These Our Monsters


Book Description

'Marvellous and menacing.' Daily Mail 'The shadow from which I thought I had unshackled myself has returned. Whether this Horror is real or merely the handiwork of my imagination I cannot say. Nor can I say which of these possibilities disturbs me more.' from 'The Dark Thread' by Graeme Macrae Burne From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this is a new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites. Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our storytelling heritage. 'Nobody believes you when you talk about the whispering. Oh, Monny, you are funny, they say, you've such an imagination. There's a lot they don't believe.' from 'The Hand Under the Stone' by Sarah Hall 'This varied collection scratches the soil of the country to dig up some of the fairy tales and fantasies that have helped form the English identity.' Financial Times The atmospheric locations: Edward Carey - Bury St Edmunds Abbey Sarah Hall - Castlerigg and other stone circles Paul Kingsnorth - Stonehenge Alison MacLeod - Down House Graeme Macrae Burnet - Whitby Abbey Sarah Moss - Berwick Castle Fiona Mozley - Carlisle Castle Adam Thorpe - Tintagel Castle With original black-and-white illustrations by Clive Hicks-Jenkins.




English Monsters


Book Description

'James Scudamore is now a force in the English novel' Hilary Mantel 'A very impressive novel' Sarah Moss When ten-year-old Max is sent to boarding school, his idyllic childhood comes to an abrupt end. Away from the freedom of his grandfather's farm, a world of rules and punishment awaits. But so too does the companionship of a close-knit group of classmates. Years later, as Max and his friends face down adulthood, a dark secret from their schooldays is revealed, drawing them together in unforeseen ways. Who knew what, and when? And who now wants to see justice done? 'Breathtakingly good' Observer 'Dark, tender, troubling' Guardian




The Wordhord


Book Description

An entertaining and illuminating collection of weird, wonderful, and downright baffling words from the origins of English—and what they reveal about the lives of the earliest English speakers Old English is the language you think you know until you actually hear or see it. Unlike Shakespearean English or even Chaucer’s Middle English, Old English—the language of Beowulf—defies comprehension by untrained modern readers. Used throughout much of Britain more than a thousand years ago, it is rich with words that haven’t changed (like word), others that are unrecognizable (such as neorxnawang, or paradise), and some that are mystifying even in translation (gafol-fisc, or tax-fish). In this delightful book, Hana Videen gathers a glorious trove of these gems and uses them to illuminate the lives of the earliest English speakers. We discover a world where choking on a bit of bread might prove your guilt, where fiend-ship was as likely as friendship, and where you might grow up to be a laughter-smith. The Wordhord takes readers on a journey through Old English words and customs related to practical daily activities (eating, drinking, learning, working); relationships and entertainment; health and the body, mind, and soul; the natural world (animals, plants, and weather); locations and travel (the source of some of the most evocative words in Old English); mortality, religion, and fate; and the imagination and storytelling. Each chapter ends with its own “wordhord”—a list of its Old English terms, with definitions and pronunciations. Entertaining and enlightening, The Wordhord reveals the magical roots of the language you’re reading right now: you’ll never look at—or speak—English in the same way again.




Monsters in the Sky


Book Description

Comets, supernovae, black holes, and quasars are among the "monsters" of the book's title--extraordinary astronomical bodies and phenomena that scientists now believe are the key to understanding the rules of the universe. "Monsters in the Sky" is the sequel to Paolo Maffei's popular "Beyond the Moon" (MIT Press, 1978), which gave lay readers a grand tour of the natural order of the universe.Beginning with comets, "Monsters in the Sky" moves outward from our solar system, from one enigma to the next, ending with those farthest removed, the invisible "hidden mass" of galactic clusters extremely distant from us. Between the comets and the hidden galactic mass, the book's topics include: satellite clouds, dust rings, cyrillids and tektites, the mysterious planet Vulcan, nebulae and novae, super-supernovae, "runaway stars," the future of our own star, X-rays, the probable cause of the dinosaurs' demise, black holes (probably one of the best discussions of this subject), white holes, journeys through space-time, BL Lacertae objects, Markarian, N, and Seyfert galaxies, quasars, and anomalous red shifts.




Basilisks and Beowulf


Book Description

An eye-opening, engrossing look at the central role of monsters in the Anglo-Saxon worldview—now in paperback. This book addresses a simple question: why were the Anglo-Saxons obsessed with monsters, many of which did not exist? Drawing on literature and art, theology, and a wealth of firsthand evidence, Basilisks and Beowulf reveals a people huddled at the edge of the known map, using the fantastic and the grotesque as a way of understanding the world around them and their place within it. For the Anglo-Saxons, monsters helped to distinguish the sacred and the profane; they carried God’s message to mankind, exposing His divine hand in creation itself. At the same time, monsters were agents of disorder, seeking to kill people, conquer their lands, and even challenge what it meant to be human. Learning about where monsters lived and how they behaved allowed the Anglo-Saxons to situate themselves in the world, as well as to apprehend something of the divine plan. It is for these reasons that monsters were at the very center of their worldview. From map monsters to demons, dragons to Leviathan, we neglect these beasts at our peril.




