City of End


Book Description

The year is 4085. Aoire, a young woman with a veiled past, is living in secret in the underground cavern City of End. A great evil has been growing, waging war on the human race since the day of the nuclear holocaust. It has the Tree of Life under its control, a powerful artifact that will turn the tide of the war. Now on End’s most important day of the year, Aoire must reveal herself not only to all of End, but to the dark forces as well. She must find a way to save the Tree of Life and end the war on the human race.




The Blood Queen


Book Description

"It is a king's decision," said Brion. "It will not be you who deceives and delivers the lamb to the butcher's block," retorted Eimhir. True evil is a persistent and tenacious beast. Its desire for existence is eternal and insatiable. It needs to infect only one mind for its insidious philosophy to take root and spread. It is 394 B.C. At a remote loch in the highlands of Northern Albu, a priest sacrifices nine innocents. Below the water's surface, a shape feeds on their blood and begins to take form. Soon, it becomes sentient and begins to hunt. Sidheag has risen. Humans cannot defeat the abomination. Neither can Mongfhionn, the powerful demi-goddess of the Aes Sídhe. The only remedy is the Blood Queen, and Gràinne is the reluctant heir to that throne. Will the Blood Queen stand alongside Mongfhionn to confront Sidheag? The cost for Gràinne may be too much—unless her daughter, Brianag, is in jeopardy. Passions, always near the surface of the Gaels, burst into flames in The Blood Queen, where father is pitted against son, mother against daughter, sister against sister, brother against sister, and father against daughter. The Blood Queen contains scenes of sex and violence and uses language appropriate to the period in which it is set, i.e., 400 B.C. It is not recommended for those under 14 without parental consent.










A Highland Christmas Gift


Book Description

Myra Munro is devastated beyond words when her twin, Jaime, is killed in the service of the King. Her parents, strong in their grief, urge her to do honour to her brother’s memory and nurse his best friend Ewan back to health. Ewan has not only lost his best friend but needs time and space while recovering from his injuries. Suffering himself, he understands that Myra is numbed with grief, but in the long road back to health, Jaime’s twin Myra is the one bright light in his world. He cannot deny his feelings for her. But Ewan has a secret: a sacred trust. While dying on the battlefield, Jaime gave Ewan a Christmas gift he has been carrying with him to give to his beloved twin sister. But before Ewan can find the right time to speak with her about it, they find themselves in mortal danger…




Imagining the Celtic Past in Modern Fantasy


Book Description

Focusing on representations of Celtic motifs and traditions in post-1980s adult fantasy literature, this book illuminates how the historical, the mythological and the folkloric have served as inspiration for the fantastic in modern and popular culture of the western world. Bringing together both highly-acclaimed works with those that have received less critical attention, including French and Gaelic fantasy literature, Imagining the Celtic Past in Modern Fantasy explores such texts as Susanna Clarke's Jonathan Strange & Mr Norrell, Alan Garner's Weirdstone trilogy, the Irish fantasies of Jodi McIsaac, David Gemmell's Rigante novels, Patricia Kennealy-Morrison Keltiad books, as well as An Sgoil Dhubh by Iain F. MacLeòid and the Vertigen and Frontier series by Léa Silhol. Lively and covering new ground, the collection examines topics such as fairy magic, Celtic-inspired worldbuilding, heroic patterns, classical ethnography and genre tropes alongside analyses of the Celtic Tarot in speculative fiction and Celtic appropriation in fan culture. Introducing a nuanced understanding of the Celtic past, as it has been informed by recent debates in Celtic studies, this wide-ranging and provocative book shows how modern fantasy is indebted to medieval Celtic-language texts, folkloric traditions, as well as classical sources.




A Highland Christmas Dream


Book Description

Bridget Rose is used to being teased by her friends Myra and Eimhir about being a dreamer, “waiting for her brave knight”—but Bridget knows that the right man is out there somewhere! What she isn’t expecting is to see him in the courtyard of Chieftain Urqhart’s castle when they all congregate there for Christmastide in the Highlands. Why is it that she feels she knows him? Her friends are shocked by her uncharacteristic behaviour, but Bridget is determined to get to know the handsome, smiling Alec Stewart. She throws herself into the fun of the season, but her heart is in her mouth: is this real? Will Alec feel the same way about her as she does about him?




A Highland Christmas Wish


Book Description

Eimhir Mackenzie has never been a biddable lass. Her mother thinks of her as a wild thing, and is pleased that she will be finally off her hands and wed to a future Chieftain, Angus Gordon—but Eimhir has a secret. When she slips away from the castle for a few hours of freedom before agreeing to accept Angus Gordon as her husband, she meets a man who promises her the kind of life she has dreamed of: adventure, excitement, and freedom. Liall Gunn is a free spirit, a seaman who has decided that his future lies with the same tumultuous seas that have always beckoned to Eimhir. He makes her a promise: that he will be back by Christmastide to claim her as his. But life moves on, and her father has promised her to Angus Gordon. If Liall cannot make it back by Christmastide, Eimhir’s dreams of freedom and love will come to naught...




Correspondence Between Hugh MacDiarmid and Sorley MacLean


Book Description

This is both the first complete annotated edition of the letters exchanged by these major twentieth-century Scottish poets and the first major exploration of their long friendship and literary association. Spanning nearly fifty years, from 27 July 1934 to 23 July 1978, this engaging correspondence offers a revealing and sometimes intimate look at their lively dialogical exchanges on a broad range of topics from major historical events such as the Spanish Civil War and WW II, to the mundane challenges of daily life.The introductory chapters chart the development of MacDiarmid and MacLean's enduring friendship in relation to their quite different literary contexts and careers, discuss MacLean's significant contributions to MacDiarmid's Golden Treasury of Scottish Poetry, and situate MacLean's literary innovations in terms of Gaelic modernism. They thus provide comparative critical insights into the influence of cultural nationalism on each writer's developing poetics, their work as translators, and their mutual influence on each other's careers. These private letters in which culture, politics, and modern history intersect offer a fascinating glimpse at the creative processes and collaborative work of Hugh MacDiarmid and Sorley MacLean.Key Features:* The first complete annotated edition of the correspondence between the two poets * The only major exploration of MacDiarmid and MacLean's friendship and literary association* Full biographical and historical Introduction, bibliography and appendices




The Choice To Be Free


Book Description