Facing Fiction


Book Description

To Elizabeth Hackett, every person is a character, every place is a setting, and every moment is a scene waiting to be written. But when a simple accident leads to debilitating writers block and lands her in psychiatric counseling, she is forced to surrender her isolation and reenter the unpredictable, uncontrollable world that resides outside the novels she pens. With the often-unwitting help of her enigmatic counselor, Elizabeth tiptoes into a new relationship and, for the first time in years, finds herself revisiting the events that led to her own broken engagement. She begins to examine previously unchallenged plotlines in her past and uncovers holes and truths that make returning to her life of omnipotent authorship impossible. To move forward, Elizabeth must learn how to exist in a world of tangled relationships, abused friendships, and imperfect faith.




Face


Book Description

In Joma West's Face, Margaret Atwood meets Kazuo Ishiguro in this sci-fi domestic drama that reimagines race and class in a genetically engineered society fed by performative fame. How much is your Face worth? Schuyler and Madeleine Burroughs have the perfect Face--rich and powerful enough to assure their dominance in society. But in SchAddie's household, cracks are beginning to appear. Schuyler is bored and taking risks. Maddie is becoming brittle, her happiness ever more fleeting. And their menial is fighting the most bizarre compulsions. In Face, skin color is an aesthetic choice designed by professionals, consent is a pre-checked box on the path to social acceptance, and your online profile isn't just the most important thing--it's the only thing. Praise for Face "One of the more deeply interesting books I've read this year." --Claire North "This book is wicked, deliciously dark and penetrating. I think the less you know about it, the better but I will say two things: 1. Joma West is a genius. 2. This is the best thing I've read in a very long time." --Sylvain Neuvel "In a world where the only thing that matters is your impact on other people, Hell is absolutely other people. Creepy, unsettling and thoroughly dystopic!" --Genevieve Cogman "Face is a searing, patient, and unforgiving examination of status, class, and the foundations of humanity. With admirable precision and empathy, Joma West unravels the lies we tell society, our families, and ourselves. A fascinating debut." --Samit Basu




Faces in the Crowd


Book Description

Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 "An extraordinary new literary talent."--The Daily Telegraph "In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer."--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. "Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition." —Publishers Weekly




In the Face of the Sun


Book Description

At the height of the Civil Rights Movement amidst an America convulsed by the 1960s, a pregnant young woman and her brash, profane aunt embark upon an audacious road trip from Chicago to Los Angeles to confront a decades-old mystery from 1920's Black Hollywood in this haunting novel of historical fiction from the author of Wild Women and the Blues. A lime-gold Ford Mustang is parked outside my building. Unmistakable. My Aunt Daisy, the driver, is an audacious woman that no one in our family actually speaks to. They only speak about her--and not glowingly. Still, she is part of my escape plan... "Bryce excels at placing readers in a glamorous time and place...riveting and vibrant." - Booklist 1928, Los Angeles: The newly-built Hotel Somerville is the hotspot for the city's glittering African-American elite. It embodies prosperity and dreams of equality for all--especially Daisy Washington. An up-and-coming journalist, Daisy anonymously chronicles fierce activism and behind-the-scenes Hollywood scandals in order to save her family from poverty. But power in the City of Angels is also fueled by racism, greed, and betrayal. And even the most determined young woman can play too many secrets too far... 1968, Chicago For Frankie Saunders, fleeing across America is her only escape from an abusive husband. But her rescuer is her reckless, profane Aunt Daisy, still reeling from her own shattered past. Frankie doesn't want to know what her aunt is up to so long as Daisy can get her to LA--and safety. But Frankie finds there's no hiding from long-held secrets--or her own surprising strength. Daisy will do whatever it takes to settle old scores and resolve the past--no matter the damage. And Frankie will come up against hard choices in the face of unexpected passion. Both must come to grips with what they need, what they've left behind--and all that lies ahead ... RAVES FOR Wild Women and the Blues "The best kind of historical novel: immersive, mysterious and evocative." --Ms. Magazine "Vibrant. . . . A highly entertaining read!" --New York Times Bestselling author Ellen Marie Wiseman "The music practically pours out of the pages." --Oprah Daily




Stranger Faces


Book Description

Speculative essays that probe the mythology of the face by the author of The Old Drift




Faces in the Water


Book Description

'Miss Frame shows an insight into the minds and lives of other patients which brings them back into the scope of art. And her skill at penetrating the feelings of the staff unites patients and staff in such a way as to make them all, however whirling, members of the same tragic microcosm.' --The Times Literary Supplement




Face at the Edge of the World


Book Description

Haunted by the suicide of a gifted young black writer who was his best friend, Jed pursues the reason for it.




How to Write a Novel


Book Description

Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."




The Stone Face


Book Description

A roman à clef about racism, identity, and bohemian living amidst the tensions and violence of Algerian War-era France, and one of the earliest published accounts of the Paris massacre of 1961. As a teenager, Simeon Brown lost an eye in a racist attack, and this young African American journalist has lived in his native Philadelphia in a state of agonizing tension ever since. After a violent encounter with white sailors, Simeon makes up his mind to move to Paris, known as a safe haven for black artists and intellectuals, and before long he is under the spell of the City of Light, where he can do as he likes and go where he pleases without fear. Through Babe, another black American émigré, he makes new friends, and soon he has fallen in love with a Polish actress who is a concentration camp survivor. At the same time, however, Simeon begins to suspect that Paris is hardly the racial wonderland he imagined: The French government is struggling to suppress the revolution in Algeria, and Algerians are regularly stopped and searched, beaten, and arrested by the French police, while much worse is to come, it will turn out, in response to the protest march of October 1961. Through his friendship with Hossein, an Algerian radical, Simeon realizes that he can no longer remain a passive spectator to French injustice. He must decide where his true loyalties lie.




Facing Reality


Book Description

The charges of white privilege and systemic racism that are tearing the country apart fIoat free of reality. Two known facts, long since documented beyond reasonable doubt, need to be brought into the open and incorporated into the way we think about public policy: American whites, blacks, Hispanics, and Asians have different violent crime rates and different means and distributions of cognitive ability. The allegations of racism in policing, college admissions, segregation in housing, and hiring and promotions in the workplace ignore the ways in which the problems that prompt the allegations of systemic racism are driven by these two realities. What good can come of bringing them into the open? America’s most precious ideal is what used to be known as the American Creed: People are not to be judged by where they came from, what social class they come from, or by race, color, or creed. They must be judged as individuals. The prevailing Progressive ideology repudiates that ideal, demanding instead that the state should judge people by their race, social origins, religion, sex, and sexual orientation. We on the center left and center right who are the American Creed’s natural defenders have painted ourselves into a corner. We have been unwilling to say openly that different groups have significant group differences. Since we have not been willing to say that, we have been left defenseless against the claims that racism is to blame. What else could it be? We have been afraid to answer. We must. Facing Reality is a step in that direction.