Emperor and Aristocracy in Japan, 1467-1680


Book Description

Preliminary Material -- Introduction -- The Struggle to Survive -- Normalcy and Its Pretenses -- Court Society During Reunification -- Unifiers and Aristocrats -- The Crises of 1609-1610 -- Codifying the Court -- Of Persons and Structures -- The Culture of a New Aristocracy -- Conclusion -- Character List of japanese Books Collected and Copied by Tokugawa Ieyasu, 1614-1615 -- Character List of Japanese Terms and Names -- Aristocratic Diaries of the Fifteenth to Seventeenth Centuries -- Notes -- Works Cited -- Index -- Harvard East Asian Monographs.




Emperor and Aristocracy in Japan, 1467–1680


Book Description

An institution in decline, possessing little power in an age dominated by warriors? Or a still-potent symbol of social and political legitimacy? Emperor and Aristocracy in Japan traces the fate of the imperial Japanese court from its lowest point during the turbulent, century-long sengoku, when the old society, built upon the strength and influence of the court, the priesthood, and a narrow warrior elite, was shaken to its foundations, to the Tokugawa era, when court culture displayed renewed vitality, and tea gatherings, flower arranging, and architecture flourished. In determining how the court managed to persist and survive, Butler looks into contemporary documents, diaries, and letters to reveal the court's internal politics and protocols, hierarchies, finances, and ceremonial observances. Emperor and courtiers adjusted to the prominence of the warrior elite, even as they held on to the ideological advantages bestowed by birth, tradition, and culture. To this historical precedent the new wielders of power paid dutiful homage, ever mindful that ranks and titles, as well as the political blessing of the emperor, were advantageous marks of distinction.




Art and Palace Politics in Early Modern Japan, 1580s-1680s


Book Description

During the first century of Japan’s early modern era (1580s to 1680s), art and architecture created for the imperial court served as markers of social prestige, testifying to the enduring centrality of the palace to the cultural life of Kyoto. Emperors Go-Yōzei and Go-Mizunoo relied on financial support from ruling warlords—Toyotomi Hideyoshi and the Tokugawa shoguns—just as the warlords sought imperial sanction granting them legitimacy to rule. Taking advantage of this complex but oftentimes strained synergy, Go-Yōzei and Go-Mizunoo (and to an unprecedented exent his empress, Tōfukumon’in) enhanced the heriditary prerogatives of the imperial family. Among the works described in this volume are masterpieces commissioned for the residences and temples of the imperial family, which were painted by artists of the Kano, Tosa and Sumiyoshi ateliers, not to mention Tawaraya Sōtatsu. Anonymous but deluxe painting commissions depicting grand imperial processions are examined in detail. The court’s fascination with calligraphy and tea, arts that flourished in this age, is also discussed in this profusely illustrated volume.




Enigma of the Emperors


Book Description

This important new and original study on the institution of the Japanese emperors focuses on the enigma of the institution itself, namely, the extraordinary continuity of the Japanese dynasty, which is unknown anywhere else in the world, yet which is now at risk on account of more recent laws of succession.




Illusory Abiding


Book Description

A groundbreaking monograph on Yuan dynasty Buddhism, Illusory Abiding offers a cultural history of Buddhism through a case study of the eminent Chan master Zhongfeng Mingben. Natasha Heller demonstrates that Mingben, and other monks of his stature, developed a range of cultural competencies through which they navigated social and intellectual relationships. They mastered repertoires internal to their tradition—for example, guidelines for monastic life—as well as those that allowed them to interact with broader elite audiences, such as the ability to compose verses on plum blossoms. These cultural exchanges took place within local, religious, and social networks—and at the same time, they comprised some of the very forces that formed these networks in the first place. This monograph contributes to a more robust account of Chinese Buddhism in late imperial China, and demonstrates the importance of situating monks as actors within broader sociocultural fields of practice and exchange.




