An Annotated Bibliography of the Alaṃkāraśāstra


Book Description

Cahill (Sanskrit and Asian studies, Loyola U.) presents a rich collection of scholarly sources on Indian poetics and aesthetics (the Alamkarasastra) published in ancient India. References to primary sources from several languages range from about the fifth to the 19th centuries, with secondary sources in some two dozen languages, beginning in the mid-19th century and continuing through the present. Annotations are succinct but descriptive. Entries are divided into three sections and a detailed index is included. Annotation copyrighted by Book News, Inc., Portland, OR




Sanskrit Criticism


Book Description

This innovative study develops a unified theory of literature by critically evaluating the categories of sanskrit poetics from a single theoretical standpoint that of rasa the theory that holds that poety is essentially emotive discourse. Literature Chariargues is defined not by the use of any formal linguistic devices but rather by the emotive meaning embodied is therefore the proper aim and the common denominator of all literary works.




Indian Kāvya Literature


Book Description

This volume on the twelfth and thirteenth centuries starts with Vidyakara`s retrospect over anonymous poets (named ones having mostly found their places in earlier volumes). After some smaller anthologies a few novels and Mankhaka`s mythological epic we come to a historical epic. History is the most substantial source of matter for literature in the volume. That might seem to contrast with Vol. Vi, but as literature its aim is always are, not facts which narrows the gap.




Indian Literary Theories


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Literary Theory


Book Description




The Dhvanyāloka of Ānandavardhana with the Locana of Abhinavagupta


Book Description

For nearly a thousand years the brilliant analysis of aesthetic experience set forth in the Locana of Abhinavagupta, India's founding literary critic, has dominated traditional Indian theory on poetics and aesthetics. The Locana, presented here in English translation for the first time, is a commentary on the ninth-century Dhvanyaloka of Anandavardhana, which is itself the pivotal work in the history of Indian poetics. The Dhvanyaloka revolutionized Sanskrit literary theory by proposing that the main goal of good poetry is the evocation of a mood or "flavor" (rasa) and that this process can be explained only by recognizing a semantic power beyond denotation and metaphor, namely, the power of suggestion. On the basis of this analysis the Locana develops a theory of the psychology of aesthetic response. This edition is the first to make the two most influential works of traditional Sanskrit literary and aesthetic theory fully accessible to readers who want to know more about Sanskrit literature. The editorial annotations furnish the most complete exposition available of the history and content of these works. In addition, the verses presented as examples by both authors (offered here in verse translation) form an anthology of some of the finest Sanskrit and Prakrit poetry.




The Sáhitya-darpaṇa Or Mirror of Composition of Viśvanátha


Book Description

The Sahitya Darpana or` Mirror of Composition` is a renowned Sanskrit work on poetics by Visvanatha of early fourteenth century. It is divided into ten sections. The first section deals with the nature and definition of poetry. The second treats of various powers of a word. The third treats of sentiments. The fourth treats of the divisions of poetry. The present work is an english translation of the sanskrit original first published in 1875 by J.r. Ballantyne who commenced the translation but could go only as far as one quarter of the work and Paramada Dasa Mitra, completed the rest of it.







Art Experience


Book Description

Prof. Hiriyanna Was The First Among The Pioneers To Establish Meaningfully The Relationship Of Philosophy, Aesthetics And Life. The Present Volume Carries Fifteen Contributions On Topics Of Indian Aesthetics. After A Penetrating Analysis Of The Funda-Mental Concepts Envisaged From A Traditional Point Of View, Prof. Hiriyanna Interprets Them Succinctly. He Elucidates The Theory Of Rasa From The Point Of Sankhya In A Masterly Fashion; Equally Illuminating Are The Other Essays On Rasa And Dhvani, And Sanskrit Poetics.