Catalogue


Book Description




L'Estampe Originale


Book Description

Overzicht van de Franse prentkunst aan het einde van de negentiende eeuw, met werk van o.a. De Toulouse Lautrec, Rodin, Renoir en Gauguin.




The Wrightsman Galleries for French Decorative Arts, the Metropolitan Museum of Art


Book Description

The authors, Danielle Kisluk-Grosheide and Jeffrey Munger, are curators in the Metropolitan Museum's Department of European Sculpture and Decorative Arts. They oversaw the recent reinstallation of the Wrightsman Galleries --Book Jacket.




Decorative Games


Book Description

This book features an extraordinary album of ornament designs by the French architect Gilles-Marie Oppenord (1672-1742). For the first time, this publication reproduces in their initial state the embellishments Oppenord drew over the first French edition of Cesare Ripa's Iconologia. In lieu of a haphazard succession of sketches, it reveals Oppenord's fascinating interplay between text, engraved and drawn images, one patterned on the art of conversation and the linguistic games cultivated in elite Parisian circles.




The Studio


Book Description







Choffard


Book Description

"Choffard is a literary enigma by Vera Salomons. While the precise genre may be elusive, Salomons' narrative promises a unique and thought-provoking reading experience. The book invites readers to embark on a journey into an uncharted literary territory, where unconventional themes and storytelling techniques await exploration. Salomons' writing style encourages readers to embrace the unknown and engage with the text on a deeper level. "Choffard" is a literary adventure that challenges traditional genre boundaries, making it a compelling choice for those seeking a truly unique reading experience."










Experiencing Architecture in the Nineteenth Century


Book Description

Bringing together fourteen original essays, this collection opens up new perspectives on the architectural history of the nineteenth century by examining the buildings of the period through the lens of 'experience'. With a focus on the experience of the ordinary building user – rather than simply on the intentions of the designer – the book shows that new and important insights can be brought to our understanding of Victorian architecture. The chapters present a range of ideas and new research – some examining individual building case studies (from grand hotels and clubhouses in New York to the parliament buildings of Westminster), and others exploring conceptual questions about the nature of architectural experience, whether sensory or otherwise. Yet they share the premise that the idea of the 'experience of architecture' took on a new and particular significance with the rise of industrial modernity, and they examine what contemporary people – both architects and non-architects – understood by this idea. The insights in this volume extend beyond the study of Victorian architecture. Together they suggest how 'experience' might be used as a framework to produce a more convincingly historical account of the artefacts of architectural history.