Follies of God


Book Description

This remarkably illuminating portrait of Tennessee Williams lifts the veil on the heart and soul of his artistic inspiration: the unspoken collaboration between playwright and actor. At a low moment in Williams’s life, he summoned to New Orleans a young twenty-year-old writer, James Grissom, who had written him a letter asking for advice. After a long, intense conversation, Williams sent Grissom on a journey on his behalf to find out if he or his work had mattered to those who had so deeply mattered to him. Among the more than seventy women and men with whom Grissom talked were giants of American theater and film: Lillian Gish, (“the escort who brought me to Blanche”), Jessica Tandy (the original Blanche DuBois on Broadway), Eva Le Gallienne (“She was a stone against which I could rub my talent and feel that it became sharper”), Maureen Stapleton, Julie Harris, Bette Davis, Katherine Hepburn, Elia Kazan, Marlon Brando, John Gielgud, and many more. Follies of God provides dazzling insight into how Williams conjured the dramatic characters and plays that so transformed American theater.




Tennessee Williams: Mad Pilgrimage of the Flesh


Book Description

National Book Critics Circle Award Winner: Biography Category National Book Award Finalist 2015 Winner of the Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters’ Harold D. Vursell Memorial Award A Chicago Tribune 'Best Books of 2014' USA Today: 10 Books We Loved Reading Washington Post, 10 Best Books of 2014 The definitive biography of America's greatest playwright from the celebrated drama critic of The New Yorker. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life—his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin—Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams’s plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams’s tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.




Breaking Up with God


Book Description

"Honest,like down-to-the-core honest, beyond what most people are capable of,especially in public on the topic of faith." —Kelly Corrigan, New York Times bestselling author of The Middle Place Inthe tradition of Barbara Brown Taylor and Sue Monk Kidd, Sarah Sentilles offers a poignant, beautifully wroughtmemoir of her personal crisis of faith. Sentilleswas on the way to becoming a priest when she ultimately faced the truth: she nolonger believed. Her moving story examines the question of how youleave the most powerful being in the universe—and, if you do, where do you go? Breaking Up with God is an inspiringreflection no matter where you stand on the matter of faith.




Mortal Follies


Book Description

It's not that the dignified and rarefied old Episcopal Church quit believing in God. It's that the God you increasingly hear spoken of in Episcopal circles is infinitely tolerant and given to sudden changes of mind - not quite the divinity you thought you were reading about in the scriptures. Episcopalians of the twenty-first century, like their counterparts in other churches of the so-called American mainline - such as Methodists and Presbyterians - seem to prefer a God that the culture would be proud of, as against a culture that God would be proud of. While they work to rebrand and reshelve orthodox Christianity for the modern market, exponents of the new thinking are busy reducing mainstream Christian witness to a shadow of its former self. Mortal Follies is the story of the Episcopal Church's mad dash to catch up with a secular culture fond of self-expression and blissfully relaxed as to norms and truths. An Episcopal layman, William Murchison details how leaders of his church, starting in the late 1960s, looked over the culture of liberation, liked what they saw, and went skipping along with the shifting cultural mood - especially when the culture demanded that the church account for its sins of heterosexism and racism. Episcopalians have blended so deeply into the cultural woodwork that it's hard sometimes to remember that it all began as a divine calling to the normative and the eternal.




Do You Believe?


