Fragments of Prose & Poetry


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A Poet's Glossary


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A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.




Fragments of Prose and Poetry


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Pollen and Fragments


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Fragments of Prose and Poetry (Classic Reprint)


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Excerpt from Fragments of Prose and Poetry Of the poems which follow, a few have ap peared already in a small volume, which was published in 1870, and has for a long time been out of print; some have been collected from the Saturday Review and the Nineteenth Century with the kind permission of the Editors, but the greater number have not yet been given to the public. The obituary notices have hitherto been scattered among the numbers of the Proceedings of the Society for Psychical Research for permission to reprint them I wish to express my gratitude to the Council of the Society. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




DIY MFA


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Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.




Fragments of Prose & Poetry


Book Description




Fragments of Prose Poetry (Classic Reprint)


Book Description

Excerpt from Fragments of Prose Poetry This volume contains some fragments of prose and poetry written by my husband during a period of many years, and on divers subjects; - as such it cannot but appear to a certain degree heterogeneous and disconnected. And yet the singleness of purpose and steadfastness of endeavour which are shown throughout will, I think, give it a sufficient unity in the eyes of those who have sympathised with the author s aspirations or shared his hopes. My husband did not wish the autobiographical chapters at the beginning of this volume to appear until three or four years after his death. A few passages have been omitted from them on account of their references to people still living, but on the other hand, the chapters have been supplemented by various letters, which bring out their true significance and illustrate the progress of the author's earnest thought, from the early years of childhood down to the very last moments of his life upon this earth. There remain many beautiful letters of my husband's both to myself and to friends. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




In Praise of Fragments


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In Praise of Fragments is a collection of various and inter-related works, including a sequence of poems written about Venetian Jewish poet Sarra Copia Sulam (1592-1641), lyric essays about Venice, a suite of poems about Hyderabad, where Alexander lived for many years, and a series of brief sketches of memoir about her childhood in Kerala, the subject of her groundbreaking memoir Fault Lines. The writings are accompanied by a series of sumi ink drawings by Alexander and an afterword by Leah Suffrant.