Writing out Loud


Book Description

Writing Out Loud I love writing. To watch words magically appear across the blank screen of a white page is a very enjoyable experience. For a while I wasnt really sure if I loved the craft enough. I remember the passion I had for it when I was younger and the seeds were first sown, and the sprouts of imagination unfurled themselves to push their way up through the hard soil and grit of grammar, and between the cracks of writers block. In those days I feasted on writing as if it were a final meal or some forbidden fruit I had never tasted before. Locked away in the hot, shadowy comfort of my attic room, Id sit hunched for hours over the small keyboard of my older brothers portable grey typewriter, plotting and pecking out the drama of make-believe lives. I think thats what I love most about writing. The fact that I get to fool around with history, that of others as well as my own; that I get to weave it into a pattern of a whole other reality and come up with a garment of my own design. For me, words are too powerful and too precious to be given in complaint. I dont think we really understand how potent and complicated it is to speak and write them. If we did, then we would probably recognize that Hate is too harsh a word to use in reference to diets and exercise and TV shows we dislikeand especially towards people. And that Love is too prized a sentiment to be so casually attached to our favorite foods and movies. Writing Out Loud is a passionate exploration of the world through various avenues of literary expression. From essays and prose, poetry and journaling. It is an understanding of how ones life is edified and made whole through the act of writing, and its power in helping us make sense of our place on the planet. As the author explains: When I writewhen I captured my thoughts on paperI take them from the realm of my imagination and make them more real. All the incomplete pieces of who I am or imagine myself to be come together in a more coherent shape. In writing I am made whole.




Cultures and Globalization


Book Description

′In the globalization ′game′ there are no absolute winners and losers. Neither homogenisation nor diversity can capture its contradictory movement and character. The essays and papers collected here offer, from a variety of perspectives, a rich exploration of creativity and innovation, cultural expressions and globalization. This volume of essays, in all their diversity of contents and theoretical perspectives, demonstrates the rich value of this paradoxical, oxymoronic approach′ - Stuart Hall, Emeritus Professor of Sociology at the Open University Volume 3 of the Cultures & Globalization series, Creativity and Innovations, explores the interactions between globalization and the forms of cultural expression that are their basic resource. Bringing together over 25 high-profile authors from around the world, this volume addresses such questions as: What impacts does globalization have on cultural creativity and innovation? How is the evolving world ′map′ of creativity related to the drivers and patterns of globalization? What are the relationships between creative acts, clusters, genres or institutions and cultural diversity? The volume is an indispensable reference tool for all scholars and students of contemporary arts and culture.




Expression


Book Description

From the numbers consist of the Annual catalogue, Announcements, etc., of the school.




The Limits of Expression


Book Description

A radically new view of the interplay between language, literature and mind.




Encyclopaedia Britannica


Book Description

This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.




The Elements of Expression


Book Description

Presents a guide to writing and speaking expressively, offering advice on such topics as high energy verbs, figures of speech, syntax, word patterns, and vocabulary.




The Face of Expression


Book Description

Readers will enjoy the authors sincere, passionate, compelling, and poignant way of reaching his audience. In this book, you as the reader will take a unique journey through the authors unique and broad perspective on life. You also may be able to relate to lifes struggles that we have all experienced in our own journey. The authors primary focus on this book is expression. Expression is therapeutic and gives people an outlet to be who they are. We all can make a very positive impact in this world. The author is demonstrating his desire to make a difference and connect with others in a profound way.




New Literary Hybrids in the Age of Multimedia Expression


Book Description

Begun in 2010 as part of the “Histories of Literatures in European Languages” series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the global shift toward the visual and the virtual in all areas of textuality: the printed, verbal text is increasingly joined with the visual, often electronic, text. This shift has opened up new domains of human achievement in art and culture. The international roster of 24 contributors to this volume pursue a broad range of issues under four sets of questions that allow a larger conversation to emerge, both inside the volume’s sections and between them. The four sections cover, 1) Multimedia Productions in Theoretical and Historical Perspective; 2) Regional and Intercultural Projects; 3) Forms and Genres; and, 4) Readers and Rewriters in Multimedia Environments. The essays included in this volume are examples of the kinds of projects and inquiries that have become possible at the interface between literature and other media, new and old. They emphasize the extent to which hypertextual, multimedia, and virtual reality technologies have enhanced the sociality of reading and writing, enabling more people to interact than ever before. At the same time, however, they warn that, as long as these technologies are used to reinforce old habits of reading/ writing, they will deliver modest results. One of the major tasks pursued by the contributors to this volume is to integrate literature in the global informational environment where it can function as an imaginative partner, teaching its interpretive competencies to other components of the cultural landscape.







Expression and the Inner


Book Description

At least since Descartes, philosophers have been interested in the special knowledge or authority that we exhibit when we speak about our own thoughts, attitudes, and feelings. Expression and the Inner contends that even the best work in contemporary philosophy of mind fails to account for this sort of knowledge or authority because it does not pay the right sort of attention to the notion of expression. Following what he takes to be a widely misunderstood suggestion of Wittgenstein's, Finkelstein argues that we can make sense of self-knowledge and first-person authority only by coming to see the ways in which a self-ascription of, say, happiness (a person's saying or thinking, "I'm happy this morning") may be akin to a smile--akin, that is, to an expression of happiness. In so doing, Finkelstein contrasts his own reading of Wittgenstein's philosophy of mind with influential readings set out by John McDowell and Crispin Wright. By the final chapter of this lucid work, what's at stake is not only how to understand self-knowledge and first-person authority, but also what it is that distinguishes conscious from unconscious psychological states, what the mental life of a nonlinguistic animal has in common with our sort of mental life, and how to think about Wittgenstein's legacy to the philosophy of mind.