Key Issues in the Arts and Entertainment Industry


Book Description

The only book on contemporary issues which covers the arts and entertainment sectors, from social networking and Twitter, to reality TV and digital rights management.




The Scottish Web Directory


Book Description

`The definitive guide to Scottish websites.`Scotland`s New HomebuyerThis comprehensive and easy-to-use directory provides a one-stop guide to essential addresses on the Internet from a Scottish perspective. The Scottish Web Directory, offers a selection of over 10,000 official sites, top 'household names' and sites of interest to Scottish families, business users, and anyone interested in ScotlandConveniently classified by category, the directory enables both begineers and experienced users alike to find elusive web addresses with ease, saving hours of fruitless searching and surfing on the Internet.Categories include:Arts & EntertainmentBusinessChildrenEducation, Training & ResearchFood & DrinkGovernmentHobbies & LeisureLivingMuseums, Libraries & InformationPersonal FinanceShoppingSportTechnologyTravel







A Creative Future


Book Description

A blueprint for the future of arts support, this strategy document was commissioned in 1990 by the then Minister for the Arts and is the result of the largest consultation and planning exercise ever undertaken on the arts in Great Britain. The Arts Council, the British Film Institute, the Crafts Council and the Regional Arts Boards - all partners in the arts funding system - sought the views of the arts community through discussion documents and seminars. A survey of public attitude to the arts was commissioned and the monitoring group set up with the local authority associations. A Creative Future focuses on seven priorities for the funding system including the importance of the artist; issues of participation and diverstiy; and the continued vitality of creative life through education. This document reflects the spirit of consultation and speaks for the arts and for the those who work in the arts.




A History of Artists' Film and Video in Britain


Book Description

In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997 respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental film-makers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to re-invigorate such time-honoured subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain - a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, A History of Artists' Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organisations that have supported the art-form's development. In so doing it greatly enlarges the scope of any understanding of 'British cinema' and demonstrates the crucial importance of the moving image to British art history.