Felix Holt


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Felix Holt, the True Story


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Felix Holt, the True Story is a critical examination of Felix Holt, the Radical (1866) by George Eliot. Since the novel's publication, it has automatically been assumed that the fictional East Midlands market town of Treby Magna (where the novel is set) "must" be based upon the Nuneaton of George Eliot's childhood. However, this assumption has made the novel largely "unreadable." Whilst Eliot's childhood and her earlier novels are informative towards the construction of Felix Holt, the Radical, this study proposes that the Treby community is based upon the East Midlands market town of Leicester - by far the oldest East Midlands community. It is also proposed that Eliot wanted to write a novel with a similar impact to Cranford by Elizabeth Gaskell (1851 - 1853) in which the community finally pulls together. Hence, it is determined that Eliot wrote Felix Holt, the Radical, as a means of unifying the varying rifts of "Christian eclecticism" into her mode of Humanism.




Felix Holt, The Radical


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Reprint of the original, first published in 1866.




Greatness Engendered


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The egotism that fuels the desire for greatness has been associated exclusively with men, according to one feminist view; yet many women cannot suppress the need to strive for greatness. In this forceful and compelling book, Alison Booth traces through the novels, essays, and other writings of George Eliot and Virginia Woolf radically conflicting attitudes on the part of each toward the possibility of feminine greatness. Examining the achievements of Eliot and Woolf in their social contexts, she provides a challenging model of feminist historical criticism.




Felix Holt, the Radical


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Felix Holt


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George Eliot's Grammar of Being


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George Eliot’s writing process was meticulous in all of its phases, from manuscript to published text. Each of her extensive novels has a delicately crafted syntax, for she shaped her individual sentences as carefully as she wanted her public to read them. Building on the influence of Victorian psychological theory, this book explains how George Eliot consciously created subtle shocks within her grammar—reaching out to her readers beneath the levels of character and story—in her effort to inspire sympathetic response.




Only Great Changes


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