El Arbol de Medianoche


Book Description




Kate Shelley y el tren de medianoche (Kate Shelley and the Midnight Express)


Book Description

Kate stared at the rickety wooden bridge. There were boards loose on its narrow walkway. There was no railing to hold on to. She was afraid to cross this bridge even in daylight. But she had to cross it now. She had to get to the train station in time to stop the midnight express. When a heavy storm destroyed the bridge over Honey Creek, near Kate Shelley's home in Moingona, Iowa, fifteen-year-old Kate bravely rushed out into the storm, saving the lives of two men and preventing hundreds of other lives from being lost. This is the true story of a young girl's resourcefulness and courage in the face of great danger.




Notes on Mexican Folk-lore


Book Description







Listos! 2 Rojo Pupils Book


Book Description

'Listos ' is a Spanish language course for year seven or eight starters working at Key Stage 3. The individual course books are graded to help students learn in a coherent and structured way.




Kate Shelley and the Midnight Express


Book Description

Kate stared at the rickety wooden bridge. There were boards loose on its narrow walkway. There was no railing to hold on to. She was afraid to cross this bridge even in daylight. But she had to cross it now. She had to get to the train station in time to stop the midnight express. When a heavy storm destroyed the bridge over Honey Creek, near Kate Shelley's home in Moingona, Iowa, fifteen-year-old Kate bravely rushed out into the storm, saving the lives of two men and preventing hundreds of other lives from being lost. This is the true story of a young girl's resourcefulness and courage in the face of great danger.




Piñatas Y Flores de Papel


Book Description

Brief descriptions of several Hispanic holidays as they are celebrated in North, Central, and South Amer.




The Dog Who Spoke and More Mayan Folktales


Book Description

In the delightful Mayan folktale The Dog Who Spoke, we learn what happens when a dog’s master magically transforms into a dog-man who reasons like a man but acts like a dog. This and the other Mayan folktales in this bilingual collection brim with the enchanting creativity of rural Guatemala’s oral culture. In addition to stories about ghosts and humans turning into animals, the volume also offers humorous yarns. Hailing from the Lake Atitlán region in the Guatemalan highlands, these tales reflect the dynamics of, and conflicts between, Guatemala’s Indian, Ladino, and white cultures. The animals, humans, and supernatural forces that figure in these stories represent Mayan cultural values, social mores, and history. James D. Sexton and Fredy Rodríguez-Mejía allow the thirty-three stories to speak for themselves—first in the original Spanish and then in English translations that maintain the meaning and rural inflection of the originals. Available in print for the first time, with a glossary of Indian and Spanish terms, these Guatemalan folktales represent generations of transmitted oral culture that is fast disappearing and deserves a wider audience.




El Árbol de Chernobyl


Book Description




The Films of Jesus Franco, 1953-1966


Book Description

With more than 180 films during a career spanning several decades, Jesus Franco (1930-2013) was an extraordinarily prolific and chameleon-like Spanish director, covering virtually every genre from horror to film noir, adventure and erotic, and adapting to all kinds of productions. A one-of-a-kind filmmaker, he was boldly original in the themes, style, and in his idea of cinema. This book examines his life and career between his first short film to the moment he cut his ties with his home country and became an "international" director, with a detailed production history and critical analysis of his films, placing his work within the social and political context of Spanish culture, politics, and cinema. Franco's most critically praised works are covered, namely such cult horror classics as The Awful Dr. Orlof and The Diabolical Dr. Z, as well as his working relationship with Orson Welles, whom he was to direct in a 1964 unfinished adaptation of Treasure Island. Detailed production history and critical analysis of his films are provided, placing his work within the context of Spanish culture, politics, and film industry. The book also includes plenty of never-before-seen bits of information and in-depth discussion of Franco's previously uncovered scripts, essays, and short films, as well as his unmade projects of the period.