Ceramic Literature


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Sherds of History


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Ceramics serve as one of the best-known artifacts excavated by archaeologists. They are carefully described, classified, and dated, but rarely do scholars consider their many and varied uses. Breaking from this convention, Myriam Arcangeli examines potsherds from four colonial sites in the Antillean island of Guadeloupe to discover what these everyday items tell us about the people who used them. In the process, she reveals a wealth of information about the lives of the elite planters, the middle and lower classes, and enslaved Africans. By analyzing how the people of Guadeloupe used ceramics—whether jugs for transporting and purifying water, pots for cooking, or pearlware for eating—Arcangeli spotlights the larger social history of Creole life. What emerges is a detail rich picture of water consumption habits, changing foodways, and concepts of health. Sherds of History offers a compelling and novel study of the material record and the “ceramic culture” it represents to broaden our understanding of race, class, and gender in French-colonial societies in the Caribbean and the United States. Arcangeli’s innovative interpretation of the material record will challenge the ways archaeologists analyze ceramics.







Pierrot and his world


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Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot’s recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau’s Pierrot (c. 1720) and Édouard Manet’s The Old Musician (1862) to Nadar and Adrien Tournachon’s Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.







Periodico di Mineralogia Vol. 84,1 april 2015


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Simona Raneri, Germana Barone, Vincenza Crupi, Francesca Longo, Domenico Majolino, Paolo Mazzoleni, Davide Tanasi, Josè Teixeira and Venuti Valentina Technological analysis of Sicilian prehistoric pottery production through small angle neutron scattering techniqueSimona Raneri, Germana Barone, Paolo Mazzoleni, Davide Tanasi and Emanuele Costa Mobility of men versus mobility of goods: archaeometric characterization of Middle Bronze Age pottery in Malta and Sicily (15th-13th century BC)Judit Molera, Javier Iñañez, Glòria Molina, Josep Burch, Xavier Alberch, Michael D. Glascock and Trinitat Pradell Lustre and glazed ceramic collection from Mas Llorens, 16th-17th centuries (Salt, Girona). Provenance and technologyCelestino Grifa, Alberto De Bonis, Vincenza Guarino, Chiara Maria Petrone, Chiara Germinario, Mariano Mercurio, Gianluca Soricelli, Alessio Langella and Vincenzo Morra Thin walled pottery from Alife (Northern Campania, Italy)Svetlana Valiulina and Tatiana Shlykova Iranian Bowl from Biliar: Complex Research and ConservationFatma Madkour, Hisham Imam, Khaled Elsayed and Galila Meheina Elemental Analysis Study of Glazes and Ceramic Bodies from Mamluk and Ottoman Periods in Egypt by Laser-Induced Breakdown Spectroscopy (LIBS) Fernanda Inserra, Alessandra Pecci, Miguel Ángel Cau Ontiveros and Jordi Roig Buxó Organic residues analysis of Late Antique pottery from Plaça Major-Horts de Can Torras (Castellar del Vallés, Catalonia, Spain)Marino Maggetti, Andreas Heege and Vincent Serneels Technological aspects of an early 19th c. English and French white earthenware assemblage from Bern (Switzerland)Leandro Fantuzzi, Miguel A. Cau Ontiveros and Josep Maria Macias Amphorae from the Late Antique city of Tarraco-Tarracona (Catalonia, Spain): archaeometric characterizationShlomo Shoval and Yitzhak Paz Analyzing the fired-clay ceramic of EBA Canaanite pottery using FT-IR spectroscopy and LA-ICP-MS







Urban History 19:2


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