Evil Come, Evil Go


Book Description

The newspapers called it the Crime of the Century. The extravagance was understandable. The crime would have made headlines had it happened to an ordinary citizen, but this blow had been struck at Andy Paxton. His golden voice had made him an American institution. Lissa, his actress wife, was almost as successful. It was unbelievable that murder and an evil even worse than murder could have touched them. Suspecting that Andy’s enemy might be someone who knew him well, the police dug into the past lives of the members of his entourage. Even the most trustworthy employees had unsavory secrets. Afraid to enlist an ally who might be an adversary, Andy sets out alone to find his opponent. There was no one he trusted, not even the police. And, ironically, he learned that police did not trust him. Here is a taut, compelling mystery, set against the fascinating background of show business.




Evil Come, Evil Go


Book Description







Nightmare Movies


Book Description

Now over twenty years old, the original edition of Nightmare Movies has retained its place as a true classic of cult film criticism. In this new edition, Kim Newman brings his seminal work completely up-to-date, both reassessing his earlier evaluations and adding a second part that assess the last two decades of horror films with all the wit, intelligence and insight for which he is known. Since the publication of the first edition, horror has been on a gradual upswing, and taken a new and stronger hold over the film industry. Newman negotiates his way through a vast back-catalogue of horror, charting the on-screen progress of our collective fears and bogeymen from the low budget slasher movies of the 60s, through to the slick releases of the 2000s, in a critical appraisal that doubles up as a genealogical study of contemporary horror and its forebears. Newman invokes the figures that fuel the ongoing demand for horror - the serial killer; the vampire; the werewolf; the zombie - and draws on his remarkable knowledge of the genre to give us a comprehensive overview of the modern myths that have shaped the imagination of multiple generations of cinema-goers. Nightmare Movies is an invaluable companion that not only provides a newly updated history of the darker side of film but a truly entertaining guide with which to discover the less well-trodden paths of horror, and re-discover the classics with a newly instructed eye.




Catalog of Copyright Entries. Third Series


Book Description

Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)




Pat Boone


Book Description

While much of Pat Boone's fame was garnered through his musical career and his many chart-topping hits, he is also identified by his film career, though it is not nearly as well documented. In his captivating biography,Pat Boone, the Hollywood YearsRichard Kibbey sets out to explore the film history of Pat Boone and illustrate his transition from crooner to rising star. Though some might write off his film career as fleeting, it's obvious that Pat Boone's star quality was explosive. Though he began appearing on television in the 50s, which could have hurt his movie career, 20th Century Fox made an ingenious choice to take him on as a leading man for not only romantic musicals but also science fiction and powerful dramas. With interviews from fellow costars, in-depth film analyses, documentation of his family life, and a behind-the-scenes look at the planning, scriptwriting, scoring, and songwriting of his popular films, this thorough history of Pat Boone's film career is sure to delight not only Pat Boone fans but also anyone interested in the golden era of Hollywood, movies, and musicals.




Catalog of Copyright Entries


Book Description




Enser’s Filmed Books and Plays


Book Description

This title was first published in 2003. The sixth edition of this compendium of film and television adaptations of books and plays includes several thousand new listings that cover the period from 1992 to December 2001. There are 8000 main entries, covering 70 years of film history, including some foreign language material.




Spinegrinder


Book Description

First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.




The Body in Flannery O'Connor's Fiction


Book Description

This is a reading of physical obsession in O'Connor through linguistic and literary techniques. central struggle between spirit and matter in O'Connor through a close quantitative examination of the interactions of grammatical voice and physical bodies in her texts. Bridging literary theory and linguistics, Hardy demonstrates that the many constructions in which the body parts of O'Connor's characters are foregrounded, either as subjects or objects, are grammatical manipulations of semantic variations on what linguists deem the middle voice - roughly indicating that the subject is acting upon himself or herself. productive approach to understanding O'Connor's use of the body and its parts in her explorations of the sacramental and the grotesque. Linguistic analysis of grammatical middle voice is coupled with quantitative analysis of body-part words and the collocations in which they appear to present a new point of entrance to understanding O'Connor's stylistic manipulations of the body as central to the rift between spirit and matter. Through this method of reading O'Connor, Hardy makes a valuable contribution to the growing body of work that is introducing linguistic terminology and concepts into literary studies.