The Literary Work of Art


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Roman Ingarden's Ontology and Aesthetics


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A leading Polish philosopher of the 20th century, Roman Ingarden is principally renowned in Western culture for his work in aesthetics and the theory of literature. Jeff Mitscherling demonstrates, in this extensive work, how Ingarden's thought constitutes a major contribution to the more fundamental fields of ontology and metaphysics. Unparalleled in existing literature, Mitscherling's comprehensive survey of Ingarden's philosophy will give the reader an informed introduction to this major work of phenomenological analysis.




The Work of Music


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Controversy Over the Existence of the World


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This is the complete and critical translation into English of Controversy over the Existence of the World by the Polish phenomenologist Roman Ingarden (1893-1970), student and critic of Husserl. Volume I of his three-volume opus magnum offers a fundamental ontological analysis of the modes of being of various types of objects.




Edith Stein Letters to Roman Ingarden


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Edith Stein and Roman Ingarden, both students of Edmund Husserl, the founder of phenomenology, corresponded extensively between 1917 and 1938. These 162 letters, most published here for the first time, reveal a friendship that spanned the adult lives of these two important 20th-century thinkers. Through Stein’s letters, the reader can follow her through her student days, her conversion from Judaism to Catholicism, her professional life, and her decision to become a Carmelite nun in the Carmel of Cologne, where she took the name Teresa Benedicta of the Cross. The letters end in 1938, when the Nazi threat escalating throughout Eastern Europe made correspondence difficult, especially across national borders. Four years later Edith Stein was arrested in the Netherlands by the Nazi SS, transported to Auschwitz, and was killed in the gas chambers. Roman Ingarden survived World War II, continued his academic work in Poland, and died in 1970. Although Ingarden’s letters to her have not been found, Stein’s to him also help us understand the life of this Polish phenomenologist and aesthetician, his life in Poland, his intellectual development, his own writings and academic career, and the editorial assistance Stein provided for all of the works he published in German. Translated from the newest critical German edition by Dr. Hugh Candler Hunt, this premiere English edition of her correspondence—volume 12 of ICS Publications’ Collected Works of Edith Stein—gives us a fascinating and intimate window into Edith Stein’s rich life and personality, revealing her warmth and humor, deep capacity for friendship, and remarkable intellectual and spiritual depth. Book has 13 photos, bibliography and linked index.




Cognition of the Literary Work of Art


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This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.




Roman Ingarden's Philosophy of Literature


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Ingarden's relevance today -- Introduction to the concept of identity -- Some traditional approaches -- Ingarden's general ontology -- Nature and identity of a literary work in American aesthetics -- Nelson Goodman's syntactical identity -- Richard Wolheim's amendment -- Psychologism -- Semantic accounts -- Joseph Margolis's culturally emergent objects -- Phenomenological concept of identity -- Identity of a perceptual object -- The concept of intentionality -- The Concept of constitution -- Ideality and identity of the objectivities of understanding -- Husserl's theory of meaning -- Ingarden's objections to Husserl's transcendental idealism -- Hermeneutic challenges against the possibility of transcendental phenomenology -- Literary work as a schematic structure -- The notion of a 'purely intentional object' -- Schematism -- Structure of a literary work of art -- The stratum of linguistic sound formations -- The stratum of meanings -- Meanings of sentences -- The stratum of presented objects -- The stratum of schematized aspects.




Time and Modes of Being


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Analecta Husserliana


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For Roman Ingarden


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