Henry More, 1614-1687


Book Description

Henry More (1614-1687), the Cambridge Platonist, is often presented as an elusive and contradictory figure. An early apologist for the new natural philosophy and its rational support for Christian doctrine, More also defended the existence of witchcraft and wrote extensively on the nature of the soul and the world of spirits. A vigorous and prolific controversialist against many varieties of contemporary `atheism' and `enthusiasm', More was himself a spiritual perfectionist and illuminist, believing that the goal of the religious life was a conscious union with God. Until now, most biographies of More have ignored these, his own, preoccupations, and have made of him a rather eccentric but important illustrative figure in one of several larger narratives dominated by canonical figures like Descartes, Boyle, Spinoza or Newton. This is the first modern biography to place his own religious and philosophical preoccupations centre-stage, and to provide a coherent interpretation of his work from a consideration of his own writings, their contexts and aims. It is also the first study of More to exploit the full range of his prolific writings and a number of unknown manuscripts relating to his life. In addition, it contains an annotated handlist of his extant correspondence.




Romanticism, Enthusiasm, and Regulation


Book Description

This study looks at the way writers in the Romantic period, both canonical and popular, attempted to situate themselves in relation to enthusiasm, frequently craving the idea of its therapeutic power, but often also seeking to distinguish their writing from what many regarded as its destructive and pathological power.




Mania and Literary Style


Book Description

This highly original study of the 'manic style' in enthusiastic writing of the seventeenth and eighteenth centuries identifies a literary tradition and line of influence running from the radical visionary and prophetic writing of the Ranters and their fellow enthusiasts to the work of Jonathan Swift and Christopher Smart. Clement Hawes offers a counterweight to recent work which has addressed the subject of literature and madness from the viewpoint of contemporary psychological medicine, putting forward instead a stylistic and rhetorical analysis. He argues that the writings of dissident 'enthusiastic' groups are based in social antagonisms; and his account of the dominant culture's ridicule of enthusiastic writing (an attitude which persists in twentieth-century literary history and criticism) provides a powerful and daring critique of pervasive assumptions about madness and sanity in literature.