Sailor Diplomat


Book Description

As Japan’s pre–Pearl Harbor ambassador to the United States, Admiral Nomura Kichisaburo (1877–1964) played a significant role in a tense and turbulent period in Japanese–U.S. relations. Scholars tend to view his actions and missteps as ambassador as representing the failure of diplomacy to avert the outbreak of hostilities between the two paramount Pacific powers.This extensively researched biography casts new light on the life and career of this important figure. Connecting his experiences as a naval officer to his service as foreign minister and ambassador, and later as “father” of Japan’s Maritime Self Defense Forces and proponent of the U.S.–Japanese alliance, this study reassesses Nomura’s contributions as a hard-nosed realist whose grasp of the underlying realities of Japanese–U.S. relations went largely unappreciated by the Japanese political and military establishment.




A Sense of Place


Book Description

"A Sense of Place examines the vast Kantō region as a locus of cultural identity and an object of familial attachment during the political and military turmoil of the late fifteenth and early sixteenth centuries in Japan. Through analysis of memoirs, letters, chronicles, poetry, travelogues, lawsuits, land registers, and archeological reports, David Spafford explores the relationships of the eastern elites to the space they inhabited: he considers the region both as a whole, in its literary representations and political and administrative dimensions, and as an aggregation of discrete locales, where struggles over land rights played out alongside debates about the meaning of ties between families and their holdings. Spafford also provides the first historical account in English of medieval castle building and the castellan revolution of the late fifteenth century, which militarized the countryside and radically transformed the exercise of authority over territory. Simultaneously, the book reinforces a sense of the eastern elite’s anxieties and priorities, detailing how, in their relation to land and place, local elites displayed a preference for past precedent and inherited wisdom. Even amidst the changes wrought by war, this inclination, although quite at odds with their conventional reputation for ruthless pragmatism and forward thinking, prevailed."




The People’s Post Office


Book Description

"In 2001, Prime Minister Koizumi Jun’ichirō launched a crusade to privatize Japan’s postal services. The plan was hailed as a necessary structural reform, but many bemoaned the loss of traditional institutions and the conservative values they represented. Few expected the plan to succeed, given the staunch opposition of diverse parties, but four years later it appeared that Koizumi had transformed not only the post office but also the very institutional and ideological foundations of Japanese finance and politics. By all accounts, it was one of the most astonishing political achievements in postwar Japanese history. Patricia L. Maclachlan analyzes the interplay among the institutions, interest groups, and leaders involved in the system’s evolution from the early Meiji period until 2010. Exploring the postal system’s remarkable range of economic, social, and cultural functions and its institutional relationship to the Japanese state, this study shows how the post office came to play a leading role in the country’s political development. It also looks into the future to assess the resilience of Koizumi’s reforms and consider the significance of lingering opposition to the privatization of one of Japan’s most enduring social and political sanctuaries."




Toward a History Beyond Borders


Book Description

"This volume brings to English-language readers the results of an important long-term project of historians from China and Japan addressing contentious issues in their shared modern histories. Originally published simultaneously in Chinese and Japanese in 2006, the thirteen essays in this collection focus renewed attention on a set of political and historiographical controversies that have steered and stymied Sino-Japanese relations from the mid-nineteenth century through World War II to the present. These in-depth contributions explore a range of themes, from prewar diplomatic relations and conflicts, to wartime collaboration and atrocity, to postwar commemorations and textbook debates—all while grappling with the core issue of how history has been researched, written, taught, and understood in both countries. In the context of a wider trend toward cross-national dialogues over historical issues, this volume can be read as both a progress report and a case study of the effort to overcome contentious problems of history in East Asia."




Monstrous Bodies


Book Description

Monstrous Bodies is a cultural and literary history of ambiguous bodies in imperial Japan. It focuses on what the book calls modern monsters—doppelgangers, robots, twins, hybrid creations—bodily metaphors that became ubiquitous in the literary landscape from the Meiji era (1868–1912) up until the outbreak of the Second Sino–Japanese War in 1937. Such monsters have often been understood as representations of the premodern past or of “stigmatized others”—figures subversive to national ideologies. Miri Nakamura contends instead that these monsters were products of modernity, informed by the newly imported scientific discourses on the body, and that they can be read as being complicit in the ideologies of the empire, for they are uncanny bodies that ignite a sense of terror by blurring the binary of “normal” and “abnormal” that modern sciences like eugenics and psychology created. Reading these literary bodies against the historical rise of the Japanese empire and its colonial wars in Asia, Nakamura argues that they must be understood in relation to the most “monstrous” body of all in modern Japan: the carefully constructed image of the empire itself.