Fallgirls


Book Description

Fallgirls provides an analysis of the abuses that took place at Abu Ghraib in terms of social theory, gender and power, based on first-hand participant-observations of the courts-martials of Lynndie England and Sabrina Harman. This book examines the trials themselves, including interactions with soldiers and defense teams, documents pertaining to the courts-martials, US government reports and photographs from Abu Ghraib, in order to challenge the view that the abuses were carried out at the hands of a few rogue soldiers. With a keen focus on gender and sexuality as prominent aspects of the abuses themselves, as well as the ways in which they were portrayed and tried, Fallgirls engages with modern feminist thought and contemporary social theory in order to analyse the manner in which the abuses were framed, whilst also exploring the various lived realities of Abu Ghraib by both prisoners and soldiers alike. Providing a unique perspective and a thorough theoretical examination of the events, their framing and depiction, this book will be of interest to sociologists, feminists, and social and political theorists concerned with cultural studies, political communication and gender and sexuality.




Women as War Criminals


Book Description

Women war criminals are far more common than we think. From the Holocaust to ethnic cleansing in the Balkans to the Rwandan genocide, women have perpetrated heinous crimes. Few have been punished. These women go unnoticed because their very existence challenges our assumptions about war and about women. Biases about women as peaceful and innocent prevent us from "seeing" women as war criminals—and prevent postconflict justice systems from assigning women blame. Women as War Criminals argues that women are just as capable as men of committing war crimes and crimes against humanity. In addition to unsettling assumptions about women as agents of peace and reconciliation, the book highlights the gendered dynamics of law, and demonstrates that women are adept at using gender instrumentally to fight for better conditions and reduced sentences when war ends. The book presents the legal cases of four women: the President (Biljana Plavšic), the Minister (Pauline Nyiramasuhuko), the Soldier (Lynndie England), and the Student (Hoda Muthana). Each woman's complex identity influenced her treatment by legal systems and her ability to mount a gendered defense before the court. Justice, as Steflja and Trisko Darden show, is not blind to gender.




No Permanent Waves


Book Description

No Permanent Waves boldly enters the ongoing debates over the utility of the "wave" metaphor for capturing the complex history of women's rights by offering fresh perspectives on the diverse movements that comprise U.S. feminism, past and present. Seventeen essays--both original and reprinted--address continuities, conflicts, and transformations among women's movements in the United States from the early nineteenth century through today. A respected group of contributors from diverse generations and backgrounds argue for new chronologies, more inclusive conceptualizations of feminist agendas and participants, and fuller engagements with contestations around particular issues and practices. Race, class, and sexuality are explored within histories of women's rights and feminism as well as the cultural and intellectual currents and social and political priorities that marked movements for women's advancement and liberation. These essays question whether the concept of waves surging and receding can fully capture the complexities of U.S. feminisms and suggest models for reimagining these histories from radio waves to hip-hop.







Dolly Varden


Book Description




Kevin Lajiness 2013-2014 Song Book


Book Description

So far in 2013-14 I've written and produced four albums and am working on a fifth. Two; "The river" and "Charleena" in 2013 and "The King of The Fire", and "once Upon a Perfect Storm" in 2014, and am working on "I'm in Love With a Dream". Many of my songs are ballads with a natural order theme to them, I try to put meaning to them , tell a story or have the listener stop and take pause. There is a pattern or creative reality expressed in many of them with a philosophical alignment to Native cultures. Subjects include stuff like Eagles ,Rivers ,Storms ,Dreams, Battle, Love, Spirit, Fire, Wonder, Life, Epic Adventure, and Overcoming or Conquering adversity through Natural Living. I find myself in agreement with native philosophy and teachings







Guy's Girl


Book Description

The boy who couldn’t love and the girl who wouldn’t. Ginny Murphy is a total guy’s girl. She’s always found friendships with boys easier to form and keep drama-free – as long as they don’t fall for her, and she doesn’t fall for them. She and her best guy friends have stuck to that. But then she meets Adrian Silvas, the only one who’s ever made her crave more, and Ginny begins to question her own rules. Piece by piece, Ginny and Adrian begin to fall into something intoxicating, something dangerous. Ginny threatens to destroy the belief Adrian's held ever since witnessing his own mother’s heartbreak: that love isn’t worth the risk. For Ginny, the stakes could be even higher. Letting Adrian get close could mean exposing a secret she’s long protected: her disordered eating. Ginny isn’t looking to be saved by someone. But maybe she and Adrian can help each other – if they don’t destroy each other first. Heartfelt and evocative, Guy's Girl is a powerful story about true love, self-love, and growing up.







Composing Ourselves


Book Description

When movies replaced theater in the early twentieth century, live drama was wide open to reform. A rebellion against commercialism, called the Little Theatre movement, promoted the notion that theatre is a valuable form of self-expression. Composing Ourselves argues that the movement was a national phenomenon that resulted in lasting ideas for serious theatre that are now ordinary parts of the American cultural landscape.