The Later Flemish Pictures in the Collection of Her Majesty The Queen


Book Description

The catalog opens with a detailed account of the growth of the collection from the early Stuarts to the reign of Queen Victoria. Particular attention is given to Charles I's close relations with Rubens, and since later members of the royal family also made important acquisitions, the full range of Rubens' practice is covered by the catalog: there are works entirely by his hand as well as works carried out with known collaborators or with the help of his studio. An outstanding group of genre paintings by David Teniers the Younger is examined and illustrated, and paintings by Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens round out the collection.







Dutch Pictures in the Collection of Her Majesty the Queen


Book Description

Since the publication of Christopher White's originial catalogue in 1982, scholarship in this area has advanced dramatically and many of the paintings in the collection, including several by Rembrandt, have been reattributed. Many of the works under study have also been cleaned and all are now presented here for the first time with full colour illustrations.0The Royal Collection has one of the finest collections of Dutch paintings in the world and this will be the first book in 30 years to do full justice to its richness and importance.










The Paintings in the Royal Collection


Book Description

Gathered over the centuries by successive British monarchs, the Royal Collection contains some 7000 paintings. This book describes the formation of the collection by three successive connoisseur sovereigns, Charles I, George IV and Queen Victoria. Adopting a thematic and wide-ranging approach, it presents the paintings from five different angles: the effect of the Reformation on English painting and the importance of the Grand Tour; animal and landscape painting; state visits, diplomacy and warfare; informal pictures of monarchs and their families; and state portraits and large-scale ceremonial paintings including the coronation of Queen Victoria.




Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting | catalogue


Book Description

This is the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is an appendix to the book Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting. The catalogue can be accessed and downloaded for free as well as be purchased in hardback.




America and the Art of Flanders


Book Description

A collection of essays by twelve scholars and museum curators examining the allure of Flemish painting to Americans over the past centuries, chronicling the roles played by determined individuals in forming private and public collections.




Exhibition Early English, Dutch and Flemish Paintings


Book Description

Excerpt from Exhibition Early English, Dutch and Flemish Paintings: At the Blakeslee Galleries President Royal Academy from 1830 to 1845. A por trait painter of distinction. Born in Ireland, 1769. He had many royal sitters, including the Duke of Clarence, Wil liam IV., and Queen Adelaide, as well as Her Majesty, Queen Victoria, and he painted a number of theatrical portraits, among them Lewis, Stephen Kemble, Pope, and F awcett. Occasionally he evolved classical compositions, but his reputation rests mainly on his portrait work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.