A Short History of French Literature


Book Description

This book traces the history of French literature from its beginnings to the present. Within its remarkably brief compass, it offers a wide-ranging, personal, and detailed--though selective--account of major writers and movements. Developments in French literature are presented in an innovative way, not as an even sequence of literary events but as a series of stories told at varying pace and with different kinds of focus. Readers can thus take in the broad sweep of historical change, grasp the main characteristics of major periods, or enjoy a close appraisal of individual works and their contexts. The book is written in an accessible and non-technical style that will make it attractive both to students of French and to non-specialist readers.




A Flea in Her Rear, Or, Ants in Her Pants


Book Description

(Applause Books). Ten French farces as translated by Norman R. Shapiro, including the title play by Feydeau and: The Poor Beggar and the Fairy Godmother (Allais) * Boubouroche, or She Dupes to Conquer (Courteline) * It's All Relative (Labiche) * Mardis Gras (Meilhac and Halevy) * and more.







The Victorians


Book Description

A discussion of the Victorians and their literature. It sets out the political, social and economic framework of the period, and then goes on to study the various influences on the novel, addresses the forms and styles of poetry and, finally, provides an overview of Victorian drama. Each chapter features a further reading list and there is a comparative time-line, a biographical glossary and a list of websites. The volume is part of a series which sets writers and literary works of different types and periods in their historical, social and cultural context and provides an introduction to various genres.




Introduction to Nineteenth-Century French Literature


Book Description

Everyone knows something of nineteenth-century France - or do they? "Les Miserables", "The Lady of the Camelias" and "The Three Musketeers", "Balzac" and "Jules Verne" live in the popular consciousness as enduring human documents and cultural icons. Yet, the French nineteenth century was even more dynamic than the stereotype suggests. This exciting new introduction takes the literature of the period both as a window on past and present mindsets and as an object of fascination in its own right. Beginning with history, the century's biggest problem and potential, it looks at narrative responses to historical, political and social experience, before devoting central chapters to poetry, drama and novels - all genres the century radically reinvented. It then explores numerous modernities, ways nineteenth-century writing and mentalities look forward to our own, before turning to marginalities - subjects and voices the canon traditionally forgot. No genre was left unchanged by the nineteenth century. This book will help to discover them anew.




The Moral Philosophy of Management: From Quesnay to Keynes


Book Description

This book explores the foundation of European management philosophy at a dramatic moment in European history: the Cold War has ended; Western capitalism has triumphed over communism. The book reflects on the role of business and management that has emerged in Western capitalism and it searches for the roots of moral philosophy and the philosophies of management derived from the history of economic thought. It traces such ideas from the late 18th century works, Quesnay and Smith, down through the 19th century to the present. The closing chapter of the book sets out ten principles for tight management in a socio-economic doctrine of ideal enterprise and good management.




Contemporary European Playwrights


Book Description

Contemporary European Playwrights presents and discusses a range of key writers that have radically reshaped European theatre by finding new ways to express the changing nature of the continent’s society and culture, and whose work is still in dialogue with Europe today. Traversing borders and languages, this volume offers a fresh approach to analyzing plays in production by some of the most widely-performed European playwrights, assessing how their work has revealed new meanings and theatrical possibilities as they move across the continent, building an unprecedented picture of the contemporary European repertoire. With chapters by leading scholars and contributions by the writers themselves, the chapters bring playwrights together to examine their work as part of a network and genealogy of writing, examining how these plays embody and interrogate the nature of contemporary Europe. Written for students and scholars of European theatre and playwriting, this book will leave the reader with an understanding of the shifting relationships between the subsidized and commercial, the alternative and the mainstream stage, and political stakes of playmaking in European theatre since 1989.




Historical Dictionary of French Theater


Book Description

The term "French theater" evokes most immediately the glories of the classical period and the peculiarities of the Theater of the Absurd. It has given us the works of Corneille, Racine, and Moliere. In the Romantic era there was Alexander Dumas and surrealist works of Alfred Jarry, and then the Theater of the Absurd erupted in rationalistic France with Samuel Beckett, Eugene Ionesco, and Jean-Paul Sartre. The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.




Discourse as Performance


Book Description

One of the first books to apply contemporary linguistic and semiotic research to drama, Discourse as Performance is an investigation into theatrical discourse - the specifically theatrical use of language in the broadest sense, from verbal utterance to non verbal uses comprising the visual elements of gesture, facial expression, movement, costume, players' bodies, properties, and decor. The book is in three parts. In the first part, the author deals with theatrical discourse proper and distinguishes between its two main modes: dialogue and stage directions. Both modes address the problem of the specificity of theatrical discourse in contrast to other types of discourse, both literary and non-literary. The dialogue raises the questions of who speaks in a play (author, characters, actors) and to whom; the stage directions raise the question of reading a play, as opposed to seeing it performed onstage. The author links these issues to speech act theory and intertextuality.