The Fate of Fausto


Book Description

A TIME Best Children's Book of 2019! A Chicago Public Library 2019 Best of the Best Book! *"This minimalistic masterpiece is a must-read for all ages." --School Library Journal (starred review!) A quirky, cautionary tale from beloved New York Times bestselling picture book creator Oliver Jeffers! There was once a man who believed he owned everything and set out to survey what was his. "You are mine," Fausto said to the flower, the sheep, and the mountain, and they all bowed before him. But they were not enough for Fausto, so he conquered a boat and set out to sea . . . Combining bold art and powerful prose, and working in traditional lithographic printmaking techniques for the first time, world-renowned talent Oliver Jeffers has created a poignant modern-day fable to touch the hearts of adults and children alike. Praise for The Fate of Fausto: "Jeffers paints Fausto and the objects of his desire with the nonchalant finesse he is known for and in the richly saturated colors he generally favors... Jeffers delivers swift justice in a few concluding words that make for an ending that satisfies for being both fair-minded and irrevocable."--New York Times Book Review "Boldly conceived and gracefully executed."--Publishers Weekly "A parable sure to spark lively discussions." --Booklist "A cautionary fable on the banality of belligerence." --Kirkus Reviews




Goethe's Faust and Cultural Memory


Book Description

This book is an interdisciplinary collection of essays examining Goethe’s Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons’ introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe’s Dr. Faustus.Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge’s critique of Goethe’s Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo’s poem “Fausto” retells Gounod’s opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe’s Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe’s Faust. Susanne Ledanff discusses the significance of Goethe’s Faust for Werner Fritsch’s avant-garde “Theater of the Now.” Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis.




Constant Fear


Book Description

A prep school janitor springs into action when terrorists invade his school and kidnap his son in this thriller by the acclaimed author of Desperate. Jake Dent's dreams of baseball glory fell apart in a drunk-driving incident, along with his marriage. But a popular survivalist blog helped restore his sense of control. Now Jake is an avid Doomsday Prepper, raising his diabetic son, Andy, to be ready for anything. But Andy has a secret even his father never saw coming. A student at the prestigious Pepperell Academy where Jake works as a custodian, Andy is part of a computer club that redistributes money from the obscenely wealthy to the needy. But this time, they've stolen from the wrong people: a vicious drug cartel that is coming to get its money back. Staging a distraction, the cartel infiltrates the school, taking Andy and his friends hostage one by one. But hidden inside the school's tunnels is Jake, with his stockpile of weapons and supplies. He knows that soon the killing will start, and his training will be put to the ultimate test. Because in the brutal, lawless struggle that is about to ensue, he's the last best chance these students—including his son—have of getting out alive. Praise for Constant Fear “An electrifying thriller with action that keeps you on the edge of your seat!” —Lisa Jackson, New York Times bestselling author “Fans of Harlan Coben or Linwood Barclay will especially enjoy this one.” —Booklist “[A] breakneck edge-of-your-seat thrill ride . . . . Extraordinary character development and more than a few bombshell plot twists will keep readers turning the pages.” —Publishers Weekly




Education


Book Description




The Gaucho Genre


Book Description

DIVExplores the early genre in which the voice of the cowboy of the pampas was used in tales and poetry of various Latin American authors, which shows the relationship of literature to the state./div







Historia de los musulmanes de España Libro I & Libro II


Book Description

Fruto de largos años de trabajo y de una prodigiosa labor de investigación original, la "Historia de los musulmanes de España", obra cumbre del filólogo e historiador holandés Reinhart P. Dozy, provocó de inmediato una verdadera revolución en el campo de los estudios arábigos. La utilización de fuentes y documentos de primera mano, hasta entonces inexplorados, un estilo literario de gran belleza y una estructura narrativa impecable la convirtieron en un clásico de la historiografía moderna. Pasado más de un siglo desde su primera edición, continúa siendo la obra de referencia erudita a la que recurren los estudiosos del tema y una lectura cautivante para todos aquellos interesados en un a de las facetas más apasionantes de la historia de España. Publicada ahora en dos tomos, "La historia de los musulmanes de España" comprende el período que media entre los años 711 y 1110, o sea, hasta la conquista de Andalucía por los almorávides.










Tartufo o el Impostor


Book Description

Tartufo. Provided in Spanish only.