Family, Drama, and American Dreams


Book Description

American drama is chiefly a drama of realistic family plays and its conventions revolve around the antagonistic impulses of security and freedom. Scanlan asserts that America's best plays are plays of family life and that they re-enact dilemmas of personal psychology and family structure.




Family, Drama, and American Dreams


Book Description

American drama is chiefly a drama of realistic family plays and its conventions revolve around the antagonistic impulses of security and freedom. Scanlan asserts that America's best plays are plays of family life and that they re-enact dilemmas of personal psychology and family structure.




Here We are


Book Description

"Aarti Shahani’s memoir Here We Are: American Dreams, American Nightmares covers a lot of ground. It traces her family’s journey to a New York City tenement in 1981, travels to elite private schools and suburban neighborhoods, and lands in the criminal justice system. It’s the story of successes, failures, and how unwittingly selling electronics to a Colombian drug cartel shaped the lives of everyone in the Shahani family." -- Publisher







Class


Book Description

"Plainly the work of a forceful and ambitious writer... (Class) is like little else I’ve read in recent years.” —Dwight Garner, The New York Times The breakout novel by Francesco Pacifico, one of Italy’s most acclaimed writers, hailed by Dana Spiotta as “brilliantly funny and weirdly subversive” Ludovica and Lorenzo live in Rome. She works in her family’s bookstore, and he’s a filmmaker—or, rather, a “filmmaker”: so far, all he’s produced is one pretentious short film that even his friends don’t take seriously. But somehow, he gets a scholarship to Columbia University, and the couple decide to head to New York—specifically, to Williamsburg: the promised land. They soon fall in with a group of Italian expats—all of them with artistic ambitions and the family money to support those ambitions indefinitely. There’s Nicolino, the playboy; Marcello, the aspiring rapper; Sergio, the literary scout; and a handful of others. These languidly ambitious men and women will come together and fall apart, but can they escape their fates? Can anyone? In Class, Francesco Pacifico gives a grand, subversive, formally ambitious social novel that bridges Italy and America, high and low, money and art. A novel that channels Virginia Woolf and Kanye West, Henry Miller and Lil’ Wayne, Class is an unforgettable, mordantly funny account of Italians chasing the American dream.




The Romance of American Communism


Book Description

“Before I knew that I was Jewish or a girl I knew that I was a member of the working class.” So begins Vivian Gornick’s exploration of how the world of socialists, communists, and progressives in the 1940s and 1950s created a rich, diverse world where ordinary men and women felt their lives connected to a larger human project. Now back in print after its initial publication in 1977 and with a new introduction by the author, The Romance of American Communism is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin’s crimes became public. From the immigrant Jewish enclaves of the Bronx and Brooklyn and the docks of Puget Sound to the mining towns of Kentucky and the suburbs of Cleveland, over a million Americans found a sense of belonging and an expanded sense of self through collective struggle. They also found social isolation, blacklisting, imprisonment, and shattered hopes. This is their story--an indisputably American story.




The Family in Twentieth-century American Drama


Book Description

The central subject of American drama is, arguably, the American family. From Royall Tyler's colonial comedy The Contrast (1787) to August Wilson's King Hedley II (2000), relationships between husbands, wives, and their children have been used consistently by American playwrights to explore and illuminate the American experience. This study of the family in twentieth-century American drama explores how filial relationships are affected by the capitalistic culture of consumption that permeates twentieth-century American society. By analyzing relationships within both traditional and nontraditional families, this book examines how family members in American plays perceive themselves and others as «things» in American twentieth-century capitalistic society.




Family Dysfunction in Tennessee Williams' The Glass Menagerie


Book Description

Tennessee Williams' 1944 play The Glass Menagerie centers around a family of three, Tom, Laura, and Amanda Wingfield, exploring what it means to share a household with people whose individual psychological eccentricities threaten to overwhelm the whole. Told retroactively in the format of a memory play, the protagonist, Tom, an aspiring poet by night and warehouse worker by night, introduces the audience to the conditions which led him to abandon his family in pursuit of his independence. This informative edition explores the themes of family dysfunction in Tennessee Williams's The Glass Menagerie, providing readers with a critical look at the intersection of literature and sociology. The book includes an examination of Williams' life and influences and takes a hard look at key ideas related to the play, such as the role of guilt in family relationships and the breakdown of the American dream. Readers are also offered contemporary perspectives on family dysfunction through the discussion of toxic or overbearing parents and the effects of alcoholism on families.




Righting the American Dream


Book Description

A provocative new history of how the news media facilitated the Reagan Revolution and the rise of the religious Right. After two years in the White House, an aging and increasingly unpopular Ronald Reagan looked like a one-term president, but in 1983 something changed. Reagan spoke of his embattled agenda as a spiritual rather than a political project and cast his vision for limited government and market economics as the natural outworking of religious conviction. The news media broadcast this message with enthusiasm, and white evangelicals rallied to the president’s cause. With their support, Reagan won reelection and continued to dismantle the welfare state, unraveling a political consensus that stood for half a century. In Righting the American Dream, Diane Winston reveals how support for Reagan emerged from a new religious vision of American identity circulating in the popular press. Through four key events—the “evil empire” speech, AIDS outbreak, invasion of Grenada, and rise in American poverty rates—Winston shows that many journalists uncritically adopted Reagan’s religious rhetoric and ultimately mainstreamed otherwise unpopular evangelical ideas about individual responsibility. The result is a provocative new account of how Reagan together with the press turned America to the right and initiated a social revolution that continues today.




Death of a Salesman


Book Description

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time