COVID-19 CURE VS CRISIS


Book Description

This anthology COVID-19 CURE VS CRISIS is a creation of The Dreamers Studio Publication House. It is a collection of write-ups written in English, Hindi & Hinglish languages by a group of 50 spectacular writers hailing from different parts of India.




Faces of the Hamitic People


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The Deep Ocean


Book Description

Take a journey into the depths of human experience with "The Deep Ocean" anthology. Featuring short stories, poems, and essays from talented writers around the globe, this diverse collection delves into topics both profound and personal. From scenes of solitude to tales of togetherness, the varied voices in this anthology shed light on the mysteries of the human condition. Immersing yourself in these literary works is like discovering hidden worlds with each turn of the page. Insightful and thought-provoking, "The Deep Ocean" offers a wealth of perspectives to expand your own.




Why I am an Atheist


Book Description

A discussion with a friend soon turned into a matter of self-assessment, leading to this discourse on why Bhagat Singh chose to be an atheist. Even in the face of death at a very young age, with uncanny observations and sharp questions, he forces us to re-think our foundations to faith in god.




Prime Time Soap Operas on Indian Television


Book Description

This book focuses on ‘urban family soaps’ on television and analyses them as an important resource for anthropological insights into contemporary social issues and practices. It studies the ‘popular’ and ‘everyday’ while also concentrating on the middle class.




Annual Report


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The Form of Ideology and the Ideology of Form


Book Description

This timely volume focuses on the period of decolonization and the Cold War as the backdrop to the emergence of new and diverse literary aesthetics that accompanied anti-imperialist commitments and Afro-Asian solidarity. Competing internationalist frameworks produced a flurry of writings that made Asian, African and other world literatures visible to each other for the first time. The book’s essays examine a host of print culture formats (magazines, newspapers, manifestos, conference proceedings, ephemera, etc.) and modes of cultural mediation and transnational exchange that enabled the construction of a variously inflected Third-World culture which played a determining role throughout the Cold War. The essays in this collection focus on locations as diverse as Morocco, Tunisia, South Asia, China, Spain, and Italy, and on texts in Arabic, English, French, Hindi, Italian, and Spanish. In doing so, they highlight the combination of local debates and struggles, and internationalist networks and aspirations that found expression in essays, novels, travelogues, translations, reviews, reportages and other literary forms. With its comparative study of print cultures with a focus on decolonization and the Cold War, the volume makes a major contribution both to studies of postcolonial literary and print cultures, and to cultural Cold War studies in multilingual and non-Western contexts, and will be of interest to historians and literary scholars alike.




Samara's Story


Book Description

The story of Samara, a girl living 2000 years ago in the Holy Land, who becomes a strong and independent woman - a modern day parable. In the preface the author states that she was merely the vessel that the story came through.




Early Buddhist Metaphysics


Book Description

This book provides a philosophical account of the major doctrinal shift in the history of early Theravada tradition in India: the transition from the earliest stratum of Buddhist thought to the systematic of the Pali Abhidhamma movement.




Routledge Handbook of Indian Cinemas


Book Description

India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.