Pierce Brown’s Red Rising: Sons of Ares Vol. 3: Forbidden Song


Book Description

The third and final book in the Red Rising Graphic Novel series is here! The last two entries into the Sons of Ares had Fitchner on his heels. In the first, he was driven by love and desperation to save his wife Brynn before her execution at the hands of the Board of Quality Control. Then, in book two, Fitchner went head to head with both of his early allies — Arturius and Quicksilver. His wrath left Arturius dead and set back Quicksilver’s dream of expanding exploration and human habitation to other stars. In Forbidden Song, Ares may not always be in control. But he has a plan — and it’s a doozy. FORBIDDEN SONG is one part Ocean’s 11, one part Les Miserable, and it sets the fuse for the Rising that Darrow will inherit.




Forbidden Music


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DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div




Who's Afraid of the Song of the South?


Book Description

Brer Rabbit. Uncle Remus. Song of the South. Racist? Disney thinks so. And that's why it has forbidden the theatrical re-release of its classic film Song of the South since 1986. But is the film racist? Are its themes, its characters, even its music so abominable that Disney has done us a favor by burying the movie in its infamous Vault, where the Company claims it will remain for all time? Disney historian Jim Korkis does not think so. In his newest book, Who's Afraid of the Song of the South?, Korkis examines the film from concept to controversy, and reveals the politics that nearly scuttled the project. Through interviews with many of the artists and animators who created Song of the South, and through his own extensive research, Korkis delivers both the definitive behind-the-scenes history of the film and a balanced analysis of its cultural impact. What else would Disney prefer you did not know? Plenty. Korkis also pulls back the curtain on such dubious chapters in Disney history as: Disney's cinematic attack on venereal disease Ward Kimball's obsession with UFOs Tim Burton's depressed stint at the Disney Studios Walt Disney's nightmares about his stomping an owl to death Wally Wood's Disneyland Memorial Orgy poster J. Edgar Hoover's hefty FBI file on Walt Disney Little Black Sunflower's animated extinction Plus 10 more forbidden tales that Disney wishes would go away. Whether you're a film buff, an armchair academic, or a Disney fan eager to peek behind Disney's magical (and tightly controlled) curtain, you'll discover lots you never knew about Disney. With a foreword by Disney Legend Floyd Norman, Who's Afraid of the Song of the South? is both authoritative and entertaining. Jim Korkis is the best-selling author of Vault of Walt, and has been researching and writing about Disney for over three decades. The Disney Company itself uses his expertise for special projects. Korkis resides in Orlando, Florida.




Light Bringer


Book Description

NEW YORK TIMES BESTSELLER • Darrow returns as Pierce Brown’s New York Times bestselling Red Rising series continues in the thrilling sequel to Dark Age. The Reaper is a legend, more myth than man: the savior of worlds, the leader of the Rising, the breaker of chains. But the Reaper is also Darrow, born of the red soil of Mars: a husband, a father, a friend. Marooned far from home after a devastating defeat on the battlefields of Mercury, Darrow longs to return to his wife and sovereign, Virginia, to defend Mars from its bloodthirsty would-be conqueror Lysander. Lysander longs to destroy the Rising and restore the supremacy of Gold, and will raze the worlds to realize his ambitions. The worlds once needed the Reaper. But now they need Darrow, and Darrow needs the people he loves—Virginia, Cassius, Sevro—in order to defend the Republic. So begins Darrow’s long voyage home, an interplanetary adventure where old friends will reunite, new alliances will be forged, and rivals will clash on the battlefield. Because Eo’s dream is still alive—and after the dark age will come a new age: of light, of victory, of hope. Don’t miss any of Pierce Brown’s Red Rising Saga: RED RISING • GOLDEN SON • MORNING STAR • IRON GOLD • DARK AGE • LIGHT BRINGER




Want


Book Description

Jason Zhou is trying to survive in Taipei, a city plagued by pollution and viruses, but when he discovers the elite are using their wealth to evade the deadly effects, he knows he must do whatever is necessary to fight the corruption and save his city.




The Twentieth Century


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The Nineteenth Century


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Alfred Jarry


Book Description

Alfred Jarry’s (1873–1907) creation of the monster-tyrant Ubu in his play Ubu Roi was a watershed in theater history and brought him instant notoriety following its Paris premiere in 1896. In this concise, critical biography, Jill Fell explores this and the many achievements that this multi-talented and influential writer and playwright crammed into his short life. Drawing on numerous anecdotes and the early publications of the Collège de ’Pataphysique, Fell traces Jarry’s growth and influence, as he rapidly established his literary reputation as a prose writer, journalist, art critic, and playwright. Along the way, Fell explores his interaction with a wide cast of avant-garde characters, including Gauguin, Rachilde, Wilde, Beardsley, and Apollinaire. The quarrels that punctuated Jarry’s life—and the extravagance and the drinking that drained his meager wealth—form the background to this portrait of an obsessive writer, committed to his craft and undeterred by his worsening domestic circumstances. Inthis entertaining biography, Jarry’s spirit and his inventions clearly emerge as an inspiration to the great figures of experimental twentieth-century theatre, art, and literature. Alfred Jarry will inform and delight readers who wish to learn more about this fascinating, unconventional figure.




Experiencing Black Sabbath


Book Description

Black Sabbath has often been credited with inventing heavy metal with their first album released in 1970. Their new style of music was loud, brutal, scary, innovative, and it has greatly influenced heavy metal bands since then. Their five decades of music cross generations of fans, and they remain relevant to this day, with their 2013 album charting #1 in the United States and at least five other countries. In Experiencing Black Sabbath: A Listener’s Companion, musician and scholar Nolan Stolz leads the reader through Sabbath’s twenty studio albums and additional songs, closely examining their music and the storied history of the band. Along the way, Stolz highlights often-overlooked key moments that defined Sabbath’s unique musical style and legacy. Band members’ own words illuminate certain aspects of the music, and Stolz makes connections from song to song, album to album, and sometimes across decades to create an intricate narrative of the band’s entire catalog. Experiencing Black Sabbath reveals the underappreciated genius of these heavy metal progenitors to all rock music lovers and gives even the most fervent Sabbath fans a new perspective on the music.