Federico Grisone's "The Rules of Riding" Gli Ordini Di Cavalcare: An Edited Translation of the First Renaissance Treatise on Classical Horsemanship


Book Description

Federico Grisone published Gli ordini di cavalcare (The Rules of Riding) in 1550, the first manual on manège riding, the ancestor of modern dressage. The Ordini codified a half-century of oral tradition of teaching this art and was a best seller and a welcome aid in educating noblemen at European courts in the art of the manège. Elizabeth Tobey and Federica Brunori Deigan have prepared the first modern edited English translation of the Ordini, which should interest Renaissance scholars and equestrians, and includes an introductory essay, a glossary of equestrian terms, and the transcription of the 1550 Italian first edition. Grisone's treatise and the riding masters trained at his riding academy in Naples, Italy, spread the practice of the art of manège riding to courts throughout Europe. Twenty-three Italian editions of the text were published between 1550 and 1620 and the treatise was translated into French, English, German, Spanish, and Portuguese. Many of the concepts Grisone discusses in his treatise--such as developing contact between horse and rider and collection in the horse--are still major tenets of modern dressage riding. The haute école or High School movements of classical dressage are still practiced today by such traditional academies such as the Spanish Riding School in Vienna, Austria and the Cadre Noir in Saumur, France.




Federico Grisone's The Rules of Riding


Book Description

"Transcribed and translated from Federico Grisone, Gli ordini di cavalcare (Naples: G. Suganappo, 1550) in the collections of the National Sporting Library & Museum, Middleburg, Virginia."




The Perfection of Nature


Book Description

A deep history of how Renaissance Italy and the Spanish empire were shaped by a lingering fascination with breeding. The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but there is a dark undercurrent to this fêted era of history. The same men and women who offered profound advancements in European understanding of the human condition—and laid the foundations of the Scientific Revolution—were also obsessed with controlling that condition and the wider natural world. Tracing early modern artisanal practice, Mackenzie Cooley shows how the idea of race and theories of inheritance developed through animal breeding in the shadow of the Spanish Empire. While one strand of the Renaissance celebrated a liberal view of human potential, another limited it by biology, reducing man to beast and prince to stud. “Race,” Cooley explains, first referred to animal stock honed through breeding. To those who invented the concept, race was not inflexible, but the fragile result of reproductive work. As the Spanish empire expanded, the concept of race moved from nonhuman to human animals. Cooley reveals how, as the dangerous idea of controlled reproduction was brought to life again and again, a rich, complex, and ever-shifting language of race and breeding was born. Adding nuance and historical context to discussions of race and human and animal relations, The Perfection of Nature provides a close reading of undertheorized notions of generation and its discontents in the more-than-human world.




Animals and Early Modern Identity


Book Description

Animals were everywhere in the early modern period and they impacted, at least in some way, the lives of every kind of early modern person, from the humblest peasant to the greatest prince. Artists made careers based on depicting them. English gentry impoverished themselves spending money on them. Humanists exercised their scholarship writing about them. Pastors saved souls delivering sermons on them. Nobles forged alliances competing with them. Foreigners and indigenes negotiated with one another through trading them. The nexus between animal-human relationships and early modern identity is illuminated in this volume by the latest research of international scholars working on the history of art, literature, and of sixteenth- and seventeenth-century Germany, France, England, Spain, and South Africa. Collectively, these essays investigate how animals - horses, dogs, pigs, hogs, fish, cattle, sheep, birds, rhinoceroses, even sea-monsters and other creatures - served people in Europe, England, the Americas, and Africa to defend, contest or transcend the boundaries of early modern identities. Developments in the methodologies employed by scholars to interrogate the past have opened up an intellectual and discursive space for - and a concomitant recognition of - the study of animals as a topic that significantly elucidates past and present histories. Relevant to a considerable array of disciplines, the study of animals also provides a means to surmount traditional disciplinary boundaries through processes of dynamic interchange and cross-fertilization.




The Horse as Cultural Icon


Book Description

In spite of the importance of horses to Western society until comparatively recent times, scholars have paid very little attention to them. This volume helps to redress the balance, emphasizing their iconic appeal as well as their utilitarian functions.




Echoing Hooves: Studies on Horses and Their Effects on Medieval Societies


Book Description

The horse was the essential animal for the medieval world: means of transport, a vehicle of social status and a cherished companion. This volume explores the ways in which horses shaped medieval societies.




Ordini Di Cavalcare


Book Description

Ordi di Cavalcare is a classic treatise on the art of horsemanship, written by Federico Grisone, an Italian nobleman and equestrian of the 16th century. The book provides detailed instructions and illustrations on various riding techniques, from basic riding skills to advanced maneuvers. It also includes advice on the care and maintenance of horses, as well as a discussion of the ethics of horsemanship. With its timeless wisdom and practical guidance, Ordi di Cavalcare is a must-read for anyone interested in the art and science of horsemanship. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Culture of the Horse


Book Description

This volume fills an important gap in the analysis of early modern history and culture by reintroducing scholars to the significance of the horse. A more complete understanding of the role of horses and horsemanship is absolutely crucial to our understanding of the early modern world. Each essay in the collection provides a snapshot of how horse culture and the broader culture - that tapestry of images, objects, structures, sounds, gestures, texts, and ideas - articulate. Without knowledge of how the horse figured in all these aspects, no version of political, material, or intellectual culture in the period can be entirely accurate.




Becoming Centaur


Book Description

In this study of the relationship between men and their horses in seventeenth- and eighteenth-century England, Monica Mattfeld explores the experience of horsemanship and how it defined one’s gendered and political positions within society. Men of the period used horses to transform themselves, via the image of the centaur, into something other—something powerful, awe-inspiring, and mythical. Focusing on the manuals, memoirs, satires, images, and ephemera produced by some of the period’s most influential equestrians, Mattfeld examines how the concepts and practices of horse husbandry evolved in relation to social, cultural, and political life. She looks closely at the role of horses in the world of Thomas Hobbes and William Cavendish; the changes in human social behavior and horse handling ushered in by elite riding houses such as Angelo’s Academy and Mr. Carter’s; and the public perception of equestrian endeavors, from performances at places such as Astley’s Amphitheatre to the satire of Henry William Bunbury. Throughout, Mattfeld shows how horses aided the performance of idealized masculinity among communities of riders, in turn influencing how men were perceived in regard to status, reputation, and gender. Drawing on human-animal studies, gender studies, and historical studies, Becoming Centaur offers a new account of masculinity that reaches beyond anthropocentrism to consider the role of animals in shaping man.




The Italian Tradition of Equestrian Art


Book Description

This volume is populated with reproductions of paintings and frescos from the period and illustrations from the surveyed texts. A fascinating read, belonging in any serious rider's library.