Empty Houses


Book Description




Empty Houses


Book Description

According to the dominant tradition of literary criticism, the novel is the form par excellence of the private individual. Empty Houses challenges this consensus by reexamining the genre's development from the mid-nineteenth to the mid-twentieth century and exploring what has until now seemed an anomaly--the frustrated theatrical ambitions of major novelists. Offering new interpretations of the careers of William Makepeace Thackeray, George Eliot, Henry James, James Joyce, and James Baldwin--writers known for mapping ever-narrower interior geographies--this book argues that the genre's inward-looking tendency has been misunderstood. Delving into the critical role of the theater in the origins of the novel of interiority, David Kurnick reinterprets the novel as a record of dissatisfaction with inwardness and an injunction to rethink human identity in radically collective and social terms. Exploring neglected texts in order to reread canonical ones, Kurnick shows that the theatrical ambitions of major novelists had crucial formal and ideological effects on their masterworks. Investigating a key stretch of each of these novelistic careers, he establishes the theatrical genealogy of some of the signal techniques of narrative interiority. In the process he illustrates how the novel is marked by a hunger for palpable collectivity, and argues that the genre's discontents have been a shaping force in its evolution. A groundbreaking rereading of the novel, Empty Houses provides new ways to consider the novelistic imagination.




Seven Empty Houses (National Book Award Winner)


Book Description

Winner of the 2022 National Book Award for Translated Literature A blazing new story collection that will make you feel like the house is collapsing in on you, from the 3 time International Booker Prize finalist, "lead[ing] a vanguard of Latin American writers forging their own 21st-century canon.” –O, the Oprah magazine The seven houses in these seven stories are strange. A person is missing, or a truth, or memory; some rooms are enticing, some unmoored, others empty. But in Samanta Schweblin's tense, visionary tales, something always creeps back inside: a ghost, a fight, trespassers, a list of things to do before you die, a child's first encounter with darkness or the fallibility of parents. In each story, twists and turns will unnerve and surprise: Schweblin never takes the expected path and instead digs under the skin, revealing surreal truths about our sense of home, of belonging, and of the fragility of our connections with others. This is a masterwork from one of our most brilliant modern writers.




The Full House and the Empty House


Book Description

Despite their differences within, two houses are close friends.




Empty Mansions


Book Description

#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)




Interpreting Empty Houses


Book Description

How often do we tend to skip the houses without planets when looking at one's birth chart for the very first time? Interpreting Empty Houses provides a detailed account of these houses that are most often overlooked when delineating horoscopes as they, like houses holding planets, provide valuable insight pertaining to the department of life they each rule. The author explains the meanings of each of the twelve houses when empty as determined by the condition of its planetary ruler as it may be positioned throughout the remaining eleven houses of the horoscope. About the Author: Ana Ruiz was born in Spain and resides in Canada. She has been contributing columns and articles on astrology since she began her path down this road of stellar wisdom during the mid-eighties. Her writings have appeared in various newspapers and magazines such as American Astrology and Dell Horoscope. She has also contributed many articles to the American Federation of Astrologers bulletin; Today's Astrologer, as well as a monthly Sun sign column to their Web site. She is also the author of The Spirit of Ancient Egypt, Daily Life in Ancient Egypt, Prediction Techniques Regarding Romance and The Soul of Andalusia. The author's interest in this area of astrology arose from the fact that she has five planets in the 7th house, leaving exactly half of her natal chart with empty houses. The lack of information on this subject, or books for that matter, further inspired Ruiz to study these houses and share her research with the hopes of filling this gap.




The Empty Houses


Book Description

Dougie’s best friend Curly dies in an accident. Yet, Dougie keeps hearing Curly’s voice coming from the strangest places. When Dougie’s mom sees him talking to… nothing, she gets very worried. When Curly’s voice tells Dougie it wasn’t an accident that sent him off the second floor porch, Dougie promises to do what he can to bring the two men responsible to Justice—if only Curly’s twin sister didn’t have to be involved.




A House That Once Was


Book Description

A New York Times Best Illustrated book! A Boston Globe Best Children's Book of 2018 “Accompanied by Lane's evocative art that suggests layers of history, Fogliano's story turns this childhood scenario into a radiant poem about the mysteries of other people and the wonderfulness of home.” —New York Times Deep in the woods is a house just a house that once was but now isn’t a home. Who lived in that house? Who walked down its hallways? Why did they leave it, and where did they go? Two children set off to find the answers by piecing together clues found, books left behind, forgotten photos, and discarded toys, creating their own vision of those who came before, in this deeply moving tale of imagination by Ezra Jack Keats Award–winning author Julie Fogliano and Caldecott Award–winning illustrator Lane Smith.




The Empty House Next Door


Book Description

Renowned city planner and housing advocate Alan Mallach presents effective strategies for community leaders, local officials, and nonprofits contending with vacant properties in the United States. Examples illustrate creative ways to reduce the harm caused by vacant properties, jump-start housing markets in struggling neighborhoods, create the potential for future revival, and transform vacant properties into community assets.




Empty Houses


Book Description

Mystery series debut: Newly arrived in Arizona, Kate finds her hideaway shattered by the murder of two tourists—and Kate fears she may be next. Dudley, Arizona, is an isolated desert town that attracts people who need to escape: Kate Waters flees there following an abusive relationship and Phoenix cop Malcolm MacGregor comes to recover from the death of his wife. No one knows why Carrie and Wes Cooper arrived. But when they are shot dead, the police try to protect the tourist trade by making a quick arrest—without asking too many questions. Having met Carrie briefly, Kate is still unsettled by the encounter—and convinced that the wrong man has been arrested for the crime. Was the shooting random, or is there something in the victims’ history back east that would explain it? When she teams up with Malcolm MacGregor, Kate uncovers disturbing links between her own past and Carrie’s. Is Kate herself at risk? The first in the Kate Waters series by the author of the Chloe Newcomb mysteries.