Eugene Allen Smith's Alabama


Book Description

In 1871 when the University of Alabama reopened after its destruction by Federal troops, Eugene Allen Smith returned to his alma mater as professor of geology and mineralogy. Until his death in 1927, this gifted man devoted his abundant energy and his stout heart to the welfare of the school and the state. After persuading the legislature to appoint him state geologist in 1873, he spent his summers enduring chills, fevers, and verbal abuse as he searched for industrial raw materials that could bring about better lives for destitute Alabamians. Traveling in a mule-drawn wagon, he recorded detailed observations, botanical and geological discoveries, and mineral analyses in his journal. He loaded the wagon with specimens for the university museum he dreamed of creating some day. He inventoried industries that had failed or been destroyed, judging whether they were worth salvaging. Interspersed with this information were pithy comments on people he met, frustrations he dealt with, historical notes, and poetic descriptions of rocks and creeks and mountains, giving a vivid picture of Alabama in transition. What he accomplished, against monumental odds, became the catalyst that transformed Alabama from an aimless and poverty-stricken agricultural state to an industrial giant to be reckoned with. How he accomplished what he did, with very little support and hardly any money, gave this diminutive and very human man a stature of mythic proportions in the history of the university and the state. The story of Little Doc, as told in Eugene Allen Smiths Alabama, is drawn from many sources: Smiths transcribed field notes, countless numbers of letters he received and the carbon copies of his replies, his published reports over a period of fifty years, wills, genealogical records, histories of the st







Shot in Alabama


Book Description

A sumptuously illustrated history of photography as practiced in the state from 1839 to 1941 offering a unique account of the birth and development of a significant documentary and artistic medium




Bulletin


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Earline's Pink Party


Book Description

In Earline’s Pink Party Elizabeth Findley Shores sifts through her family’s scattered artifacts to understand her grandmother’s life in relation to the troubled racial history of Tuscaloosa, Alabama. A compelling, genre-bending page-turner, Earline’s Pink Party: The Social Rituals and Domestic Relics of a Southern Woman analyzes the life of a small-city matron in the Deep South. A combination of biography, material culture analysis, social history, and memoir, this volume offers a new way of thinking about white racism through Shores’s conclusion that Earline’s earliest childhood experiences determined her worldview. Set against a fully drawn background of geography and culture and studded with detailed investigations of social rituals (such as women’s parties) and objects (such as books, handwritten recipes, and fabric scraps), Earline’s Pink Party tells the story of an ordinary woman, the grandmother Shores never knew. Looking for more than the details and drama of bourgeois Southern life, however, the author digs into generations of family history to understand how Earline viewed the racial terror that surrounded her during the Jim Crow years in this fairly typical southern town. Shores seeks to narrow a gap in the scholarship of the American South, which has tended to marginalize and stereotype well-to-do white women who lived after Emancipation. Exploring her grandmother’s home and its contents within the context of Tuscaloosa society and historical events, Shores evaluates the belief that women like Earline consciously engaged in performative rituals in order to sustain the “fantastical” view of the white nobility and the contented black underclass. With its engaging narrative, illustrations, and structure, this fascinating book should interest scholars of memory, class identity, and regional history, as well as sophisticated lay readers who enjoy Southern history, foodways, genealogy, and material culture.