop, architectural nuances and sculptural art, George Michell meticulously examines both the rock-cut and free-standing temples of Badami, Mahakuta, Aihole, and Pattadakal – together with over a hundred of his measured drawings which, taken from his Ph.D dissertation, present an exhaustive graphic documentation, never attempted before. In addition, the book includes about 200 at-once-engaging photographs, taken by Surendra Kumar – a specialist in panoramic topographic views.00Dr George Michell is a widely reputed architect, who, in collaboration with John M. Fritz, has successfully completed numerous documentation and research projects at Hampi, Vijayanagara.




Architectural Wonder AIHOLE The Early Western Chalukyas


Book Description

This is a complete guide book to monuments at Aihole, a site with the rich architecture of the early western Chalukyas. Aihole "The Cradle of Indian Architecture" once known as Aryapura is considered to be the first settlement of the Chalukyas. The present Aihole is popular for remains of Early Western Chalukyas. This village is rich with monuments of varied Architecture and is scattered all over the village. The major attraction here are the temples in the "Central Site of Monuments" an enclosure housing remains of earliest temples. There are also other temples and caves found around the central site.




Early Chālukya Art at Aihoḷe


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Badami, Aihole, Pattadakal


Book Description

The town of Badami, the nearby villages of Aihole and Pattadakal, and the pilgrimage site of Mahakuta, in the Malprabha valley of central Karnataka, are celebrated for their magnificent rock-cut shrines and structural temples. These Hindu and Jain monuments are associated with the Early Chalukyas who reigned over this part of the Deccan during the 6th-8th centuries. Together with a profusion of magnificent sculptures, mostly found in situ, these shrines and temples may be considered among the earliest, best preserved vestiges of temple art in India. This guidebook, the first ever for the Badami region, is authored by a scholar whose PhD was on Early Chalukya architecture. The text is illustrated with regional and town maps, building plans, and more than 130 splendid color photographs.




Indian Temple Architecture


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South Asian Archaeology 1975


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Art Shrines of Ancient India


Book Description

Art Shrines Of Ancient India Deals With The Art Treasures Of Selected Archaeological Sites In The Various State.5 Of India. The Sites Dealt With Are: Sarnath, Sanchi, Kanchipuram, Mamallapuram Cmahabalipuram) , Temples Of Chamba, Aihole, Badami, Pattadakkal, Elephanta, Euora, Ajanta,Nalanda, Konarak, Halebid, Belur, Khajuraho, Suchindram, Mandu, Madurai, Chittor And Mount Abu. Profusely Illustrated, The Book Peeps In~O The Historical And Mythological Past Of Each Site And Evaluates The Artistic Contri- Butions Of The Various Ruling Dynasties: The Mauryas, The Sungas, The Guptas, The Pallavas, The Chalukyas, The Rashtrakutas, Thepalas, The Senas,. The Gangas, The Cholas, The Hoysalas, The Chandellas, The Pandyas And The Nayaks. The Book Also Deals With The Siva-Sakti Theme And Homage To The Sun In The Art Of Ancient India And Indicates How These Are Depicted In The Various Temples Of I!Ldia. This Book Will Be An Invaluable Guide To All Tourists, Especially Foreigners And Non- Resident Indians, Who Want To Savour, In A Short Time, The Rich Artistic Heritage Displayed In The Famous Temples And Archaeological Sites In India.




The Art of Ancient India


Book Description

To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.




Chalukyan Temples of Andhradesa


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Study of architecture.




The Art and Architecture of the Indian Subcontinent


Book Description

Thirty years' research and first-hand knowledge of the area have enabled the author to trace the cultural contacts which have contributed to the rich mosaic of sculpture, temples, mosques, and painting that have gone towards the creation of one of the great civilizations of the world.