Facing the River


Book Description

Milosz's poems move forward while attending to his past, and deal with how his Lithuania, and Europe at large, maintain their habit of partial memory and forgetting. In these poems, such as the sequence Lithuania. After Fifty-Two Years, Wanda (about the painter Wanda Telakowska), Sarajevo, Translating Anna Swir on an Island in the Caribbean, visible worlds exist and sensations of body and soul exist in memory, a living resource and not a nostalgia. Milosz remains aware of suffering but aware too, of the poet's duty to celebrate. Facing the River does not have the tone of finality, but of a restless seeking which finds.




A Face to Meet the Faces


Book Description

The literary tradition of persona, of writing poems in voices or from perspectives other than the poet's own, is ancient in origin and contemporary in practice. The embodiment of different voices is a moment of true empathy, as the author moves beyond his or her own margins to fully inhabit the character, personality, and mindset of another human being. While there are a great number of poems written in persona, there are no current anthologies that collect and celebrate the diverse writers who work in this mode today. Stacey Lynn Brown and Oliver de la Paz have selected a superb collection of approximately two hundred persona poems. These poems embody characters from popular culture, history, the Bible, literature, mythology, and their diversity is reflective of the wide range of authors working in this genre. The anthology also contains brief explanatory notes written by the poets to help historicize and contextualize their characters and personae.




Chocolate Cake


Book Description

When I was a boy, I had a favourite treat. It was when my mum made . . . CHOCOLATE CAKE! Ohhh! I LOVED chocolate cake. Fantastically funny and full of silly noises, this is Michael Rosen's love letter to every child's favourite treat, chocolate cake. Brought to life as a picture book for the first time with brilliant and characterful illustrations by Kevin Waldron.




Pleasure Dome


Book Description

Yusef Komunyakaa is best known for "Neon Vernacular", which won the Pulitzer Prize for Poetry in 1994, and for Dien Cai Dau, poems chronicling his experiences as a journalist in Vietnam. "Pleasure Dome" gathers over two and a half decades of Komunyakaa'swork, 25 early uncollected poems and 18 new poems.




Facing Loss and Death


Book Description

Lyric poetry as a temporal art-form makes pervasive use of narrative elements in organizing the progressive course of the poetic text. This observation justifies the application of the advanced methodology of narratology to the systematic analysis of lyric poems. After a concise presentation of this transgeneric approach to poetry, the study sets out to demonstrate its practical fruitfulness in detailed analyses of a large number of English (and some American) poems from the early modern period to the present. The narratological approach proves particularly suited to focus on the hitherto widely neglected dimension of sequentiality, the dynamic progression of the poetic utterance and its eventful turns, which largely constitute the raison d'être of the poem. To facilitate comparisons, the examples chosen share one special thematic complex, the traumatic experience of severe loss: the death of a beloved person, the imminence of one’s own death, the death of a revered fellow-poet and the loss of a fundamental stabilizing order. The function of the poems can be described as facing the traumatic experience in the poetic medium and employing various coping strategies. The poems thus possess a therapeutic impetus.




Face at the Bottom of the World and Other Poems


Book Description

Face at the Bottom of the World and Other Poems is a collection of Japanese poetry by master poet, Hagiwara Sakutaro. Hagiwara Sakutaro (1886-1942) is generally recognized in Japan as the best poet to have emerged since contact was re-established with the outside world. His work represents the astonishing achievement in the poetic field of General Meiji endeavor to blend "Western learning with the Japanese spirit." He and perhaps he alone, have successfully combined the lyric intensity characteristic of the short forms of traditional Japanese poetry with the freedom of length, form and rhythm which characterizes the poetry of the West. In him East and West, despite Kipling's dictum, have indeed met; and from him the future poets of both traditions have much to learn. For all the startling beauty and originality of his work, Hagiwara remains a poet of the dark. Shiveringly sensitive to loveliness in all its million modes, he finds it not only in its familiar haunts but even in such unexpected subjects as rotten calm or the dead body of an alcoholic. A man intensely aware that the sun, that symbol of Japan, rises as much to cast shadows as to give light.




Bones


Book Description

Heartbreak feels like breaking bones. Only there's no cast for it - you're forced to create one for yourself. For days, months ... It was the first thing I thought of when I woke up. Then one day, It was the second.




Leaping Poetry


Book Description

Leaping Poetry is Robert Bly's testament to the singular importance of the artistic leap that bridges the gap between conscious and unconscious thought in any great work of art; the process that Bly refers to as "riding on dragons." Originally published in 1972 in Bly's literary journal The Seventies, Leaping Poetry is part anthology and part commentary, wherein Bly seeks to rejuvenate modern Western poetry through his revelations of "leaping" as found in the works of poets from around the world, including Federico Garcia Lorca, Chu Yuan, Tomas Transtromer, and Allen Ginsberg, among others, while also outlining the basic principles that shape his own poetry. Bly seeks the use of quick, free association of the known and the unknown-the innate animal and rational cognition-which, he maintains, have been kept apart in the development of Western religious, intellectual, and literary thought.




Voyage of the Sable Venus


Book Description

This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.




The Invitation


Book Description

Cult bestseller The Invitation is more than just a poem. It is a profound invitation to a life that is more fulfilling and passionate, with greater integrity. This book is a word-of-mouth sensation, whose truths have resonated with people all over the world, and is now reissued with a beautiful new cover design.