Excuse Me, Are You Jewish?


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Listen - My Beloved Knocks


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"This essay, originating in a speech delivered in 1956 at an Israel Independence Day celebration, discusses the religious significance of the creation of the State of Israel and the obligation that its existence imposes upon Jews."--BOOK JACKET.




Excuse Me


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A razor-sharp collection from the acclaimed New Yorker cartoonist and Instagram sensation whom Vulture recently called “a remarkable young talent” With her trademark, scratchy style and keen eye for the absurd, Liana Finck has amassed a large, devoted following who love the deeply insightful, delightfully odd way she describes how we all experience the world. Excuse Me assembles more than 500 of her most loved cartoons from Instagram and The New Yorker over the past few years, in such distinctive chapters as: Love & Dating; Gender & Other Politics; Animals; Art & Myth-Making; Humanity; Time, Space, and How to Navigate Them; Strangeness, Shyness, Sadness; and Notes to Self. Melancholy and hilarious, relatable and surreal, intensely personal yet surprisingly universal, Excuse Me brings together the best work so far by one of the most talented young comics artists working today.




The Rebbe's Army


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“Excuse me, are you Jewish?” With these words, the relentlessly cheerful, ideologically driven emissaries of Chabad-Lubavitch approach perfect strangers on street corners throughout the world in their ongoing efforts to persuade their fellow Jews to live religiously observant lives. In The Rebbe’s Army, award-winning journalist Sue Fishkoff gives us the first behind-the-scenes look at this small Brooklyn-based group of Hasidim and the extraordinary lengths to which they take their mission of outreach. They seem to be everywhere—in big cities, small towns, and suburbs throughout the United States, and in sixty-one countries around the world. They light giant Chanukah menorahs in public squares, run “Chabad houses” on college campuses from Berkeley to Cambridge, give weekly bible classes in the Capitol basement in Washington, D.C., run a nonsectarian drug treatment center in Los Angeles, sponsor the world’s biggest Passover Seder in Nepal, establish synagogues, Hebrew schools, and day-care centers in places that are often indifferent and occasionally hostile to their outreach efforts. They have built a billion-dollar international empire, with their own news service, publishing house, and hundreds of Websites. Who are these people? How successful are they in making Jews more observant? What influence does their late Rebbe, Menachem Mendel Schneerson (who some thought was the Messiah), continue to have on his followers? Fishkoff spent a year interviewing Lubavitch emissaries from Anchorage to Miami and has written an engaging and fair-minded account of a Hasidic group whose motives and methodology continue to be the subject of speculation and controversy.




What We Talk About When We Talk About Anne Frank


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A viciously funny and intelligently provocative play about family, friendship and faith, adapted by the author from his Pulitzer-finalist short story. Who in your life would you trust to keep you alive? And who do you know who would risk their own life for yours? Debbie and Lauren were best friends until Lauren became ultra-Orthodox, changed her name and moved to Jerusalem. More than twenty years later, husbands in tow, their Florida reunion descends with painful but hilarious inevitability into an argument about parenthood, marriage, friendship and faith. If you really want to ensure a Jewish future, you should be like me. Good, old-fashioned afraid. Nathan Englander's serious comedy, adapted for the stage from his Pulitzer-finalist short story, received its European premiere at the Marylebone Theatre, London, in October 2024.




The Jewish Joke


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Comedy is full of famously funny Jews, from Groucho Marx to Larry David to Sarah Silverman. This smart and funny book includes tales from many of these much-loved comics, and will appeal to their broad audience, while revealing the history, context, and wider culture of Jewish joking. The Jewish joke is as old as Abraham, and like the Jews themselves it has wandered over the world, learned countless new languages, worked with a range of different materials, been performed in front of some pretty hostile crowds, and yet still retained its own distinctive identity. So what is it that animates the Jewish joke? Why are Jews so often thought of as “funny”? And how old can a joke get? With jokes from Lena Dunham to Woody Allen, as well as Freud and Marx (Groucho, mostly), Baum balances serious research with light-hearted humor and provides fascinating insight into this wellknown and much loved cultural phenomenon.




Ester and Ruzya


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In this “extraordinary family memoir,”* the National Book Award–winning author of The Future Is History reveals the story of her two grandmothers, who defied Fascism and Communism during a time when tyranny reigned. *The New York Times Book Review In the 1930s, as waves of war and persecution were crashing over Europe, two young Jewish women began separate journeys of survival. Ester Goldberg was a rebel from Bialystok, Poland, where virtually the entire Jewish community would be sent to Hitler’s concentration camps. Ruzya Solodovnik was a Russian-born intellectual who would become a high-level censor under Stalin’s regime. At war’s end, both women found themselves in Moscow. Over the years each woman had to find her way in a country that aimed to make every citizen a cog in the wheel of murder and repression. One became a hero in her children’s and grandchildren’s eyes; the other became a collaborator. With grace, candor, and meticulous research, Masha Gessen, one of the most trenchant observers of Russia and its history today, peels back the layers of time to reveal her grandmothers’ lives—and to show that neither story is quite what it seems. Praise for Masha Gessen “One of the most important activists and journalists Russia has known in a generation.”—David Remnick, The New Yorker “Masha Gessen is humbly erudite, deftly unconventional, and courageously honest.”—Timothy Snyder, author of On Tyranny




Who Are the Jews--And Who Can We Become?


