I Didn't Do It for You


Book Description

“Contemporary history on a grand scale . . . Wrong has given us another essential contribution to understanding the postcolonial scramble for Africa.” —John le Carré, #1 New York Times–bestselling author Scarred by decades of conflict and occupation, the craggy African nation of Eritrea has weathered the world’s longest-running guerrilla war. The dogged determination that secured victory against Ethiopia, its giant neighbor, is woven into the national psyche, the product of cynical foreign interventions. Fascist Italy wanted Eritrea as the springboard for a new, racially pure Roman empire; Britain sold off its industry for scrap; the United States needed a base for its state-of-the-art spy station; and the Soviet Union used it as a pawn in a proxy war. In I Didn’t Do It for You, Michela Wrong reveals the breathtaking abuses this tiny nation has suffered and, with a sharp eye for detail and a taste for the incongruous, tells the story of colonialism itself and how international power politics can play havoc with a country’s destiny. “Vivid, penetrating, wonderfully detailed. Michela Wrong has written the biography of a nation and more—she has excavated the very heart and soul of the Eritrean people and their country.” —Aminatta Forna, author of The Devil That Danced on Water “Engrossing, vividly written in the style of the best thrillers . . . I’ve read nothing that’s told me as much about either Eritrea or Ethiopia. It should become that standard work on the region.” —Anthony Sampson, author of Mandela: The Authorized Biography “Wrong excels as a storyteller, providing evocative descriptions of Eritrea’s dramatic topography and gripping dollops of military history.” —The Washington Post




African Cosmologies


Book Description

Produced in conjunction with the FotoFest Biennial 2020 exhibition, the African Cosmologies book will feature essays by leading scholars in the fields of contemporary art, photography, and cultural studies. Images of installations, photography, film, and video works by artists will highlight the range of interdisciplinary approaches that are represented in the Biennial exhibition. African Cosmologies: Photography, Time, and the Other is co-edited by Autograph ABP Director, Mark Sealy MBE, and FotoFest Executive Director, Steven Evans.--Fotofest International




Eritrea's Quest for Freedom


Book Description

Its journey to independence, etched in the annals of the 20th century, reflects the aspirations of a people who dared to dream of sovereignty and freedom. This exploration begins by tracing the roots of Eritrea's identity, delving into the historical echoes that resonated with calls for...




Service for Life


Book Description

Methodology -- Recommendations -- Part 1 : background -- Part 2 : human rights violations -- Part 3 : the experience of Eritrean refugees -- Part 4 : Eritrea's legal obligations -- Part 5 : Responding to Eritrea's crisis.




Two Weeks in the Trenches


Book Description

A quarter of a century ago, Alemseged abandoned a promising academic career to join the fledgling Eritrean Peoples Liberation Front to fight for Eritrea's freedom. This book, a translation of an earlier account in Tigrinya of the Battle of Afabet, the most important battle in the Eritrean fight against its Ethiopian occupation, shares with readers a searing eyewitness account of bravery and valour in the face of death.




The Archaeology of Ancient Eritrea


Book Description

This is a collection of essays exploring the contradicting paradigms of oppression and liberation in Ethiopia.







Understanding Eritrea


Book Description

The most secretive, repressive state in Africa is hemorrhaging its citizens. In some months as many Eritreans as Syrians arrive on European shores, yet the country is not convulsed by civil war. Young men and women risk all to escape. Many do not survive - their bones littering the Sahara; their bodies floating in the Mediterranean. Still they flee, to avoid permanent military service and a future without hope. As the United Nations reported: 'Thousands of conscripts are subjected to forced labor that effectively abuses, exploits and enslaves them for years.' Eritreans fought for their freedom from Ethiopia for thirty years, only to have their revered leader turn on his own people. Independent since 1993, the country has no constitution and no parliament. No budget has ever been published. Elections have never been held and opponents languish in jail. International organizations find it next to impossible to work in the country. Nor is it just a domestic issue. By supporting armed insurrection in neighboring states it has destabilized the Horn of Africa. Eritrea is involved in the Yemeni civil war, while the regime backs rebel movements in Somalia, Ethiopia and Djibouti. This book tells the untold story of how this tiny nation became a world pariah.




Gratitude in Low Voices


Book Description

“A candid, inspiring memoir of cultural and historical importance” from an Eritrean-Ethiopian War refugee (Michael Bloomberg). Dawit Gebremichael Habte fled his homeland of Eritrea as a teenager. In the midst of the ongoing Eritrean-Ethiopian war, Dawit and his sisters crossed illegally into Kenya. Without their parents or documents to help their passage, they experienced the abuse and neglect known by so many refugees around the world. But Dawit refused to give up. He stayed resilient and positive. Journeying to the United States under asylum—and still a boy—Dawit found a new purpose in an unfamiliar land. Against impossible odds, he studied hard and was accepted to Johns Hopkins University, eventually landing a job as a software engineer at Bloomberg. After a few years, with the support of Michael Bloomberg himself, Dawit returned to his homeland to offer business opportunities for other Eritreans. Dawit found a way to help his ancestral land emerge from thirty years of debilitating war. Gratitude in Low Voices is about how one man was marginalized, but how compassion and love never abandoned him. It’s about learning how to care for family, and how to honor those who help the helpless. This account reminds us that hope is not lost. “An inspiring memoir by Dawit Gebremichael Habte, who poignantly portrays his childhood in Africa and his struggles as a refugee to the United States . . . This book is a reaffirmation of the good that people can do and how one young man succeeded despite the odds against him.”—Foreword Reviews




Modernist Art in Ethiopia


Book Description

If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the country’s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative work—a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.