Van Dyck


Book Description

The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.




Exhibition of Works by Van Dyck 1599-1641


Book Description

This stunning winter exhibition showcases works by the legendary painter, Van Dyck. It features a range of paintings, prints, and drawings that showcase the artist's mastery over his craft. It is a must-visit for art lovers and enthusiasts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Exhibition of Works by Van Dyck, 1599-1641 (1900)


Book Description

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.







Exhibition of Works by Van Dyck 1599-1641


Book Description

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.







Anthony Van Dyck (1599-1641) and the Representation of Dress in Seventeenth-century Portraiture


Book Description

Anthony Van Dyck (1599-1641) introduced a new type of costume in his portraits during his second English period (1632-1641), one that blurred the margins of fact and fancy. He used costume to forge a complex and memorable image of his English patrons, the Caroline courtiers, one that captured their ideals and yet had resonance for many years after his death. Van Dyck established new conventions for the representation of dress in portraits that held sway until the end of the seventeenth century. Later generations of English, Dutch, and French painters, used Van Dyck's innovations as a touchstone for a new manner of dressing sitters, one that was partially fictional, and much more casual and unbuttoned than had ever been represented before. This book shows that an understanding of dress can offer a new way of revealing the associations and ideals that a portait mayhave projected, and that the history of costume provides a unique set of tools with which to analyze the creativity and contributions of Van Dyck.