Every White Man's Fantasy


Book Description

Willow James has always dreamed of finding Mr. Right. She thought she had found true love in her last relationship with Jordan Michael, but that turned out to be a hot mess. Jordan was an incredible piece of eye candy, but he wasnt worth a penny. Then one day she meets Rece Gallantine and her world is flipped upside down. He is everything that she has ever dreamed of. Tall, smart, funnyhandsome. What else could a girl ask for? Well, theres only one problemhes white and shes black. How will she ever tell her parents that shes dating a white guy? Her dad is going to hit the roof! Oh well, shes a grown woman and she can do as she pleases. At least thats what she keeps telling herself. At any rate, she cant think about all of that stuff right now. Willow is in love and shell cross that bridge when she comes to it. Until then, shes going to enjoy Rece and all that comes along with it!




Mediocre


Book Description

From the author of the smash hit #1 New York Times bestseller So You Want to Talk About Race, an "illuminating" (New York Times Book Review) history of white male identity in America What happens to a country that tells generations of white men that they deserve power? What happens when their identity is defined by status over women and people of color? Through the last 150 years of American history, Ijeoma Oluo exposes the devastating consequences of white male supremacy. She then envisions a new white male identity, one free from racism and sexism. Now with a new preface addressing the harrowing 2021 Capitol attack, Mediocre confronts our founding myths, in hopes that we will write better stories for future generations.




White Fragility


Book Description

The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.




The Artificial White Man


Book Description

In this penetrating collection of original essays, legendary gadfly and esteemed critic Stanley Crouch tackles the notion on authenticity-what it is, what it isn't, and what we make of it, for good or for bad. While the question of who's the real deal and who isn't has now seeped into nearly every corner of American culture, nowhere does the idea of authenticity hold greater sway than in the realm of ethnicity. In this bracing collection of original essays, Crouch brings all his rhetorical skills to bear on this animating-and polarizing-idea, and investigates the motives behind those who present themselves as authentic, those who claim to expose the inauthentic, and what this all tells us about the state of the arts-from the vaulted halls of literary fiction to the arena of soft drink-shilling pop stars-in America today. For Crouch, this is not simply an academic exercise, but a summation of our peculiar historical moment. Living in a time in which much of the conventions that defined and limited people's futures-whether it be race, class, or sex-have been obliterated, we're both liberated from bigotries and yet-still-facing profound disillusionment. As influences come and go at breakneck speed, as traditions are remade and re-imagined, it has become hard to tell which metaphorical end is up. The result, Crouch argues, is not only a national paranoia that someone may have put something over on us-i.e. that we have too often been duped into believing that the counterfeit is authentic-but also a deep retrenchment of imagination and artistic expression, from white and black alike. As he promises in his introduction: "This book is an argument with all of that, however sympathetic it might be to the search for alternatives to our disappointments. It hopes to present, through affirmation, a new form of rebellion in our time of cosmetic dissent."




Delusion


Book Description

We are a Bible-believing country. History is repeating itself and reminding us of our mission, for me a mother, grandmother, and great-grandmother. My job is not over; neither is my education. I am a child of the change from twentieth century to twenty-first century. Have I educated my children on God's love and will for his children? At seventy-seven, I am of the Josh generation and 2008, the beginning of change to pass the education of the Benjia generation to you and confine the Miletus generation must do. Over the thousand years in front of us, our political system is melting away for Jesus to come back. Before the second coming of Christ can return, there are certain that most he fulfilled. God has always prepared his people for the wars against our sinful nature. We are hung tested. And must be taught about the delusion we are seeing with our eye and hearing with our ears today. Satan is not a man in a red suit with horns and a tail. He is a flesh and human. He is a man of sin. The time of the millennium age is around the bend. I believe the Benji generation is here. Jesus began his ministry at age twelve. Jewish children have their coming of age when they reach thirteen. We are given forty years as probation. 13 + 40=53 A. Gives the timeline of our testing. B. It tells us about the world falling away from his protection. C. It tells us who our leadership was in Judges 3 to 4. The reward was forty years of peace. We are living now in this period of testing. And have been tricked by an evil spirit. And did not pass the test of a world of nations who are guilty being drained by an evil spirit. And fail to recognize that God has not been called to lead us out of harm's way. God is not and will not be forgotten. There is a rement. And our prayers will be heard. And the promise of Isaiah 19: 1 will be kept. Because we have been beset with Isaiah 19 verse 1 to 25. For those living in fear I believe the world as a whole is Egypt (Warknus) and we are living in fear of evil spirit. And have parted from God's protection. For those living in love and hope, we fear not. This is the time for prayers. God has heard our cry. From January 20 til the present, there has not been one week without a flood. He is keeping his word. Check it out.




