Evocations of My Past


Book Description

Kreyon Bondye pa gen gom. ("God's pencil has no eraser.") -Haitian proverb When Maryse Noel Roumain decided to write about her childhood and adolescence in Haiti during the 1950s and 1960s, the term evocation guided her. She uses sensory details to create a vivid picture of life and culture of the Haiti of her youth. Beginning with her First Communion at age seven, the sights, smells, and sounds of her childhood are used to create a vivid picture of that day and those that followed. Within these pages, she explores her growing relationship to her family, her community, and her spirituality in rich detail and emotion. In Haiti, history, culture, religion, and politics are interwoven into the basic fabric of life, and that rich amalgamation of influences shaped her and inspired her. She lived through the terrors and privations of the Duvalier era, a period of history that left its mark on millions of Haitians. Of the middle-class Haitian Diaspora, she says, "We love and are attached to our country of birth and should remain in it to have our life and contribute." Later in life, she chose to leave her island home behind and venture out into the bigger world, in search of an education-and herself. Her journey took her to Paris, where she studied at the Sorbonne, and eventually to New York City, where she earned a doctorate in psychology. She immersed herself in the cultural diversity of New York City, never forgetting or denying her Haitian identity and heritage.




Performing the Past


Book Description

Karin Tilmans is an historian, and academic coordinator of the Max Weber Programme at the European University Institute, Florence. Frank van Vree is an historian and professor of journalism at the University of Amsterdam. Jay M. Winter is the Charles J. Stille Professor of History at Yale. --




Appropriating the Past


Book Description

An international and multidisciplinary team addresses significant ethical questions about the rights to access, manage and interpret the material remains of the past.




Evocations for Beginners


Book Description

Summoning spirits (evocation) does not have the best reputation ... as long as they are not called "apparitions of Mary", "cult of the dead", "invocations of gods", "spiritualism" or "family constellations" ... What is so scary about contact with spirits? In dream journeys one also meets all kinds of spirits - and poltergeists always come quite unasked. The problem is mainly the fear of death, of the spirits of the dead. This has not always been the case - close contact with the dead was first demonized by the Christian missionaries: They put the one God Father in place of the deceased physical father of every human being - and formed the devil from the archetype of the ancestor spirit. There is hardly an early culture in which spirits were not conjured up. Examples of this can be found in the Neolithic Age, in Egypt, Sumer, among the Hittites, the Romans, in Africa, in the Old and New Testaments, among the Germanic peoples, the Celts, in Islam, and so on. There is a great variety in the methods of evocation, in the reasons for them, in their procedure and in their place in the culture - but the basic principle is very simple.




Astonishment and Evocation


Book Description

All societies are shaped by arts, media, and other persuasive practices that can awe, captivate, enchant or otherwise seem to cast a spell on the audience. Likewise, scholarship itself often is driven by a sense of wonder and a willingness to be open to what lies beyond the obvious. This book broadens and deepens this perspective. Inspired by Stephen Tyler’s view of ethnography as an art of evocation, international scholars from the fields of aesthetics, anthropology, and rhetoric explore the spellbinding power of elusive meanings as people experience them in daily life and while gazing at works of art, watching films or studying other cultures. The book is divided into three parts covering the evocative power of visual art, the immersion in ritual and performance, and the reading, writing, and interpretation of texts. Taken as a whole, the contributions to the book demonstrate how astonishment and evocation deserve an important place in the conceptual repertoire of the human sciences.




The Museum of Babel


Book Description

The Museum of Babel: Meditations on the Metahistorical Turn in Museography is a thought‐provoking, transatlantic reading of contemporary exhibits of the museum’s own past. Museums everywhere now exhibit ‘evocations’ of their own pasts, often in the form of refashioned, ancestral cabinets of curiosities. Moving beyond discussions of ‘the return to curiosity,’ Thurner calls this retrospective trend the metahistorical turn in museography. Providing engaging and lively meditations on exhibits of the museal past in art, natural history, archaeology, and anthropology museums, including the Prado, the Royal Cabinet of Natural History, the Ashmolean, the British Museum, the Louvre, Coimbra’s Science Museum, Brazil’s scorched Museu Nacional, Mexico’s Museum of Anthropology, Argentina’s Museo de la Plata, and the Venice Art Biennale, Thurner argues that the ongoing metahistorical turn in museography is exposing the museum’s true vocation, which is to be a museum of itself, or metamuseum. In a word, The Museum of Babel is a provocative meditation on the museum’s true vocation. As such, it will be essential reading for museologists, curators, museum professionals, historians and philosophers of art and science, anthropologists, and students in an array of related fields, including museum studies, cultural studies, global studies, history, archaeology, anthropology, design, and art history.




The Cambridge Companion to Ravel


Book Description

A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.




Phenomenology and the Physical Reality of Consciousness


Book Description

The predominant positive view among philosophers and scientists alike is that consciousness is something realized in brain activity. This view, however, largely fails to capture what consciousness is like according to how it shows itself to conscious beings. What this work proposes instead is that consciousness is a phenomenon that exists in and throughout the body. Apart from whether or not it involves intentionality and apart from whether or not it involves awareness of the self, consciousness is self-intimating, self-revealing, self-disclosing. Self-disclosure is the definitive phenomenological character of consciousness in all its forms. Taking this stance as a point of departure, the book presents a specific account of what bodily field phenomenon consciousness is. In this way, the current stalemate in philosophy over the question of the physical reality of consciousness is broken. Series A




The Past is a Foreign Country


Book Description

Lowentahal looks at the benefits and burdens of the past, how we study the past, and how we change it.




The Torch, and Other Lectures and Addresses


Book Description

This is an OCR edition without illustrations or index. It may have numerous typos or missing text. However, purchasers can download a free scanned copy of the original rare book from GeneralBooksClub.com. You can also preview excerpts from the book there. Purchasers are also entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Original Published by: McClure, Phillips & co. in 1905 in 227 pages; Subjects: English poetry; Literature; History / General; Literary Criticism / General; Literary Criticism / European / English, Irish, Scottish, Welsh; Literary Criticism / Poetry; Poetry / English, Irish, Scottish, Welsh;