Edging Women Out


Book Description

Before about 1840, there was little prestige attached to the writing of novels, and most English novelists were women. By the turn of the twentieth century, "men of letters" acclaimed novels as a form of great literature, and most critically successful novelists were men. In the book, sociologist Gaye Tuchman examines how men succeeded in redefining a form of culture and in invading a white-collar occupation previously practiced mostly by women. Tuchman documents how men gradually supplanted women as novelists once novel-writing was perceived as potentially profitable, in part because of changes in the system of publishing and rewarding authors. Drawing on unusual data ranging from the archives of Macmillan and company (London) to an analysis of the lives and accomplishments of authors listed in the Dictionary of National Biography, she shows that rising literacy and the centralization of the publishing industry in London after 1840 increased literary opportunities and fostered men’s success as novelists. Men redefined the nature of a good novel and applied a double standard in critically evaluating literary works by men and by women. They also received better contracts than women for novels of equivalent quality and sales. They were able to accomplish this, says Tuchman, because they were to a large extent the culture brokers – the publishers, publishers’ readers, and reviewers of an elite art form. Both a sociological study of occupational gender transformation and a historical study of writing and publishing, this book will be a rich resource for students of the sociology of culture, literary criticism, and women’s studies.




Edging Women Out


Book Description

Before 1840 there was little prestige attached to the writing of novels, and most English novelists were women. By the turn of the 20th century, 'men of letters' acclaimed novels as a form of great literature, and most successful novelists were men. Here, Gaye Tuchman examines how men redefined this form of literary expression.




William Clark Russell and the Victorian Nautical Novel


Book Description

William Clark Russell wrote more than forty nautical novels. Immensely popular in their time, his works were admired by contemporary writers, such as Conan Doyle, Stevenson and Meredith, while Swinburne, considered him 'the greatest master of the sea, living or dead'. Based on extensive archival research, Nash explores this remarkable career.




Becoming a Woman of Letters


Book Description

'Becoming a Woman of Letters' examines the ways in which women negotiated the market realities of authorship & looks at the myths & models constructed by women writers to elevate their place in the profession during the 19th century.




Macmillan’s Magazine, 1859–1907


Book Description

Macmillan's Magazine has long been recognized as one of the most significant of the many British literary/intellectual periodicals that flourished in the second half of the nineteenth century. Yet the first volume of the Wellesley Index to Victorian Periodicals (1966) pointed out that 'There is no study of Macmillan's Magazine' - and that lack has been only partially remedied in all the decades since. In this work, George Worth addresses five principal questions. Where did Macmillan's come from, and why in 1859? Who or what was the guiding spirit behind the Magazine, especially in its early, formative years? What cluster of ideas gave it such coherence as it manifested during that period? How did it and its parent firm deal with authors and juggle their periodical work and the books they produced for Macmillan and Co.? And what, finally, accounted for the palpable decline in the quality and fiscal health of Macmillan's during the last 25 years of its life and, ultimately, for its death? Worth includes a treasure trove of original material about the Magazine much of it drawn from unpublished manuscripts and other previously untapped primary sources. Macmillan's Magazine, 1859-1907 contributes to the understanding not only of one significant Victorian periodical but also, more generally, of the literary and cultural milieu in which it originated, flourished, declined, and expired.




Dead Secrets


Book Description

Readers have long been enthralled by the novels of Wilkie Collins, whose The Moonstone is considered the first modern detective novel, This book by Tamar Heller places Collins within Victorian literary history, showing how his fiction transforms the conventions of the traditionally female genre of the Gothic novel and can be read as a critique of the gender and class distinctions that structured Victorian society.




Distant Horizons


Book Description

Just as a traveler crossing a continent won’t sense the curvature of the earth, one lifetime of reading can’t grasp the largest patterns organizing literary history. This is the guiding premise behind Distant Horizons, which uses the scope of data newly available to us through digital libraries to tackle previously elusive questions about literature. Ted Underwood shows how digital archives and statistical tools, rather than reducing words to numbers (as is often feared), can deepen our understanding of issues that have always been central to humanistic inquiry. Without denying the usefulness of time-honored approaches like close reading, narratology, or genre studies, Underwood argues that we also need to read the larger arcs of literary change that have remained hidden from us by their sheer scale. Using both close and distant reading to trace the differentiation of genres, transformation of gender roles, and surprising persistence of aesthetic judgment, Underwood shows how digital methods can bring into focus the larger landscape of literary history and add to the beauty and complexity we value in literature.




Nationalism and Literature


Book Description

Sarah Corse's analysis of nearly two hundred American and Canadian novels offers a theory of national literatures. Demonstrating that national canon formation occurs in tandem with nation-building, and that canonical novels play a symbolic role in this, this 1996 book accounts for cross-national literary differences, addresses issues of mediation and representation in theories of 'reflection', and illuminates the historically constructed nature of the relationship between literature and the nation-state.




All Kinds of Scary


Book Description

Horror fiction--in literature, film and television--display a wealth of potential, and appeal to diverse audiences. The trope of "the black man always dies first" still, however, haunts the genre. This book focuses on the latest cycle of diversity in horror fiction, starting with the release of Get Out in 2017, which inspired a new speculative turn for the genre. Using various critical frameworks like feminism and colonialism, the book also assesses diversity gaps in horror fictions, with an emphasis on marketing and storytelling methodology. Reviewing the canon and definitions of horror may point to influences for future implications of diversity, which has cyclically manifested in horror fictions throughout history. This book studies works from literature, film and television while acknowledging that each of the formats are distinct artforms that complement each other. The author compares diverse representation in novels like The Castle of Otranto, Frankenstein, Fledgling, Broken Monsters and Mexican Gothic. Horror films like Bride of Frankenstein, It Comes at Night, Us and Get Out are also examined. Lastly, the author emphasizes the diverse horror fictions in television, like The Exorcist, Fear the Walking Dead, The Twilight Zone and Castle Rock.




Popular Victorian women writers


Book Description

Popular Victorian women writers considers a diverse group of women writers within the Victorian literary marketplace. It looks at authors such as Ellen Wood, Mary Braddon, Rhoda Broughton and Charlotte Yonge as well as less well-known writers including Jessie Fothergill and Eliza Meteyard. Each essay sets the individual author within her biographical and literary context and provides refreshing insights into their work. Together they bring the work of largely unknown authors and new perspectives on known authors to critical and public attention. Accessible and informative, the book is ideal for students of Victorian literature and culture as well as tutors and scholars of the period.