Edward and Nancy Kienholz
Author : Edward Kienholz
Publisher :
Page : 176 pages
File Size : 16,21 MB
Release : 1989
Category :
ISBN :
Author : Edward Kienholz
Publisher :
Page : 176 pages
File Size : 16,21 MB
Release : 1989
Category :
ISBN :
Author : Edward Kienholz
Publisher :
Page : 310 pages
File Size : 17,58 MB
Release : 1996
Category : Art, American
ISBN :
Published on the occasion of a retrospective exhibition at the Whitney Museum of American Art, New York, this work is a monograph of the work of Edward Kienholz and his wife and partner, Nancy Reddin Kienholz. Starting in 1954, Edward Kienholz worked against the grain of formal abstract art, gradually forsaking painting in favour of assemblage techniques. In these works, Kienholz addressed issues of war, abortion, prostitution, government indifference and human cruelty.
Author : Christina Carlos
Publisher :
Page : pages
File Size : 19,22 MB
Release : 2016
Category : Television in art
ISBN : 9780996641005
Author : Melissa Ho
Publisher : Princeton University Press
Page : 417 pages
File Size : 47,61 MB
Release : 2019-04-02
Category : Art
ISBN : 0691191182
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."
Author : Edward Kienholz
Publisher :
Page : 100 pages
File Size : 10,47 MB
Release : 2007
Category : Crucifixion in art
ISBN :
Author : Sylvia Lavin
Publisher :
Page : 0 pages
File Size : 23,39 MB
Release : 2013
Category : Architecture, American
ISBN : 9783869844527
Published on the occasion of an exhibition of the same name at Yale School of Architecture Gallery, August 28-November 9, 2013.
Author : Ralph Rugoff
Publisher : MIT Press (MA)
Page : 172 pages
File Size : 41,3 MB
Release : 1997
Category : Art
ISBN :
The book is not about works of art that simply document criminal acts. Rather, it is about a strain of art that presents the art object as a clue to absent meanings or actions.
Author : Brian O'Doherty
Publisher : Univ of California Press
Page : 128 pages
File Size : 24,49 MB
Release : 1999
Category : Art
ISBN : 9780520220409
These essays explicitly confront a particular crisis in postwar art, seeking to examine the assumptions on which the modern commercial and museum gallery was based.
Author : Michael Duncan
Publisher :
Page : 0 pages
File Size : 10,16 MB
Release : 2012
Category : Abject art
ISBN : 9780983587026
Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac.
Author : Claudia Hopkins
Publisher : Routledge
Page : 0 pages
File Size : 48,49 MB
Release : 2024-10-14
Category : Art
ISBN : 9781032917986
Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War - Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.