Escriure a l’edat mitjana: poder, gestió i memòria / Writing in the Middle Ages: Power, Management, and Memory


Book Description

En el decurs de la història, l’escriptura ha permès la gestió del poder, l’administració dels béns, la fixació de la memòria i la comunicació entre les persones. En aquesta obra, Daniel Piñol-Alabart aporta exemples de documentació de la Cancelleria Reial, de les notaries i de la correspondència privada que testimonien el valor de l’escriptura a l’edat mitjana. Throughout history, writing has enabled the management of power, the administration of properties, the preservation of memory, and communication between individuals. The examples of documents from the Royal Chancery and notaries’ offices and the private correspondence discussed by Daniel Piñol-Alabart in this work bear witness to the signifcance of writing in the Middle Ages.




The Making of Memory in the Middle Ages


Book Description

Memory in the Middle Ages has received particular attention in recent decades; yet; the topic remains difficult to grasp and the research on it rather fragmented. This book gathers particular case studies on memory in different parts of medieval Europe and in a variety of fields including literatures, languages, manuscript studies, history, history of ideas, philosophy, social history and art history. The studies address, on the one hand, memory as means of storing and recuperating knowledge (arts of memory and memory aids), and, on the other hand, memory as remembering and constructing the past (including the subject of forgetting). It should be useful to all interested in medieval culture, literature and history. Contributors are Milena Bartlová, Bergsveinn Birgisson, Irene Bueno, Vincent Challet, Greti Dinkova-Bruun, Lucie Doležalová, Dávid Falvay, Carmen Florea, Cédric Giraud, Laura Iseppi de Filippis, Farkas Gábor Kiss, Rüdiger Lorenz, Else Mundal, Előd Nemerkényi, William J. Purkis, Slavica Ranković, Lucia Raspe, Kimberly Rivers, Victoria Smirnova, Francesco Stella, Péter Tóth, Tamás Visi, Jon Whitman and Rafał Wójcik.




Writing History


Book Description




L'oubli Collectif Au Moyen Âge


Book Description

"The aim of this book is to examine the social, political and cultural consequences of ‘collective forgetting’ in the Middle Ages. Since the seminal work of Maurice Halbwachs, historical research has focused on ‘collective memory’ as the basis of social cohesion. Jan Assmann has introduced the slightly different concept of ‘cultural memory’, which he sees as a constitutive condition of political organisations and their stabilisation. Drawing on this Assmannian concept, this book examines this other process of ‘collective forgetting’." --




The Book of Memory


Book Description

The Book of Memory is a magisterial and beautifully illustrated account of the workings and function of memory in medieval society. Memory was the psychological faculty valued above all others in the period stretching from late antiquity through the Renaissance. The prominence given to memory has profound implications for the contemporary understanding of all creative activity, and the social role of literature and art. Drawing on a range of fascinating examples from Dante, Chaucer, and Aquinas to the symbolism of illuminated manuscripts, this unusually wide-ranging book offers new insights into the medieval world.




The Medieval Craft of Memory


Book Description

In antiquity and the Middle Ages, memory was a craft, and certain actions and tools were thought to be necessary for its creation and recollection. Until now, however, many of the most important visual and textual sources on the topic have remained untranslated or otherwise difficult to consult. Mary Carruthers and Jan M. Ziolkowski bring together the texts and visual images from the twelfth through the fifteenth centuries that are central to an understanding of memory and memory technique. These sources are now made available for a wider audience of students of medieval and early modern history and culture and readers with an interest in memory, mnemonics, and the synergy of text and image. The art of memory was most importantly associated in the Middle Ages with composition, and those who practiced the craft used it to make new prayers, sermons, pictures, and music. The mixing of visual and verbal media was commonplace throughout medieval cultures: pictures contained visual puns, words were often verbal paintings, and both were used equally as tools for making thoughts. The ability to create pictures in one's own mind was essential to medieval cognitive technique and imagination, and the intensely pictorial and affective qualities of medieval art and literature were generative, creative devices in themselves.




The Book of Memory


Book Description

Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will be essential reading for scholars of history, music, the arts and literature, as well as those interested in issues of orality and literacy (anthropology), in the working and design of memory (both neuropsychology and artificial memory), and in the disciplines of meditation (religion).




Memory and Commemoration in Medieval Culture


Book Description

In medieval society and culture, memory occupied a unique position. It was central to intellectual life and the medieval understanding of the human mind. Commemoration of the dead was also a fundamental Christian activity. Above all, the past - and the memory of it - occupied a central position in medieval thinking, from ideas concerning the family unit to those shaping political institutions. Focusing on France but incorporating studies from further afield, this collection of essays marks an important new contribution to the study of medieval memory and commemoration. Arranged thematically, each part highlights how memory cannot be studied in isolation, but instead intersects with many other areas of medieval scholarship, including art history, historiography, intellectual history, and the study of religious culture. Key themes in the study of memory are explored, such as collective memory, the links between memory and identity, the fallibility of memory, and the linking of memory to the future, as an anticipation of what is to come.




Transforming the Medieval World


Book Description

When viewed retrospectively, the period between the eleventh and the fifteenth centuries was a phase of European history that was characterized by a radical and fundamental media transformation. Before this time, the vast majority of the population had never encountered the written word in their day-to-day activities. From the beginning of the second millennium, however, texts began to appear in, and influence, almost every sphere of human life. Medieval written texts were subject to revision, copying, embellishments, and deletions; they were read silently and aloud, and they were recited in a variety of contexts. This CD-ROM and book, Transforming the Medieval World, presents these changes dynamically by linking texts and images from this period, and by providing detailed commentaries on each of them. The multimedia environment offered on the CD visualizes these textual transformations and illustrates the adaptability and dynamism of writing and its reception. The uses of writing in this early phase of intensive European literacy are analysed in eleven separate multimedia presentations, which are almost all based on research carried out by the Special Research Unit (SFB) between 1986 and 1999. The CD also contains an anthology of important essays, which provide the user with further reading materials, as well as a general bibliography. The book which accompanies the CD-ROM facilitates the use of the CD itself, and provides the various multimedia presentations in written format. As such, Transforming the Medieval World will be invaluable to both scholars and students interested in medieval literacy.




The Book of Memory


Book Description

Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will be essential reading for scholars of history, music, the arts and literature, as well as those interested in issues of orality and literacy (anthropology), in the working and design of memory (both neuropsychology and artificial memory), and in the disciplines of meditation (religion).