Edward Gorey's Dracula


Book Description

Item is derived from the artist's sets and Tony Award winning costumes for the 1977 Broadway revival production of Hamilton Deane's 1927 dramatization as a play of Bram Stoker's "Dracula."







Dracula


Book Description

Drama Hamilton Deane and John L. Balderston, from Bram Stoker's novel Characters: 6 male, 2 female 3 Interior Scenes An enormously successful revival of this classic opened on Broadway in 1977 fifty years after the original production. This is one of the great mystery thrillers and is generally considered among the best of its kind. Lucy Seward, whose father is the doctor in charge of an English sanitorium, has been attacked by some mysterious illness. Dr. Van Helsing,




The Doubtful Guest


Book Description

"An artist and writer of genius" (New Yorker) gives us a small-format edition of one of his favorite tales-a deliciously twisted comedy of manners.




Born to Be Posthumous


Book Description

The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes -- but who was the real Edward Gorey behind the Oscar Wildean pose? He published over a hundred books and illustrated works by Samuel Beckett, T.S. Eliot, Edward Lear, John Updike, Charles Dickens, Hilaire Belloc, Muriel Spark, Bram Stoker, Gilbert & Sullivan, and others. At the same time, he was a deeply complicated and conflicted individual, a man whose art reflected his obsessions with the disquieting and the darkly hilarious. Based on newly uncovered correspondence and interviews with personalities as diverse as John Ashbery, Donald Hall, Lemony Snicket, Neil Gaiman, and Anna Sui, Born to Be Posthumous draws back the curtain on the eccentric genius and mysterious life of Edward Gorey.




Floating Worlds


Book Description

Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...," a childrens story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Goreys shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Goreys drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969. Those letters, published here for the first time, are remarkable in their quantity and their content. While the creative collaborations of Gorey and Neumeyer centered on illustrated books, they held wide-ranging interests; both were erudite, voracious readers, and they sent each other many volumes. Reading their discussions of these books, one marvels at the beauty of thoughtful (and merry) discourse driven by intellectual curiosity. The letters also paint an intimate portrait of Edward Gorey, a man often mischaracterized as macabre or even ghoulish. His gentleness, humility, and brilliance--interwoven with his distinctive humor--shine in these letters; his deft artistic hand is evident on the decorated envelopes addressed to Neumeyer, 38 of which are reproduced here. During the time of their correspondence, Peter Neumeyer was teaching at Harvard University and at SUNY Stony Brook, on Long Island. His acumen and compassion, expressed in his discerning, often provocative missives, reveal him to be an ideal creative and intellectual ally for Gorey. More than anything else, "Floating Worlds" is the moving memoir of an extraordinary friendship. Gorey wrote that he felt they were part of the same family, and I dont mean just metaphorically. I guess that even more than I think of you as a friend,




Gashlycrumb Tinies


Book Description




The Remembered Visit


Book Description

On a long trip abroad, Gorey's young Drusilla is introduced to high art and gourmet meals. She gamely tries to appreciate the museums, rich food, and architectural wonders that delight her parents, only to find herself drifting along in a puzzling world. But then Miss Skrim-Pshaw takes her for tea with Mr Crague, a sockless, elderly man with a notable past, and their brief encounter is what will haunt Drusilla years later. Her casual promise to the old man has led to sudden recollection, then sad regret. curious coming-of-age tale, Edward Gorey employs his signature dark humor and exquisite illustrations to deftly portray the precociousness of a child on the brink of adulthood. One of the most enigmatic of Gorey's many books, The Remembered Visit has been a favorite of Gorey fans, young and old, since its original release in 1965.




Edward Gorey


Book Description

Examines dozens of examples of the book art of Edward Gorey, who initially illustrated paperback covers and dust jackets for the likes of Joseph Conrad, Henry James and Charles Dickens, establishing a pen-and-ink hand-lettered style that would challenge prevailing American publishing standards and help define his publisher's visual identity. His prodigious output of hundreds of jackets and covers evidenced his flair for design and his ability to portray the essence of the books that came his way.




The Evil Garden


Book Description

A happy, naive family enters the Evil Garden (free admission!) to spend a sunny afternoon in its inviting landscape, lush with exotic trees and flowers. They soon realize their mistake, as harrowing sounds and evidence of foul play emerge. When humongous hairy bugs, famished carnivorous plants, ferocious fruit-guarding bears, and a sinister strangling snake take charge, the family's ominous feelings turn to full-on panic but where's the exit? Edward Gorey leads us through this nefarious garden with a light step. His unmistakable drawings paired with engaging couplets produce giggles, not gasps. Perhaps "The Evil Garden" is a morality tale; perhaps it's simply an enigmatic entertainment. Whatever the interpretation, it's a prime example of the iconic storytelling genius that is Edward Gorey.