Folklore and Nation in Britain and Ireland


Book Description

This collection explores folklore and folkloristics within the diverse and contested national discourses of Britain and Ireland, examining their role in shaping the islands’ constituent nations from the eighteenth century to our contemporary moment of uncertainty and change. This book is concerned with understanding folklore, particularly through its intersections with the narratives of nation entwined within art, literature, disciplinary practice and lived experience. By following these ideas throughout history into the twenty-first century, the authors show how notions of the folk have inspired and informed varied points from the Brothers Grimm to Brexit. They also examine how folklore has been adapting to the real and imagined changes of recent political events, acquiring newfound global and local rhetorical power. This collection asks why, when and how folklore has been deployed, enacted and considered in the context of national ideologies and ideas of nationhood in Britain and Ireland. Editors Cheeseman and Hart have crafted a thoughtful and timely collection, ideal for students and scholars of folklore, history, literature, anthropology, sociology and media studies.




Magical Folk


Book Description




The Story-Time of the British Empire


Book Description

In The Story-Time of the British Empire, author Sadhana Naithani examines folklore collections compiled by British colonial administrators, military men, missionaries, and women in the British colonies of Africa, Asia, and Australia between 1860 and 1950. Much of this work was accomplished in the context of colonial relations and done by non-folklorists, yet these oral narratives and poetic expressions of non-Europeans were transcribed, translated, published, and discussed internationally. Naithani analyzes the role of folklore scholarship in the construction of colonial cultural politics as well as in the conception of international folklore studies. Since most folklore scholarship and cultural history focuses exclusively on specific nations, there is little study of cross-cultural phenomena about empire and/or postcoloniality. Naithani argues that connecting cultural histories, especially in relation to previously colonized countries, is essential to understanding those countries' folklore, as these folk traditions result from both internal and European influence. The author also makes clear the role folklore and its study played in shaping intercultural perceptions that continue to exist in the academic and popular realms today. The Story-Time of the British Empire is a bold argument for a twenty-first-century vision of folklore studies that is international in scope and that understands folklore as a transnational entity.




Botanical Folk Tales of Britain and Ireland


Book Description

The islands of Britain and Ireland hold a rich heritage of plant folklore and wisdom, from the magical yew tree to the bad-tempered dandelion. Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns. Suitable for all ages, this is an essential collection of stories for anyone interested in botany, the environment and our living heritage.




Woodland Folk Tales of Britain and Ireland


Book Description

Once upon a time, most of Britain and Ireland was covered in woodland. Many of the trees have been cleared, but our connection with the wildwood remains. It is a place of danger, adventure and transformation, where anything could happen. Here is a collection of traditional folk tales of oak, ash and thorn; of hunting forests and rebellion, timber and triumph in battle, wild ghosts and woodwoses. Lisa Schneidau retells some of the old stories and relates them to the trees and forests in the landscape of our islands today.




The Routledge Companion to Folk Horror


Book Description

The Routledge Companion to Folk Horror offers a comprehensive guide to this popular genre. It explores its origins, canonical texts and thinkers, the crucial underlying themes of nostalgia and hauntology, and identifies new trends in the field. Divided into five parts, the first focuses on the history of Folk Horror from medieval texts to the present day. It considers the first wave of contemporary Folk Horror through the films of the ‘unholy trinity’, as well as discussing the influence of ancient gods and early Folk Horror. Part 2 looks at the spaces, landscapes, and cultural relics, which form a central focus for Folk Horror. In Part 3, the contributors examine the rich history of the use of folklore in children’s fiction. The next part discusses recent examples of Folk Horror-infused music and image. Chapters consider the relationship between different genres of music to Folk Horror (such as folk music, black metal, and new wave), sound and performance, comic books, and the Dark Web. Often regarded as British in origin, the final part analyses texts which break this link, as the contributors reveal the larger realms of regional, national, international, and transnational Folk Horror. Featuring 40 contributions, this authoritative collection brings together leading voices in the field. It is an invaluable resource for students and scholars interested in this vibrant genre and its enduring influence on literature, film, music, and culture.




Mythology of the British Isles


Book Description

Recounting stories and legends from the dark centuries of British prehistory to the 9th century AD, Ashe shows how they interrelate and take on fresh significance from historical and archaeological research.




Editing the Nation's Memory


Book Description

Europe¿s nation-states emerged from a complex of nineteenth-century developments in which cultural consciousness-raising played a formative role. The nineteenth-century reflection on Europe¿s national identities involved a re-inventory and revalorisation of the vernacular cultural past and, above all, the nation¿s literary heritage. Everywhere in Europe, foundational texts (including medieval epics and romances, ancient laws and chronicles) were retrieved from their obscure repositories. In new, printed editions, prepared according to the emerging academic standards of textual scholarship, they were appropriated, contested and canonised as public symbols of the nation¿s permanence in history. This often neglected, but crucially important Europe-wide process of `editing the nation¿s memory¿ involved old states and emerging nations, large and small countries, metropolitan and peripheral regions; it straddled politics, the academic professionalization of textual scholarship and of the human sciences, and literary taste. This collection of studies by outstanding specialists offers a comparative synopsis on exemplary cases from all corners of the European continent.




John Mitchel


Book Description

"This is an informative, balanced biography that embraces a man who seemed defined by contradictions. McGovern unravels these to reveal how Mitchel made sense of himself and his world. The result is a must-read book for anyone interested in nineteenth-century Irish and American history." --Susannah U. Bruce, author of The Harp and the Eagle: Irish-American Volunteers and the Union Army, 1861-1865 This book chronicles the life and times of John Mitchel, a radical Irish nationalist who relocated to the American South, where he became an ardent supporter of the Confederacy before and during the Civil War. Mitchel was exiled for his beliefs by the British government in 1848, during the Great Famine (1845-52). Though neither a peasant nor a Catholic, he empathized with the plight of over one million impoverished Irish Catholic emigrants who fled starvation. These expatriates believed that they had been forced unwillingly from their homes by the British government, which they also blamed for causing the famine or at least creating conditions that seriously threatened Irish survival. As a publisher of several expatriate newspapers, Mitchel was able to echo the sentiments of his audience, and perhaps more important, shape the prevailing attitudes of Irish Americans attempting to adjust to a hostile society. Well educated, bourgeois, and respected by the Irish immigrant community, the Protestant Mitchel became an ardent Irish nationalist during a time when most Irish Protestants, including the "Scotch-Irish" in America, were becoming almost uniformly opposed to Irish nationalism. In giving full treatment to his experience in America, this first contemporary biography of Mitchel addresses the basic paradox of his ideology: why an Irish nationalist who called for an end to the British "enslavement" of the Irish enthusiastically supported the slave society of the American South. It thus sheds invaluable light on how Irish nationalism played out on both sides of the Atlantic and on issues of racism and cultural assimilation facing the United States during the mid-nineteenth century. Bryan McGovern is an assistant professor of history at Kennesaw State University. He published an essay on Mitchel in New Hibernia Review.