Ephraim's Breite


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The Drama


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Diaries of a Young Poet


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"In the diaries [Rilke] kept from 1898 to 1900, now translated for the first time . . . the overall impression is that of a genius just coming into his own powers."—Boston Phoenix In April 1898 Rainer Maria Rilke, not yet twenty-three, began a diary of his Florence visit. It was to record, in the form of an imaginary dialogue with his mentor and then-lover, Lou Andreas-Salome, his firsthand experiences of early Renaissance art. The project quickly expanded to include not only thoughts on life, history, and artistic genius, but also unguarded moments of revulsion, self-doubt, and manic expectation. The result is an intimate glimpse into the young Rilke, already experimenting brilliantly with language and metaphor. "For the lover of Rilke, this superb translation of the poet's early diaries will be a watershed. Through Edward Snow's and Michael Winkler's brilliantly supple and faithful translation . . . a new and more balanced picture of Rilke will emerge."—Ralph Freedman







Drama


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Das Literarische Echo


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The German Naturalists and Gerhart Hauptmann


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Gerhart Hauptmann's relationship to Naturalism has repeatedly been a subject of controversy. To clarify his position, this study analyses both published and unpublished opinions of his contemporaries within Naturalism. Following an outline of Naturalism based on the authors' own views of the often conflicting concepts related to the movement, emphasis is placed upon Naturalist critical response to Hauptmann's early works and upon the works of other Naturalist dramatists in relation to Hauptmann, underlining the authors' dependence upon his dramas as a model for literary success.




A History of the Theatre


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For other editions, see Author Catalog.







German American Annals


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