Monsters, Gender and Sexuality in Medieval English Literature


Book Description

A gendered reading of monster and the monstrous body in medieval literature. Monsters abound in Old and Middle English literature, from Grendel and his mother in Beowulf to those found in medieval romances such as Sir Gowther. Through a close examination of the way in which their bodies are sexed and gendered, and drawing from postmodern theories of gender, identity, and subjectivity, this book interrogates medieval notions of the body and the boundaries of human identity. Case studies of Wonders of the East, Beowulf, Mandeville's Travels, the Alliterative Morte Arthure, and Sir Gowther reveal a shift in attitudes toward the gendered and sexed body, and thus toward identity, between the two periods: while Old English authors and artists respond to the threat of the gendered, monstrous form by erasing it, Middle English writers allow transgressive and monstrous bodies to transform and therefore integrate into society. This metamorphosis enables redemption for some monsters, while other monstrous bodies become dangerously flexible and invisible, threatening the communities they infiltrate. These changing cultural reactions to monstrous bodies demonstrate the precarious relationship between body and identity in medieval literature. DANA M. OSWALD is Assistant Professor of English, University of Wisconsin-Parkside.




Monsters and Monstrosity in Augustan Poetry


Book Description

An important contribution to the growing interdisciplinary field of monster studies




Hey, That's MY Monster!


Book Description

This enhanced eBook features read-along narration. Winner: CLC Seal of Approval 2017 Literary Classics Book Awards, Silver, Preschool/Early Reader Fantasy Finalist: 2017 Literary Classics Book Awards 2017 PNBA Long-List When Ethan looks under the bed for his monster, he finds this note instead: "So long, kid. Gotta go. Someone needs me more than you do. –Gabe" How will Ethan ever get to sleep without his monster's familiar, comforting snorts? And who could need Gabe more than Ethan does? Gabe must have gone to Ethan's little sister's room! She has been climbing out of bed every night to play, and obviously needs a monster to help her get to sleep – but not HIS monster! Ethan tries to help his sister find her own monster, but none are the perfect blend of cute and creepy. Just when it seems that Ethan will lose his monster forever, an uninvited, tutu-toting little monster full of frightening fun appears. Following in the spooky-silly tradition of I Need My Monster, here's another irresistible monster-under-the-bed story with the perfect balance of giggles and shivers.




Monsters, Animals, and Other Worlds


Book Description

Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan. These stories, called otogizōshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizōshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative—court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples––joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, “Monsters, Warriors, and Journeys to Other Worlds,” “Buddhist Tales,” and “Interspecies Affairs.” Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books.




The Book of Mythical Beasts and Magical Creatures


Book Description

Meet your favourite monsters, fairies, heroes, and tricksters from all around the world! Enter the enchanting world of mythical creatures and explore the history behind them in this beautifully-illustrated Greek mythology book for children aged 5-9. You’ll meet an incredible cast of mind-boggling fictional animals from all around the world. Say hello to Bigfoot in the forests of North America and learn about the Native American traditions that inspired its story. Voyage to Japan to meet kitsune, supernatural nine-tailed foxes that can turn into humans. Then jump onboard an ancient storm-battered ship to learn why mermaids were the last thing a sailor wanted to see! Learn about the societies that spawned these legendary creatures, from Ancient Greece to the indigenous tribes of Australia, and find out what the beasts tell us about the people who created them. With magic and mystery in every page, your child can discover: - Facts behind the myths - Insights into cultures from around the world and their creation stories - Stunning full-colour illustrations by Pham Quang Phuc Mythical Beasts and Magical Creatures tells you everything you need to know about supernatural animals great and small. Perfect for fans of Harry Potter and other fantasy tales, this mythology book for children is the only kids’ guide to magical creatures that explores the history behind the mythology in both an engaging and educational way. A must-have volume for children aged 5-9 with an interes in fantasy tale, Mythical Beasts and Magical Creatures is filled with supernatural stories that brings the history of mythology and magical creatures to life, and explores the societies that birthed these legendary creatures found in narratives from Ancient Greek mythology, Australian and Native American folktales. From narwhal tusks inspiring the legend of unicorns, to dinosaur bones creating rumours of dragons, there is an interesting story behind every magical beast. This beautifully-illustrated fantasy book for kids is wonderful for children who like to delve into enchanting stories and magical creatures.