Cathedrals


Book Description

The architecture of cathedrals, basilicas and abbey churches is the architecture of those church buildings which are usually of large size, including most cathedrals, and follow one of several branching traditions of form, function and style that stem initially from Early Christian traditions of the Roman Empire. Cathedrals in particular, as well as many abbey churches and basilicas, have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church does not have. Such a cathedral or great church is generally one of the finest buildings within its region and is a focus of local pride. Many cathedrals and basilicas, and a number of abbey churches are among the most renowned works of architecture on the planet. The earliest large churches date from the Roman Empire. As Christianity and the construction of churches and cathedral spread throughout the world, their manner of building was dependent upon local materials and local techniques. Different styles of architecture developed and their fashion spread, carried by the establishment of monastic orders, by the posting of bishops from one region to another and by the travelling of master stonemasons who served as architects. The styles of the great church buildings are successively known as Early Christian, Byzantine, Romanesque, Gothic, Renaissance, Baroque, various Revival styles of the late 18th to early 20th centuries and Modern. Overlaid on each of the academic styles are the regional characteristics. Some of these characteristics are so typical of a particular country or region that they appear, regardless of style, in the architecture of churches designed many centuries apart.










Altars Restored


Book Description

Altars are powerful symbols, fraught with meaning, but during the early modern period they became a religious battleground. Attacked by reformers in the mid-sixteenth century because of their allegedly idolatrous associations with the Catholic sacrifice of the mass, a hundred years later they served to divide Protestants due to their re-introduction by Archbishop Laud and his associates as part of a counter-reforming programme. Moreover, having subsequently been removed by the victorious puritans, they gradually came back after the restoration of the monarchy in 1660. This book explores these developments, over a 150 year period, and recaptures the experience of the ordinary parishioner in this crucial period of religious change. Far from being the passive recipients of changes imposed from above, the laity are revealed as actively engaged from the early days of the Reformation, as zealous iconoclasts or their Catholic opponents - a division later translated into competing protestant views. Altars Restored integrates the worlds of theological debate, church politics and government, and parish practice and belief, which are often studied in isolation from one another. It draws from hitherto largely untapped sources, notably the surviving artefactual evidence comprising communion tables and rails, fonts, images in stained glass, paintings and plates, and examines the riches of local parish records - especially churchwardens' accounts. The result is a richly textured study of religious change at both local and national level.










The Ecclesiologist


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The Architect


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The Law Times


Book Description