Special Exhibition Catalogue
Author : City Art Museum of St. Louis
Publisher :
Page : 460 pages
File Size : 39,98 MB
Release : 1914
Category : Art
ISBN :
Author : City Art Museum of St. Louis
Publisher :
Page : 460 pages
File Size : 39,98 MB
Release : 1914
Category : Art
ISBN :
Author :
Publisher :
Page : 436 pages
File Size : 16,6 MB
Release : 1914
Category : Art
ISBN :
Author : Pennsylvania Academy of the Fine Arts
Publisher :
Page : 56 pages
File Size : 32,44 MB
Release : 1946
Category : Painting
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 354 pages
File Size : 32,86 MB
Release : 2009
Category : Art
ISBN : 1588393410
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Author :
Publisher :
Page : 542 pages
File Size : 50,86 MB
Release : 1913
Category : Art
ISBN :
Author : Richard H. Love
Publisher : University Rochester Press
Page : 960 pages
File Size : 45,70 MB
Release : 1999
Category : Art
ISBN : 9781580460248
Throughout his life Peters depicted the ordinary places and people of America. From Rochester to Rockport, Peters made an amazingly coherent group of fascinating, masterful American pictures.
Author : Stan Cuba
Publisher : University Press of Colorado
Page : 261 pages
File Size : 25,57 MB
Release : 2015-05-15
Category : History
ISBN : 0942576594
In 1928, the newly organized Denver Artists Guild held its inaugural exhibition in downtown Denver. Little did the participants realize that their initial effort would survive the Great Depression and World War II—and then outlive all of the group’s fifty-two charter members. The guild’s founders worked in many media and pursued a variety of styles. In addition to the oils and watercolors one would expect were masterful pastels by Elsie Haddon Haynes, photographs by Laura Gilpin, sculpture by Gladys Caldwell Fisher and Arnold Rönnebeck, ceramics by Anne Van Briggle Ritter and Paul St. Gaudens, and collages by Pansy Stockton. Styles included realism, impressionism, regionalism, surrealism, and abstraction. Murals by Allen True, Vance Kirkland, John E. Thompson, Louise Ronnebeck, and others graced public and private buildings—secular and religious—in Colorado and throughout the United States. The guild’s artists didn’t just contribute to the fine and decorative arts of Colorado; they enhanced the national reputation of the state. Then, in 1948, the Denver Artists Guild became the stage for a great public debate pitting traditional against modern. The twenty-year-old guild split apart as modernists bolted to form their own group, the Fifteen Colorado Artists. It was a seminal moment: some of the guild’s artists became great modernists, while others remained great traditionalists. Enhanced by period photographs and reproductions of the founding members’ works, The Denver Artists Guild chronicles a vibrant yet overlooked chapter of Colorado’s cultural history. The book includes a walking tour of guild members’ paintings and sculptures viewable in Denver and elsewhere in Colorado, by Leah Naess and author Stan Cuba. In honor of the book’s release, the Byers-Evans House Gallery will showcase a collection of founding guild members’ works starting June 26, 2015. The exhibit, also titled The Denver Artists Guild: Its Founding Members, contains paintings from artists such as the famed Paschal Quackenbush, Louise Ronnebeck, Albert Byron Olson, Elisabeth Spalding, Waldo Love and Vance Kirkland. The show will be on display through September 26, 2015.
Author : Nancy Boas
Publisher : Univ of California Press
Page : 234 pages
File Size : 47,45 MB
Release : 2023-09-01
Category : Art
ISBN : 0520919777
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Author : Yale University
Publisher :
Page : 966 pages
File Size : 35,36 MB
Release : 1913
Category :
ISBN :
Author :
Publisher :
Page : 600 pages
File Size : 46,43 MB
Release : 1910
Category :
ISBN :