Florence in the Forgotten Centuries, 1527–1800


Book Description

The city of Florence has long been admired as the home of the brilliant artistic and literary achievement of the early Renaissance. But most histories of Florence go no further than the first decades of the sixteenth century. They thus give the impression that Florentine culture suddenly died with the generation of Leonardo, Machiavelli, and Andrea del Sarto. Eric Cochrane shows that the Florentines maintained their creativity long after they had lost their position as the cultural leaders of Europe. When their political philosophy and historiography ran dry, they turned to the practical problems of civil administration. When their artists finally yielded to outside influence, they turned to music and the natural sciences. Even during the darkest days of the great economic depression of the late seventeenth and early eighteenth centuries, they succeeded in preserving—almost alone in Europe—the blessings of external peace and domestic tranquility.




Contrary Commonwealth


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Italy’s Eighteenth Century


Book Description

In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.




The Renaissance of Letters


Book Description

The Renaissance of Letters traces the multiplication of letter-writing practices between the fourteenth and seventeenth centuries in the Italian peninsula and beyond to explore the importance of letters as a crucial document for understanding the Italian Renaissance. This edited collection contains case studies, ranging from the late medieval re-emergence of letter-writing to the mid-seventeenth century, that offer a comprehensive analysis of the different dimensions of late medieval and Renaissance letters—literary, commercial, political, religious, cultural, social, and military—which transformed them into powerful early modern tools. The Renaissance was an era that put letters into the hands of many kinds of people, inspiring them to see reading, writing, receiving, and sending letters as an essential feature of their identity. The authors take a fresh look at the correspondence of some of the most important humanists of the Italian Renaissance, including Niccolò Machiavelli and Isabella d'Este, and consider the use of letters for others such as merchants and physicians. This book is essential reading for scholars and students of Early Modern History and Literature, Renaissance Studies, and Italian Studies. The engagement with essential primary sources renders this book an indispensable tool for those teaching seminars on Renaissance history and literature.




Art and the Relic Cult of St. Antoninus in Renaissance Florence


Book Description

Tracing the history of St. Antoninus' cult and burial from the time of his death in 1459 until his remains were moved to their final resting place in 1589, this interdisciplinary study demonstrates that the saint's relic cult was a key element of Florence's sacred cityscape. The works of art created in his honor, as well as the rituals practiced at his fifteenth- and sixteenth-century places of burial, advertised Antoninus' saintly power and persona to the people who depended upon his intercessory abilities to negotiate life's challenges. Drawing on a rich variety of contemporary visual, literary, and archival sources, this volume explores the ways in which shifting political, familial, and ecclesiastical aims and agendas shaped the ways in which St. Antoninus' holiness was broadcast to those who visited his burial church. Author Sally Cornelison foregrounds the visual splendor of the St. Antoninus Chapel, which was designed, built, and decorated by Medici court artist Giambologna and his collaborators between 1579 and 1591. Her research sheds new light on the artist, whose secular and mythological sculptures have received far more scholarly attention than his religious works. Cornelison draws on social and religious history, patronage and gender studies, and art historical and anthropological inquiries into the functions and meanings of images, relics, and ritual performance, to interpret how they activated St. Antoninus' burial sites and defined them in ways that held multivalent meanings for a broad audience of viewers and devotees. Among the objects for which she provides visual and contextual analyses are a banner from the saint's first tomb, early printed and painted images, and the sculptures, frescoes, panel paintings, and embroidered textiles made for the present St. Antoninus Chapel.




Histories of a Plague Year


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"A dramatic and highly interesting story--one that brings to life the complexities of plague and of piety."--Natalie Zemon Davis, Princeton University




Renaissance Theory


Book Description

Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. They then turn to the issue of the relation between modern art and the Renaissance: Why do modern art historians and critics so seldom refer to the Renaissance? Is the Renaissance our indispensable heritage, or are we cut off from it by the revolution of modernism? The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.




The Habsburg Monarchy, 1490-1848


Book Description

The Habsburg monarchy was a singular experiment in diversity within the European continent. By the eighteenth century it stretched from the Austrian Netherlands to the Balkans and southern Poland, and south into Italy. Its subjects spoke a number of languages, and while the social and institutional structure of these lands shared common features, there were also substantial differences among them. Was the Habsburg monarchy therefore an empire like those of Great Britain, France or Spain? Drawing upon modern theoretical perspectives on European expansion to answer this question, Paula Sutter Fichtner argues that the Habsburg holdings did indeed constitute a form of European imperialism, and that they are best understood in such terms. The Habsburg Monarchy, 1490-1848 - Examines the role of the interraction between Habsburg rulers, territorial estates, and religious institutions in the expansion of the empire - Explores the reorientation of these relationships under the impact of the European Enlightenment, the rationalization of dynastic government under Empress Maria Theresa and her son, Joseph II, the beginning of the Industrial Revolution, and the rise of nationalism - Assesses the effect of the Revolutions of 1848 on the strength of the connections between the crown and its nobles, as well as its ties to its ecclesiastical elites and the bourgeoisie - Discusses the parallel developments in cultural affairs as the coherence of a world outlook dominated by Catholicism gave way to linguistic and cultural particularism Incorporating the latest research, this broad-ranging study is an essential guide to one of Europe's most powerful and important dynasties.




In Destiny's Hands


Book Description

Justin Vovks In Destinys Hands is the heartbreaking story of five children of Austrias iconic empress, Maria Theresa, who watched as their royal worlds were ripped apart by tragedy and epic misfortunes. These are the stories of Joseph, whose disastrous reign forced Austria to the brink of civil war; Amalia, the brazen and scandalous duchess who married a boy-prince and died exiled and forgotten; Leopold, Maria Theresas unassuming second son, who was the envy of Europe until his tumultuous reign was cut tragically short; Maria Carolina, the very Austrian queen of Naples, who ended her days fighting Napoleon with her dying breath; and Marie Antoinette, the legendary teenage bride, who was hated and reviled as Queen of France and met her ultimate fate on the guillotine, a testimony to her mothers vain ambition. Painstakingly researched and masterfully crafted, In Destinys Hands brings to vivid life the world of the eighteenth century like never before. Readers will find many fascinating details in Vovks In Destinys Hands. Vovk has shed light on these individuals and provided a much needed new work on Maria Theresas progeny. Julia P. Gelardi, author of the critically acclaimed Born to Rule: Five Reigning Consorts, Granddaughters of Queen Victoria and In Triumphs Wake: Royal Mothers, Tragic Daughters, and the Price They Paid For Glory Be prepared for heart break, smiles, and most of all, a roller coaster of enlightenment you will not be able to it down. David Antunes, M.A., author of Napoleons Way: How One Little Man Changed the World




Reform Catholicism and the International Suppression of the Jesuits in Enlightenment Europe


Book Description

An investigation into the role of Reform Catholicism in the international suppression of the Jesuits in 1773​ The Jesuits devoted themselves to preaching the word of God, administering the sacraments, and spreading the faith by missions in both Europe and newly discovered lands abroad. But, in 1773, under intense pressure from the monarchs of Europe, the papacy suppressed the Society of Jesus, an act that reverberated from Europe to the Americas and Southeast Asia. In this scholarly history, Dale Van Kley argues that Reform Catholicism, not a secular Enlightenment, provided the justification for Catholic kings to suppress a society instituted by the papacy. Spanning the years from the mid‑sixteenth century to the onset of the French Revolution, and the Jesuit presence from China to Brazil, this is the only single volume in English to make coherent sense of the series of expulsions that add up to what was arguably the most important religious event in Europe of the time, resulting in the secularization of tens of thousands of Jesuits.