Book Description

Informal, revealing, unexpected, this book is a captivating and thought-provoking meditation how faith, in all its facets, remains profoundly relevant for and in our culture. “When the Italian writer Antonio Monda sat down to talk religion with American cultural leaders... he went straight for the big questions.” —O, The Oprah Magazine Some of the most well-known and well-respected cultural figures of our time enter into intimate and illuminating conversation about their personal beliefs, about belief itself, about religion, and about God. Antonio Monda is a disarming, rigorous interviewer, asking the most difficult questions (he often begins an interview point blank: “Do you believe in God?”) that lead to the most wide-ranging conversations. An ardent believer himself, Monda talks both with atheists (asked what she feels when she meets a believer, Grace Paley replies: “I respect his thinking and his beliefs, but at the same time I think he’s deluded”) and other believers, their discussion ranging from personal images of God (Michael Cunningham sees God as a black woman, Derek Walcott as a wise old white man with a beard) to religion’s place in American culture, from the afterlife to the concepts of good and evil, from fundamentalism to the Bible. And almost without fail, the conversations turn to questions of art and literature. Toni Morrison discusses Virginia Woolf and William Faulkner, Richard Ford invokes Wallace Stevens, and David Lynch draws attention to the religious aspects of Bu–uel, Fellini...and Harold Ramis's Groundhog Day.




Guts


Book Description

The actress best known for her work on "3rd Rock from the Sun" traces the story of her career and the personal difficulties that challenged her after "3rd Rock" ended.




How the West Really Lost God


Book Description

In this magisterial work, leading cultural critic Mary Eberstadt delivers a powerful new theory about the decline of religion in the Western world. The conventional wisdom is that the West first experienced religious decline, followed by the decline of the family. Eberstadt turns this standard account on its head. Marshalling an impressive array of research, from fascinating historical data on family decline in pre-Revolutionary France to contemporary popular culture both in the United States and Europe, Eberstadt shows that the reverse has also been true: the undermining of the family has further undermined Christianity itself. Drawing on sociology, history, demography, theology, literature, and many other sources, Eberstadt shows that family decline and religious decline have gone hand in hand in the Western world in a way that has not been understood before—that they are, as she puts it in a striking new image summarizing the book’s thesis, “the double helix of society, each dependent on the strength of the other for successful reproduction.” In sobering final chapters, Eberstadt then lays out the enormous ramifications of the mutual demise of family and faith in the West. While it is fashionable in some circles to applaud the decline both of religion and the nuclear family, there are, as Eberstadt reveals, enormous social, economic, civic, and other costs attendant on both declines. Her conclusion considers this tantalizing question: whether the economic and demographic crisis now roiling Europe and spreading to America will have the inadvertent result of reviving the family as the most viable alternative to the failed welfare state—fallout that could also lay the groundwork for a religious revival as well. How the West Really Lost God is both a startlingly original account of how secularization happens and a sweeping brief about why everyone should care. A book written for agnostics as well as believers, atheists as well as “none of the above,” it will permanently change the way every reader understands the two institutions that have hitherto undergirded Western civilization as we know it—family and faith—and the real nature of the relationship between those two pillars of history.




Century Girl


Book Description

The Ziegfeld Follies, Florenz Ziegfeld's stage spectaculars, promised the best performers, the most lavish sets, and the most ravishing girls. Doris Eaton Travis was one of these prized beauties–and, at 14, was chosen as the youngest chorus girl in the Follies. "Mine eyes are yet dim with the luminous beauty of a girl named Doris," one Chicago reviewer wrote. Doris Eaton Travis was the last living Ziegfeld girl. In her 106 years, she performed for presidents and princesses, entertained Gershwin, Lindbergh, and Astaire, starred in silent and talking pictures, bantered with Babe Ruth, offended Henry Ford, outlived six siblings, written a newspaper column, hosted a television show, earned a Phi Beta Kappa degree in history, raised turkeys, and raced horses. In 2010, she performed on Broadway, returned home to Detroit and two weeks later peacefully passed away. Century Girl is a visual tour of this extraordinary woman's journey through life.




The God Who Sees You


Book Description

A refreshing change of perspective for anyone who ever feels invisible, unnoticed, or unappreciated--and that's all of us! Because everthing looks different when you see ... the God who sees you.




A Hell of a Life


Book Description

This intimate, earthy, outrageously blunt memoir by one of the legendary stars of American theater and film is packed with anecdotes about many of Stapleton's associates, including Marilyn Monroe, Elizabeth Taylor, Laurence Olivier, and Marlon Brando. Told in a voice so direct that it is startling, this compelling biography will be a revelation even to those who know this funny lady best. Photos.