Frank Lloyd Wright Designs


Book Description

The first major presentation in decades of the visionary drawings of the artist-architect and master designer. Frank Lloyd Wright was an architect of vast and unprecedented vision, whose work is not only still admired by the critics and carefully studied by historians but is also widely beloved. Comfortable spaces, humanly scaled, with extraordinary attention to detail-as seen in a range of architectural forms-are at the center of Wright’s enduring appeal. This vision and attention is nowhere more evident than in the drawings. It has been said that had Wright left us only drawings, and not his buildings as well, he would still be celebrated for his brilliant artistry, and this is borne out here. Even more significant, and shown here as never before, are the magical first moments of invention and inspiration-Wright’s earliest sketches, some never before published-which offer unique insight into the mind of the master architect. Frank Lloyd Wright Designs is the most important and comprehensive book to be published on the drawings, designs, conceptual sketches, elevations, and plans of Wright, with particular emphasis on the development of certain important projects. It includes the best-known and beloved projects-like Fallingwater, The Coonley House, Midway Gardens, the Guggenheim, the Imperial Hotel-as well as a range of intriguing, unfamiliar, and previously unpublished drawings by Wright.




Frank Lloyd Wright


Book Description







Famous Buildings of Frank Lloyd Wright


Book Description

For coloring book enthusiasts and architecture students — 44 finely detailed renderings of Wright home and studio, Unity Temple, Guggenheim Museum, Robie House, Imperial Hotel, more.




Wright Panorama


Book Description

Wright Panorama amplifies the artistry of Frank Lloyd Wright's architecture with expanse. In the more than 140 Tom Schiff panoramic photographs contained in Wright Panorama, Schiff reveals nearly eighty extant buildings in Wright's oeuvre from a unique perspective. Wright Panorama exhibits the great architect's prolific, varied, and iconic body of work, pulling from it a new shape and offering it renewed appeal. Eric Lloyd Wright's compelling foreword to Wright Panorama introduces Tom Schiff and four noteworthy Frank Lloyd Wright scholarsCara Armstrong, Scott W. Perkins, Margo Stipe, and Marta Wojcik. Since Wright's architecture embraced his strong belief in and respect for Nature, these scholars draw from this and contribute essays from a new nature-centric perspective. They further our understanding of the ways each of the natural elementsearth, air, fire, and water influences Wright's life and work. In addition, these four essays utilize Schiff 's images to more fully illustrate the involvement of the natural elements on Wright's organic architecture. In his preface to Wright Panorama, Schiff conveys his desire to acknowledge the "true" as well as extend our framework of seeing, of vision. Schiff likes that his panoramic photography is "true to the landscape as seen by the naked eye" and is both "expansive" and "challenging." He sees the resulting panoramic image in Wright Panorama as "a unique way to see Frank Lloyd Wright's interiors and exteriors, from all vantage points, in one image." Wright Panorama is a continual discovery: A new way of viewing, a new way of discovering the architecture of Frank Lloyd Wright.




Frank Lloyd Wright Designs Sticker Book


Book Description

A great American architect who lived from 1867 to 1959, Frank Lloyd Wright designed houses, office buildings, museums, churches, a doghouse, and a gas station, always insisting that architecture should be organic. Wright thought that most houses were dark and crowded and constricting: he loved sunlight and freedom of movement, and he believed that the best buildings connected to their environments. His early home designs were very linear (or rectangular), with long roofs that went with the flat expanse of the American prairie. Many of these buildings had art glass windowsmade of countless small pieces of tinted glass held in zinc or brass frames. Those windows and other designs inspired the stickers in this book. Wright was taught about shapes at an early age. He used the circle, square, triangle, and hexagon as the basic shapes to create his buildings and his graphic designs. The square became his most recognized shape, as he set his signature on a red square at the bottom right corner of each drawing he approved. Wright once said, Colors; in paste or crayon, pencil; always a thrill. To this day I love to hold a handful of manycolored pencils and open my hand to see them lying loose upon my palm, in the light. 8 page softcover book with 150 reusable paper stickers (50 different designs) featuring designs by Frank Lloyd Wright.




Stained Glass Window Designs of Frank Lloyd Wright


Book Description

Sixteen full-page designs adapted from windows in Wright buildings: Robie House, Dana House, Coonley Playhouse, many more. Geometrics, florals, etc. Color and hang near light source for glowing stained glass effects.




Drawings and Plans of Frank Lloyd Wright


Book Description

The complete Wasmuth drawings, 1910. Wright's early experiments in organic design: 100 plates of buildings from Oak Park period from first edition. Includes Wright's iconoclastic introduction.




The Urbanism of Frank Lloyd Wright


Book Description

This is the first book devoted to Frank Lloyd Wright's designs for remaking the modern city. Stunningly comprehensive, The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect’s work and offers new and important perspectives on the history of modernism. Neil Levine places Wright’s projects, produced over more than fifty years, within their historical, cultural, and physical contexts, while relating them to the theory and practice of urbanism as it evolved over the twentieth century. Levine overturns the conventional view of Wright as an architect who deplored the city and whose urban vision was limited to a utopian plan for a network of agrarian communities he called Broadacre City. Rather, Levine reveals Wright’s larger, more varied, interesting, and complex urbanism, demonstrated across the span of his lengthy career. Beginning with Wright’s plans from the late 1890s through the early 1910s for reforming residential urban neighborhoods, mainly in Chicago, and continuing through projects from the 1920s through the 1950s for commercial, mixed-use, civic, and cultural centers for Chicago, Madison, Washington, Pittsburgh, and Baghdad, Levine demonstrates Wright’s place among the leading contributors to the creation of the modern city. Wright’s often spectacular designs are shown to be those of an innovative precursor and creative participant in the world of ideas that shaped the modern metropolis. Lavishly illustrated with drawings, plans, maps, and photographs, this book features the first extensive new photography of materials from the Frank Lloyd Wright Foundation Archives. The Urbanism of Frank Lloyd Wright will serve as one of the most important books on the architect for years to come.




The Vision of Frank Lloyd Wright


Book Description

Architectural genius Frank Lloyd Wright's designs continue to amaze people. This complete collection of his designs brings them to your home.