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Who Are the Jews--And Who Can We Become? tackles perhaps the most urgent question facing the Jewish people today: Given unprecedented denominational tribalism, how can we Jews speak of ourselves in collective terms? Crucially, the way each of us tells our "shared" story is putting our collective identity at risk, Donniel Hartman argues. We need a new story, built on Judaism's foundations and poised to inspire a majority of Jews to listen, discuss, and retell it. This book is that story. Since our beginnings, Hartman explains, the Jewish identity meta-narrative has been a living synthesis of two competing religious covenants: Genesis Judaism, which defines Jewishness in terms of who one is and the group to which one belongs, independent of what one does or believes; and Exodus Judaism, which grounds identity in terms of one's relationship with an aspirational system of values, ideals, beliefs, commandments, and behaviors. When one narrative becomes too dominant, Jewish collective identity becomes distorted. Conversely, when Genesis and Exodus interplay, the sparks of a rich, compelling identity are found. Hartman deftly applies this Genesis-Exodus meta-narrative as a roadmap to addressing contemporary challenges, including Diaspora Jewry's eroding relationship with Israel, the "othering" of Israeli Palestinians, interfaith marriage, the Israeli-Palestinian conflict, and--collectively--who we Jews can become.




The Accidental Asian


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Beyond black and white, native and alien, lies a vast and fertile field of human experience. It is here that Eric Liu, former speechwriter for President Clinton and noted political commentator, invites us to explore. In these compellingly candid essays, Liu reflects on his life as a second-generation Chinese American and reveals the shifting frames of ethnic identity. Finding himself unable to read a Chinese memorial book about his father's life, he looks critically at the cost of his own assimilation. But he casts an equally questioning eye on the effort to sustain vast racial categories like “Asian American.” And as he surveys the rising anxiety about China's influence, Liu illuminates the space that Asians have always occupied in the American imagination. Reminiscent of the work of James Baldwin and its unwavering honesty, The Accidental Asian introduces a powerful and elegant voice into the discussion of what it means to be an American.




Life is Like a Glass of Tea


Book Description

The first book on Jewish humor in which individual jokes are singled out for comprehensive study, Life is Like a Glass of Tea devotes a chapter to each of eight major jokes, tracing its history and variants—and looking closely at the ways in which the comic behavior enacted in the punchline can be interpreted. One of the unique properties of classic Jewish jokes is their openness to radically different interpretive options (having nothing to do with wordplay or double entendre). This openness to alternate interpretations—never before discussed in the literature on Jewish humor—gives classic Jewish jokes their special flavor, as they leave us wondering which of several possible attitudes we are expected to hold toward the comic figure. An additional chapter is devoted to the ways in which Jewish jokes tend to evolve over time and across language and cultural barriers. Throughout the book, in fact, one can see the processes that Jewish jokes undergo over decades as their comic potential is unfolded in successive stages, and when they are transplanted from European to American soil. Now in its Second Edition, this expanded version adds two new chapters and new introductory material. It includes a 2015 Foreword by Marc Galanter, who notes that the author “is concerned not only with what makes jokes funny but with what makes some of them profound. His imaginative response to this puzzle makes this little book a distinctive and engaging contribution to the literature on Jewish jokes and on jokes generally.” It will appeal to the general reader, as well as to readers especially interested in Jewish culture, the psychology of humor, religion, ethnography, and folklore. “Richard Raskin’s book on Jewish humor was the most original and useful I found in years of research on the topic. I’m delighted to see it back in print—and with added chapters!” — Ruth Wisse Professor Emerita, Yiddish and Comparative Literature, Harvard University Author, No Joke: Making Jewish Humor (2013) “A fascinating book that explores the richness of Jewish humor. Raskin offers a thought-provoking analysis of what makes Jewish humor special. Raskin merges an understanding of Jewish culture, fresh psychological insights, and a sophisticated reading of jokes and their evolution to create a gem of a book. However, it is not just an outstanding book on Jewish humor. It is an outstanding book on humor. Period. After reading it, you won’t laugh the same way again.” — Dov Cohen Professor, Department of Psychology, University of Illinois Co-editor, Handbook of Cultural Psychology (2007)