Blackwing


Book Description

“A remarkably assured fantasy debut that mixes of the inventiveness of China Miéville with the fast paced heroics of David Gemmell.”—Anthony Ryan, New York Times bestselling author of The Legion of Flame Set on a postapocalyptic frontier, Blackwing is a gritty fantasy debut about a man’s desperate battle to survive his own dark destiny... Hope, reason, humanity: the Misery breaks them all. Under its cracked and wailing sky, the Misery is a vast and blighted expanse, the arcane remnant of a devastating war with the immortals known as the Deep Kings. The war ended nearly a century ago, and the enemy is kept at bay only by the existence of the Engine, a terrible weapon that protects the Misery’s border. Across the corrupted no-man’s-land teeming with twisted magic and malevolent wraiths, the Deep Kings and their armies bide their time. Watching. Waiting. Bounty hunter Ryhalt Galharrow has breathed Misery dust for twenty bitter years. When he’s ordered to locate a masked noblewoman at a frontier outpost, he finds himself caught in the middle of an attack by the Deep Kings, one that signifies they may no longer fear the Engine. Only a formidable show of power from the very woman he is seeking, Lady Ezabeth Tanza, repels the assault. Ezabeth is a shadow from Galharrow’s grim past, and together they stumble onto a web of conspiracy that threatens to end the fragile peace the Engine has provided. Galharrow is not ready for the truth about the blood he’s spilled or the gods he’s supposed to serve…




Revealing Eden


Book Description

A modern day Beauty and the Beast tale about a white skinned pearl in a world of dark skinned coals.




No Longer Separate, Not Yet Equal


Book Description

How do race and social class influence who gets into America's elite colleges? This important book takes a comprehensive look at how all aspects of the elite college experience--from application and admission to enrollment and student life--are affected by these factors. To determine whether elite colleges are admitting and educating a diverse student body, the authors investigate such areas as admission advantages for minorities, academic achievement gaps tied to race and class, unequal burdens in paying for tuition, and satisfaction with college experiences. Arguing that elite higher education affects both social mobility and inequality, the authors call on educational institutions to improve access for students of lower socioeconomic status. Annotation ♭2010 Book News, Inc., Portland, OR (booknews.com).




The Racist Fantasy


Book Description

What stands out about racism is its ability to withstand efforts to legislate or educate it away. In The Racist Fantasy, Todd McGowan argues that its persistence is due to a massive unconscious investment in a fundamental racist fantasy. As long as this fantasy continues to underlie contemporary society, McGowan claims, racism will remain with us, no matter how strenuously we struggle to eliminate it. The racist fantasy, a fantasy in which the racial other is a figure who blocks the enjoyment of the racist, is a shared social structure. No one individual invented it, and no one individual is responsible for its perpetuation. While no one is guilty for the emergence of the racist fantasy, people are nonetheless responsible for keeping it alive and thus responsible for fighting against it. The Racist Fantasy examines how this fantasy provides the psychic basis for the racism that appears so conspicuously throughout modern history. The racist fantasy informs everything from lynching and police shootings to Hollywood blockbusters and musical tastes. This fantasy takes root under capitalism as a way of explaining the failures and disappointments that result from the relationship to the commodity. The struggle against racism involves dislodging the fantasy structure and to change the capitalist relations that require it. This is the project of this book.




The White Man's World


Book Description

Memories of Empire is a trilogy which explores the complex, subterranean political currents which emerged in English society during the years of postwar decolonization. Bill Schwarz shows that, through the medium of memory, the empire was to continue to possess strange afterlives long after imperial rule itself had vanished. The White Man's World, the first volume in the trilogy, explores ideas of the white man as they evolved during the time of the British Empire, from the mid-nineteenth century to the mid-twentieth century, looking particularly at the transactions between the colonies and the home society of England. The story works back from the popular response to Enoch Powell's 'Rivers of Blood' speech in 1968, in which identifications with racial whiteness came to be highly charged. Driving this new racial politics, Bill Schwarz proposes, were unappeased memories of Britain's imperial past. The White Man's World surveys the founding of the so-called white colonies, looking in particular at Australia, South Africa, and Rhodesia, and argues that it was in this experience that contemporary meanings of racial whiteness first cohered. These colonial nations - 'white men's countries', as they were popularly known - embodied the conviction that the future of humankind lay in the hands of white men. The systems of thought which underwrote the ideas of the white man, and of the white man's country, worked as a form of ethnic populism, which gave life to the concept of Greater Britain. But if during the Victorian and Edwardian period the empire was largely narrated in heroic terms, in the masculine mode, by the time of decolonization in the 1960s racial whiteness had come to signify defeat and desperation, not only in the colonies but in the metropole too. Identifications with racial whiteness did not disappear in England in the moment of decolonization: they came alive again, fuelled by memories of what whiteness had once represented, recalling the empire as a lost racial utopia.