Form and Functions of Aboriginality in Kim Scott’s Benang 'From the Heart'


Book Description

Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Cologne (Englisches Seminar), course: Classics of Australian Literature in English, language: English, abstract: This term paper wants to examine the forms and functions of Aboriginality in Kim Scott’s novel Benang: From the Heart. Published in 1999 as the author’s second novel, it gained great attention and also won the Miles Franklin Award. Kim Scott is a descendant of the Nyoongar people who have at all times inhabited the south-east coast of Western Australia. They used to be a large homogenous group that shared a common language and culture until the first white settlers landed on their continent. Apart from general mistreatment of these people, Kim Scott’s novel illustrates how an institutionalized genocide of them and other Aboriginal people was attempted. The story not only includes individual stories of several Aboriginal characters, but also official documents, newspaper articles, letters and reports. Like that, Scott creates a counter-narrative to colonial history and gives voices to those who were oppressed by legislations and racism. The paper focuses on one type of Aboriginality, namely Harley’s discovered Aboriginality. This closer investigation includes the other aspects to some extent, as all of them are closely intertwined. In the course of my survey I will try to work out Scott’s way of representing certain aspects and which implications his choice might have for the interpretation of his novel, especially concerning the implications for a construction of Aboriginal identity and for the establishment of a new historical discourse.




Benang


Book Description

I tell you that this story of my own is part of a much older story... one of a perpetual billowing from the sea, with its rhythm of return, return, remain... I offer these words, especially to those of you I embarrass, and who turn away from the shame of seeing me... We are still here, Benang.




True Country


Book Description

A young school teacher is posted to a remote Aboriginal community, and through his experiences, his encounter with the local people, his discovery of the history of the community, his own history and his Aboriginality are revealed. Like many others in the novel, Billy is struggling to find a meaningful cultural identity and to create a better future from the wreckage of the recent history of Aboriginal people. What he finds at Karnama is a disintegrating community, characterised by government handouts, alcoholism, wife-beating, petrol-sniffing and an indifference to traditional beliefs and practices. It is a depressingly familiar litany of social problems which confirms the smug racial stereotypes of the white community to which Billy initially belongs. True Country offers no clear-cut solution to the realities of powerlessness. What it leaves us with is Billy's vision of the 'true country' which he shares with the unnamed Aboriginal narrator in the final pages of the novel.




Kayang & Me


Book Description

A monumental family history of Australia's Wilomin Noongar people, this is a powerful story of community and belonging. Revealing the deep and enduring connections between family, country, culture, and history that lie at the heart of indigenous identity, this book—a mix of storytelling and biography—offers insight into a fascinating community.




That Deadman Dance


Book Description

Set in Western Australia in the first decades of the nineteenth century, That Deadman Dance is a vast, gorgeous novel about the first contact between the Aboriginal Noongar people and the new European settlers. Bobby Wabalanginy is a young Noongar man, smart, resourceful, and eager to please. He befriends the European arrivals, joining them as they hunt whales, till the land, and establish their new colony. He is welcomed into a prosperous white family, and eventually finds himself falling in love with the daughter, Christine. But slowly-by design and by hazard-things begin to change. Not everyone is happy with how the colony is progressing. Livestock mysteriously start to disappear, crops are destroyed, there are "accidents" and injuries on both sides. As the Europeans impose ever-stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind, and Bobby is forced to take sides, inexorably drawn into a series of events that will forever change the future of his country. That Deadman Dance is inevitably tragic, as most stories of European and native contact are. But through Bobby's life, Kim Scott exuberantly explores a moment in time when things could have been different, when black and white lived together in amazement rather than fear of the other, and when the world seemed suddenly twice as large and twice as promising. At once celebratory and heartbreaking, this novel is a unique and important contribution to the literature of native experience.




Poetic Revolutionaries


Book Description

Poetic Revolutionaries is an exploration of the relationship between radical textual practice, social critique and subversion. From an introduction considering recent debates regarding the cultural politics of intertextuality allied to avant-garde practice, the study proceeds to an exploration of texts by a range of writers for whom formal and poetic experimentation is allied to a subversive politics: Jean Genet, Monique Wittig, Angela Carter, Kathy Acker, Kathleen Mary Fallon, Kim Scott and Brian Castro. Drawing on theories of avant-garde practice, intertextuality, parody, representation, and performance such as those of Mikhaïl Bakhtin, Julia Kristeva, Gérard Genette, Margaret A. Rose, Linda Hutcheon, Fredric Jameson, Ross Chambers and Judith Butler, these readings explore how a confluence of writing strategies – covering the structural, narratological, stylistic and scenographic – can work to boost a text’s subversive power.




Writing Cultures


Book Description

Defines Indigenous literature and discusses its special nature. Looks at the current protection of Indigenous heritage and discusses oral stories and their protection. Looks at secrecy and confidentiality and other cultural aspects. Includes sections on use of terminology, editing, publishing, including web publishing. Looks at copyright issues including collaborative works, moral rights, fair dealing and copyright infringement.




Heat and Light


Book Description

In this award-winning work of fiction, Ellen van Neerven leads readers on a journey that is mythical, mystical and still achingly real. Over three parts, van Neerven takes traditional storytelling and gives it a unique, contemporary twist. In 'Heat', we meet several generations of the Kresinger family and the legacy left by the mysterious Pearl. In 'Water', a futuristic world is imagined and the fate of a people threatened. In 'Light', familial ties are challenged and characters are caught between a desire for freedom and a sense of belonging. Heat and Light is an intriguing collection that heralded the arrival of a major new talent in Australian writing.




My Place


Book Description

My Place begins with Sally Morgan tracing the experiences of her own life, growing up in suburban Perth in the fifties and sixties. Through the memories and images of her childhood and adolescence, vague hints and echoes begin to emerge, hidden knowledge is uncovered, and a fascinating story unfolds - a mystery of identity, complete with clues and suggested solutions. Sally Morgan's My Place is a deeply moving account of a search for truth, into which a whole family is gradually drawn; finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.




Fragile Nation, Shattered Land


Book Description

The Syrian state is less than 100 years old, born from the wreckage of World War I. Today it stands in ruins, shattered by brutal civil war. How did this happen? How did the lands that are today Syria survive incorporation with the Ottoman Empire in the sixteenth century and the trials and vicissitudes of the Sultan's rule for four centuries, only to collapse into civil war in recent years? Arguably it was the Ottoman period that laid the fragile foundations of a state that had to endure a turbulent twentieth century under French rule, tentative independence, a brutal and corrupt dictatorship and eventual disintegration in the twenty-first. Across a diverse cast of individuals, rich and poor, James Reilly explores these fractious and formative periods of Ottoman, Egyptian and French rule, and the ways that these contributed to the contradictions and failings of the rule of the Assad family; and to a civil war which produced the so-called Islamic State. In charting Syria's history over the last five centuries in their entirety for the first time, Reilly demonstrates the myriad historical, cultural, social, economic and political factors that bind Syrians together, as well as those that have torn them apart. Based on primary sources, recent historiography in English, French and Arabic and more than 30 years' experience living and working in the region, this is the essential book for understanding modern Syria and the Middle East.