Fra Angelico and the Rise of the Florentine Renaissance


Book Description

With illustrations that demonstrate the rich colors and intense light that imbue Fra Angelico’s work, this book takes a deeper look at one of the master painters of the Florentine Renaissance. One of the great fifteenth-century masters, Fra Angelico was one of several painters who shaped the beginnings of the Florentine Renaissance. Although, because of his occupation as a friar, he is sometimes considered separately from his contemporaries, including Masaccio, Masolino, Paolo Uccello, Filippo Lippi, Lorenzo Ghiberti, Donatello, Nanni di Banco, and Filippo Brunelleschi, Fra Angelico and the Rise of the Florentine Renaissance examines his early works and shows that not only was he a participant in the artistic culture of the time, but also a key innovator. Angelico’s breakthrough work from the mid-1420s, the Prado’s great Annunciation altarpiece, is regarded as the first Renaissance-style altarpiece in Florence. Published to accompany the exhibition “Fra Angelico and the Rise of the Florentine Renaissance” at the Museo Nacional del Prado, Madrid, this book reveals the results of the Prado’s extensive conservation and technological research efforts on The Annunciation, as well as two other recently acquired Angelico paintings: the Alba Madonna and the Funeral of Saint Anthony Abbot. Vividly illustrated and deeply illuminating, this book investigates the origins of the Florentine Renaissance and positions Angelico at the heart of the story.







Renaissance Art & Science @ Florence


Book Description

The creativity of the human mind was brilliantly displayed during the Florentine Renaissance when artists, mathematicians, astronomers, apothecaries, architects, and others embraced the interconnectedness of their disciplines. Artists used mathematical perspective in painting and scientific techniques to create new materials; hospitals used art to invigorate the soul; apothecaries prepared and dispensed, often from the same plants, both medicinals for patients and pigments for painters; utilitarian glassware and maps became objects to be admired for their beauty; art enhanced depictions of scientific observations; and innovations in construction made buildings canvases for artistic grandeur. An exploration of these and other intersections of art and science deepens our appreciation of the magnificent contributions of the extraordinary Florentines.




Fra Angelico


Book Description

The fifteenth-century Florentine painter Fra Angelico was a pivotal figure of the Italian Renaissance. The work of this devout Dominican friar was nurtured in Gothic convention, yet came to embody and carry forward the tide of innovation begun by Giotto and others a century before. In frescoes and paintings on wood, Angelico's superb handling of color; his mastery of the new science of perspective, and his delicate modeling of faces and figures have earned him increasing recognition as the greatest successor to Massaccio and an important influence on Piero della Francesca. Prefigurations of the High Renaissance work of Raphael and da Vinci may also be glimpsed in Angelico's mature work. Yet for this deeply religious artist/friar, innovation always served his higher purpose: to inspire the viewer to contemplation, devotion, and awareness of the sacred. Fra Angelico: The Light of the Soul is the first major book devoted to the art of this inspired Renaissance master. Focusing on his work in the museum and cells of the convent of San Marco, Florence, which houses Angelico's finest and most representative work, this beautiful volume contains 190 illustrations reproduced in four colors plus gold. The great frescoes, represented for the first time since their restoration in 1983, are reproduced on onionskin paper to stunning effect, beautifully conveying their luminosity and freshness. Dramatic close-ups, moving details, and startling juxtapositions bring to life the full range of the artist's work--from his famous frescoes, the Crucifixion and Annunciation, to the monumental San Marco and Bosco ai Frati altarpieces, to his small and delicate Scenes from the Life of Christ. -- ‡c From book jacket.




Frame Work


Book Description

Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.




Fra Angelico at San Marco


Book Description

Fra Angelico's fresco paintings at the Dominican priory of San Marco are among the best-loved works of Italian art, yet they have been oddly neglected by art historians. In this beautiful book, William Hood analyzes the newly cleaned frescoes at San Marco, setting them against the background of fifteenth-century Florentine artistic, political, cultural, and religious history. Hood discusses the ideals, daily rituals, and pictorial traditions of the Dominican order - especially the reformed or Observant branch to which Fra Angelico belonged. He presents new material on traditions of religious art, altarpiece design and imagery, and the decoration of chapter rooms and cloisters. Hood compares Fra Angelico's work at San Marco to earlier Dominican altarpieces and to his other altarpieces for Dominican buildings in Siena, Pisa, Prato, and Florence, pointing out both the traditional elements and the startling novelty of the San Marco altarpiece. Similarly, by comparing San Marco to other Florentine fresco cycles, he illuminates the originality of the cloister and chapter-house of San Marco. Hood's discussion of San Marco follows an itinerary through the church and adjoining convent buildings, beginning with the high altarpiece and ending with the corridor paintings - especially the exquisite Annunciation in the corridor of the north dormitory. Throughout, he analyzes Angelico's use of color, his technique in fresco and tempera, the way he solved specific visual problems, and how his paintings affected fifteenth-century viewers. This beautiful book will be an important addition to our understanding of fifteenth-century art and of artistic and cultural practices.




Cosimo De' Medici and the Florentine Renaissance


Book Description

"Cosimo de'Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron, and of the patron's point of view. Recurrent themes in the commissions - from Fra Angelico's San Marco altarpiece to the Medici palace - indicate the main interests to which Cosimo's patronage gave visual expression. Dale Kent offers new insights and perspectives on the individual objects comprising the Medici oeuvre by setting them within the context of civic and popular culture in early Renaissance Florence, and of Cosimo's life as the leader of the Medici lineage and the dominant force in the governing elite." "From the wealth of available documentation illuminating Cosimo de'Medici's life, the author considers how his own experience influenced his patronage; how the culture of Renaissance Florence provided a common idiom for the patron, his artists, and his audience; what he preferred and intended as a patron; and how focussing on his patronage of art alters the image of him that is based on his roles as banker and politician. Cosimo was as much a product as a shaper of Florentine society, Kent concludes. She identifies civic patriotism and devotion as the main themes of his oeuvre and argues that religious imperatives may well have been more important than political ones in shaping the art for which he was responsible and its reception."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




The Mirror, the Window, and the Telescope


Book Description

Edgerton shows how linear perspective emerged in early fifteenth-century Florence out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives and ultimately undermined medieval Christian cosmology.




Fra Angelico


Book Description

Fra Angelico transformed painting in Florence with his pioneering images. Reuniting for the first time his four ingenious reliquaries for Santa Maria Novella, this publication explores his celebrated talents as a storyteller and the artistic contributions that shaped a new ideal of painting.




The Art of Renaissance Europe


Book Description

Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.