Fashioning the Divine


Book Description




Clothes Encounters of the Divine Kind


Book Description

Clothes Encounters of the Divine Kind is a recapitulation of the authors life from early childhood to the present time and the role that her passions for fashion and healing played in her own spiritual awakening. While it seems like an autobiography, in truth, it is an invitation for the reader to take that tumble down the rabbit hole and dare to wear the clothing of their dreams while learning about and experiencing the wonderful healing benefits of clothing & colors. An added benefit is that it is jam packed with ideas for dressing to express rather than the old dress for success paradigm. Hop on the Peace Train to experience true Freedom!




Sewing God


Book Description

How many priests grew up in a fashion industry? In this regard, Father Ramadhani can boast to be a rare breed. Cherishing his childhood memories with his mother whose passion was (and still is) in sewing, applying the Ignatian practice of contemplative in action, and listening to the voices from the Bible, he leads us through the inner paths in the fashion world. From buying the right fabric to dressing up and beyond, all the thirty chapters offer new metaphors for life and faith journey. Together they echo an unlikely invitation to encounter the divine in what seems to be the glamorously superficial world. This book has been designed as a month-long immersion in the fashion world. It also wants to bring together to one table fellowship the underpaid workers in many garment factories on the globe, the designers, and the supermodels. Everyone who is called to participate in the fashion world is invited to tap on the sacred, right before their very eyes every single day. Hence, “finding God in the fashion world” is not only possible, but it is more than obvious.




Fashioning Horror


Book Description

From Jack the Ripper to Frankenstein, Halloween customs to Alexander McQueen collections, Fashioning Horror examines how terror is fashioned visually, symbolically, and materially through fashion and costume, in literature, film, and real life. With a series of case studies that range from sensationalist cinema and Slasher films to true crime and nineteenth-century literature, the volume investigates the central importance of clothing to the horror genre, and broadens our understanding of both material and popular culture. Arguing that dress is fundamental to our understanding of character and setting within horror, the chapters also reveal how the grotesque and horrific is at the center of fashion itself, with its potential for instability, disguise, and carnivalesque subversion. Packed with original research, and bringing together a range of international scholars, the book is the first to thoroughly examine the aesthetics of terror and the role of fashion in the construction of horror.




Divine Bodies


Book Description

A path-breaking scholar’s insightful reexamination of the resurrection of the body and the construction of the self When people talk about the resurrection they often assume that the bodies in the afterlife will be perfect. But which version of our bodies gets resurrected—young or old, healthy or sick, real-to-life or idealized? What bodily qualities must be recast in heaven for a body to qualify as both ours and heavenly? The resurrection is one of the foundational statements of Christian theology, but when it comes to the New Testament only a handful of passages helps us answer the question “What will those bodies be like?” More problematically, the selection and interpretation of these texts are grounded in assumptions about the kinds of earthly bodies that are most desirable. Drawing upon previously unexplored evidence in ancient medicine, philosophy, and culture, this illuminating book both revisits central texts—such as the resurrection of Jesus—and mines virtually ignored passages in the Gospels to show how the resurrection of the body addresses larger questions about identity and the self.




Dress and Clothing in the Hebrew Bible


Book Description

Built upon the flourishing study of costume, this book analyses sartorial evidence provided both by texts of the ancient Near East and the Hebrew Bible. The essays within lend clarity to the link between material and ideological, examining the tradition of dress, the different types of literature that reference the tradition of garments, and the people for whom such literature was written. The contributors explore sources that illuminate the social, psychological, aesthetic, ideological and symbolic meanings of clothing. The topics covered range from the relationship between clothing, kingship and power, to the symbolic significance of the high priestly regalia and the concept of garments as deception and defiance, while also considering the tendency to omit or ignore descriptions of YHWH's clothing. Following a historical sequence, the essays cross-reference with each other to create a milestone in biblical sartorial study.




What Shall I Say of Clothes?


Book Description

The essays in this volume engage explicitly in a variety of theoretical and methodological strategies for the interpretation of dress, dressed bodies, and their representations in the ancient world. Authors draw from a wide range of disciplinary frameworks, integrating literary and archaeological evidence, experimental archaeology, social theory and the study of iconography. This volume spans a broad area both geographically and chronologically, bringing the ancient Near East into dialogue with the classical world from prehistory through late antiquity. The breadth and inclusivity of this volume provide a strong theoretical and methodological foundation for the collaborative study of the dynamic role of dressed bodies and images that depict them.




Fashioning Jews


Book Description

This volume presents papers delivered at the 24th Annual Klutznick-Harris Symposium, held at Creighton University in October 2011. The contributors look at all aspects of the intimate relationship between Jews and clothing, through case studies from ancient, medieval, recent, and contemporary history. Papers explore topics ranging from Jewish leadership in the textile industry, through the art of fashion in nineteenth century Vienna, to the use of clothing as a badge of ethnic identity, in both secular and religious contexts.




Bhakti and Embodiment


Book Description

The historical shift from Vedic traditions to post-Vedic bhakti (devotional) traditions is accompanied by a shift from abstract, translocal notions of divinity to particularized, localized notions of divinity and a corresponding shift from aniconic to iconic traditions and from temporary sacrificial arenas to established temple sites. In Bhakti and Embodiment Barbara Holdrege argues that the various transformations that characterize this historical shift are a direct consequence of newly emerging discourses of the body in bhakti traditions in which constructions of divine embodiment proliferate, celebrating the notion that a deity, while remaining translocal, can appear in manifold corporeal forms in different times and different localities on different planes of existence. Holdrege suggests that an exploration of the connections between bhakti and embodiment is critical not only to illuminating the distinctive transformations that characterize the emergence of bhakti traditions but also to understanding the myriad forms that bhakti has historically assumed up to the present time. This study is concerned more specifically with the multileveled models of embodiment and systems of bodily practices through which divine bodies and devotional bodies are fashioned in Krsna bhakti traditions and focuses in particular on two case studies: the Bhagavata Purana, the consummate textual monument to Vaisnava bhakti, which expresses a distinctive form of passionate and ecstatic bhakti that is distinguished by its embodied nature; and the Gaudiya Vaisnava tradition, an important bhakti tradition inspired by the Bengali leader Caitanya in the sixteenth century, which articulates a robust discourse of embodiment pertaining to the divine bodies of Krsna and the devotional bodies of Krsna bhaktas that is grounded in the canonical authority of the Bhagavata Purana.




I Am God of Fashion


Book Description

"I AM" GOD OF FASHION: Reconciling the Fashion Industry Back to Its Creator From whatever perspective we choose to look, it is clear that fashion plays a tremendous role in modern society, controlling and governing human masses. With this reality taking place, it is only natural to wonder where the Lord Jesus Christ, the Author and the Finisher, is in all that ... because He must be there somewhere. "I AM" GOD OF FASHION is dedicated to souls' redemption inside and near the fashion industry. Looking beyond superficial experiences, this book explores fashion through the light of the gospel of Jesus Christ. It examines industry's key realities for the insiders, consumers, and fans of fashion, and equally inspires all to seek and find the Lord's heart. Visit us: www.GodofFashion.com Fashion is a litmus test of any society and it embodies all major characteristics of human life of any given point in time and space. Not only that. In fashion, all of these qualities grow grotesque and reveal the true seed that is on the inside. Fashion and other artistic industries, however significant and fairly admired, are often regarded as "sinful" and un-redeemable. Additionally, they are certainly perceived as foreign and distant to the lordship of Jesus Christ. And it is therefore, nowhere else more than in fashion, that we are to reveal and deliver His Light, Love, and Truth.