The Mechanization of Natural Philosophy


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The Mechanisation of Natural Philosophy is devoted to various aspects of the transformation of natural philosophy during the 16th and 17th centuries that is usually described as mechanical philosophy . Drawing the border between the old Aristotelianism and the « new » mechanical philosophy faces historians with a delicate task, if not an impossible mission. There were many natural philosophers who actually crossed the border between the two worlds, and, inside each of these worlds, there was a vast spectrum of doctrines, arguments and intellectual practices. The expression mechanical philosophy is burdened with ambiguities. It may refer to at least three different enterprises: a description of nature in mathematical terms; the comparison of natural phenomena to existing or imaginary machines; the use in natural philosophy of mechanical analogies, i.e. analogies conceived in terms of matter and motion alone.However mechanical philosophy is defined, its ambition was greater than its real successes. There were few mathematisations of phenomena. The machines of mechanical philosophers were not only imaginary, but had little to do with the machines of mecanicians. In most of the natural sciences, analogies in terms of matter and motion alone failed to provide satisfactory accounts of phenomena.By the same authors: Mechanics and Natural Philosophy before the Scientific Revolution (Boston Studies in the Philosophy of Science 254).




Memorias


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Antiviral Agents


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The unfortunate appearance of AIDS, the manifold problems with herpesviruses and other viruses attacking humans have led to an enormous dynamism of worldwide research and to an immense increase in the corresponding literature. With this first Special Topic of the monograph series Progress in Drug Research, the editor and the publishers undertake an effort to supply concise reviews on virus research, especially on the development of new and future antiviral agents in some important and widespread viral diseases. Latest Progress in Drug Research articles dealing with new chemotherapeutics for the treatment of the most threatening viral diseases are presented. These very well received articles were upgraded and supplemented with new chapters to form this actual overview of the achievements in the respective fields of virus research. This special volume contains six review articles covering the latest studies on the HIV and hepatitis C and B viruses...




Arnaldi de Villanova opera medica omnia


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The Miscellany of the Spanish Golden Age


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Taking up the invitation extended by tentative attempts over the past three decades to construct a functioning definition of the genre, Jonathan Bradbury traces the development of the vernacular miscellany in sixteenth- and seventeenth-century Spain and Spanish-America. In the first full-length study of this commercially successful and intellectually significant genre, Bradbury underlines the service performed by the miscellanists as disseminators of knowledge and information to a popular readership. His comprehensive analysis of the miscelánea corrects long-standing misconceptions, starting from its poorly-understood terminology, and erects divisions between it and other related genres. His work illuminates the relationship between the Golden Age Spanish miscellany and those of the classical world and humanist milieu, and illustrates how the vernacular tradition moved away from these forebears. Bradbury examines in particular the later inclusion of explicitly fictional components, such as poetic compositions and short prose fiction, alongside the vulgarisation of erudite or inaccessible prose material, which was the primary function of the earlier Spanish miscellanies. He tackles the flexibility of the miscelánea as a genre by assessing the conceptual, thematic and formal aspects of such works, and exploring the interaction of these features. As a result, a genre model emerges, through which Golden Age works with fragmentary and non-continuous contents can better be interpreted and classified.




The Reception of Darwinism in the Iberian World


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I Twenty-five years ago, at the Conference on the Comparative Reception of Darwinism held at the University of Texas in 1972, only two countries of the Iberian world-Spain and Mexico-were represented.' At the time, it was apparent that the topic had attracted interest only as regarded the "mainstream" science countries of Western Europe, plus the United States. The Eurocentric bias of professional history of science was a fact. The sea change that subsequently occurred in the historiography of science makes 1972 appear something like the antediluvian era. Still, we would like to think that that meeting was prescient in looking beyond the mainstream science countries-as then perceived-in order to test the variation that ideas undergo as they pass from center to periphery. One thing that the comparative study of the reception of ideas makes abundantly clear, however, is the weakness of the center/periphery dichotomy from the perspective of the diffusion of scientific ideas. Catholics in mainstream countries, for example, did not handle evolution much better than did their corre1igionaries on the fringes. Conversely, Darwinians in Latin America were frequently better placed to advance Darwin's ideas in a social and political sense than were their fellow evolutionists on the Continent. The Texas meeting was also a marker in the comparative reception of scientific ideas, Darwinism aside. Although, by 1972, scientific institutions had been studied comparatively, there was no antecedent for the comparative history of scientific ideas.




Cine: 100 años de filosofía


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Julio Cabrera aúna en este libro sus dos grandes pasiones: el cine y la filosofía. En cada capítulo de este libro Cabrera analiza una o más películas elegidas cuidadosamente para reflexionar sobre una cuestión filosófica central. Aristóteles y los ladrones de bicicletas; Bacon y Steven Spielberg; Descartes y los fotógrafos indiscretos, Schopenhauer, Buñuel y Frank Capra; Nietzsche, Clint Eastwood y los asesinos por naturaleza; o Wittgenstein y el cine mudo son algunos de los ejercicios filocinematrográficos propuestos. Los comentarios de películas que el lector encontrará destacan aquellos puntos del filme que deben contribuir a la instauración de la experiencia vivida de un problema filosófico. Esta experiencia en sí es insustituible y nadie podrá tenerla por uno. Tan sólo señalo los lugares en donde el filme duele, en donde puede aprenderse alguna cosa padeciéndolo. Estamos ante el encuentro no programado y mutuamente esclarecedor entre una actividad milenaria del ser humano y uno de los más fascinantes lenguajes emergentes de los últimos tiempos: 100 años de imágenes tratando de representar 2.500 años de reflexión




Cervantes the Poet


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Cervantes the Poet travels from the court of Isabel de Valois to Rome, Naples, Palermo, Algiers, and Madrid's barrio de las letras. Recovering Cervantes' nearly forty-year literary career before the publication of Don Quijote, Gabrielle Ponce-Hegenauer demonstrates the cultural, literary, and theoretical significance of Cervantes' status as a late-sixteenth-century itinerant poet. This study recovers the generative literary milieus and cultural practices of Spain's most famous novelist in order to posit a new theory of the modern novel as an organic transformation of lyric practices native to the late-sixteenth century and Cervantes' own literary outlook.




A New World of Animals


Book Description

Many Early Modern Europeans who during the sixteenth and seventeenth centuries travelled to the New World left written or pictorial records of their encounters with a surprising fauna. The story told in this book is woven out of the threads of those texts and pictures. A New World of Animals shows how the initial wonder at the new beasts gave way to a more utilitarian approach, assessing their economic and medical potential. It elucidates how shifts in European perceptions brought the animals from the realm of the fantastic into the mainstream of early modern natural history, while at the same time changing the way in which Europeans saw their own world. Indeed, the chronicles and treatises of those who in the wake of the discovery arrived in the new lands tell as much about the particular interests and mental worlds of the writers as about the 'new animals'. This book traces the amazement of the first explorers and colonizers, the chronicles of soldiers and Indians, the 'natural histories of the New World', the place of animals in the network of economic interests driving the early expansion of Europe, the views of the missionaries and those of natural philosophers and physicians. Taking the reader from the Brazilian forests to the erudite cabinets of the Old World, from Patagonia to the centres of empire, the story of the discovery of the unexpected menagerie of the New World is also an exploration of Early Modern European imagination and learning.