Edith Wharton's Italian Gardens


Book Description

This elegant new volume combines Edith Wharton's sensual prose tour of Italy's most gorgeous gardens with stunning photographs that capture these lush spaces in all their past, present, and enduringly haunting beauty. Wharton devotees, gardeners, and Italophiles alike will delight in following in the writer's turn-of-the-century footsteps. 30 historical bandw photos. 180 modern color photos.







Edith Wharton at Home


Book Description

The Mount, Edith Wharton’s country place in the Berkshires, is truly an autobiographical house. There Wharton wrote some of her best-known and successful novels, including Ethan Frome and House of Mirth. The house itself, completed in 1902, embodies principles set forth in Wharton's famous book The Decoration of Houses, and the surrounding landscape displays her deep knowledge of Italian gardens. Wandering the grounds of this historic home, one can see the influence of Wharton’s inimitable spirit in its architecture and design, just as one can sense the Mount’s impact on the extraordinary life of Edith Wharton herself. The Mount sits in the rolling landscape of the Berkshire Hills, with views overlooking Laurel Lake and all the way out to the mountains. At the turn of the century, Lenox and Stockbridge were thriving summer resort communities, home to Vanderbilts, Sloanes, and other prominent families of the Gilded Age. At once a leader and a recorder of this glamorous society, Edith Wharton stands at the pinnacle of turn of the twentieth-century American literature and social history. The Mount was crucial to her success, and the story of her life there is filled with gatherings of literary figures and artists. Edith Wharton at Home presents Wharton’s life at The Mount in vivid detail with authoritative text by Richard Guy Wilson and archival images, as well as new color photography of the restoration of The Mount and its spectacular gardens. "The Mount was to give me country cares and joys, long happy rides and drives through the wooded lanes of that loveliest region, the companionship of dear friends, and the freedom from trivial obligations, which was necessary if I was to go on with my writing. The Mount was my first real home . . . its blessed influence still lives in me." —Edith Wharton, 1934




Italian Gardens


Book Description

Since the earliest Roman settlements, Italians have been expertly cultivating their land into beautiful and creative displays of nature, where terraces and walkways, plants and flowers, water and statuary are combined to provide a unique ad inspiring setting. The Italian garden has greatly evolved throughout the ages, taking on different forms, favoring different plants, and serving different purposes. Early Italian gardens made use of citrus, still regarded as an essential element for its bright fruit and shiny leaves. The ancient art of the topiary was revived in the Renaissance for its drama and elegance, and the refined parterre was developed to spread forth from the great palazzos and provide a dramatic view from their upper stories. Later, in the nineteenth century, the influence of the English garden took hold, with its meandering paths, asymmetrical lakes, and blossoming trees. In "Italian Gardens, author Judith Wade explores more than five hundred years of this tradition, discussing each of these developments and transporting the reader to thirty-seven of the most captivating gardens of Italy. Eleven regions are visited, from Lombardy and Piedmont in the north, to the island of Sicily in the south. Both small and grandiose, historic and contemporary gardens are featured. Travel with Wade to the aristocratic Villa Favorita in Lugano, where an avenue of cypresses welcomes those who approach; the English-style park of Villa Novare Bertani in Verona, with its seventeenth-century wine cellar; the eighteenth-century Avenue of the Camelias at Lucca's Villa Reale, where the American artist John Singer Sargent painted; and great examples of contemporary Italian landscapes, likeLa Mortella in Naples, which boasts more than eight hundred species of rare plants. As "living works of art" these changing displays of nature grow and bloom with the seasons. Smell the roses and lavender, feel the light




Habitually Chic


Book Description

Heather Clawson's wildly popular blog Habitually Chic collected the finer things in life: high fashion, fine art, interior design and arresting architecture. Now she narrows her vision in this stunning photographic collection that offers an intimate look into the workspaces of the world's foremost cultural generators. Clawson showcases the studious, workshops, offices and creative sanctuaries of cultural icons, including Jenna Lyons and Frank Muytjens of J. Crew, James de Givenchy of TAFFIN and potter Jonathan Adler, along with many more.







The House of Mirth


Book Description

In late 19th-century New York, high society places great demands on a woman—she must be beautiful, wealthy, cultured, and above all, virtuous, at least on the surface. At 29, Lily Bart has had every opportunity to marry successfully within her social class, but her irresponsible lifestyle and high standards lead her further and further down the social ladder. Her gambling debts are catching up with her, and an arrangement with a friend's husband causes society to begin questioning her virtue. The House of Mirth is Edith Wharton’s sharp critique of an American upper class she viewed as morally corrupt and relentlessly materialistic. EDITH WHARTON [1862–1937], born in New York, made her debut at the age of forty but managed to write around twenty novels, nearly a hundred short stories, poetry, travelogues, and essays. Wharton was nominated for the Nobel Prize in Literature three times: 1927, 1928, and 1930. For The Age of Innocence [1920], she was awarded the Pulitzer Prize in 1921.




Gardens of the Italian Villas


Book Description




The Architectural Imagination of Edith Wharton


Book Description

Edith Wharton has recently returned to prominence as a major American novelist. But few have taken her architectural work as seriously as she herself took it, or noticed its effects on her career. Two early architectural books and three travel works give sustained critical attention to the built environment. Early novels graphically portray the physical miseries of the poor and marginalized and their course in hierarchies of class and gender. By contrast, her letters consistently celebrate the tastes and manners of the elite. At its best, her fiction embodies this tension - the beauty and grace of elegant houses and public spaces, juxtaposed to their effects on those under their control. This book tracks Wharton's literary and architectural work in tandem, revealing their complex relationship. It also foregrounds the odd symmetry of her career, which began and ended in fierce attachment to traditional values, moved from delight in Italy to despair for France, and centered on the brilliantly crafted structures and spaces of the prewar novels. Annette Larson Benert is Associate Professor of English at DeSales University.




Mrs. Manstey's View


Book Description

In the very next enclosure did not a magnolia open its hard white flowers against the watery blue of April? And was there not, a little way down the line, a fence foamed over every May be lilac waves of wistaria? Farther still, a horse-chestnut lifted its candelabra of buff and pink blossoms above broad fans of foliage; while in the opposite yard June was sweet with the breath of a neglected syringa, which persisted in growing in spite of the countless obstacles opposed to its welfare.